Category Archives: landscape

More paintings from the Snake River

Snake River, Idaho, II, watercolor, pen and ink, Kit Miracle

Tomorrow (Veteran’s Day) is the final day of my landscape painting class.  We have been using watercolor with pen and ink added for details.  It’s been a great class but a little challenging for me.  I usually like to include something man-made in a landscape painting to give it that human touch, as well as to provide scale.

Most of the paintings we’ve done this class have been pure landscapes without any notion of a human in sight.

Tomorrow’s painting will involve a subject with a water feature.  Looking through some of my thousand of photographs, I decided to add a water feature since this is pretty common to landscape paintings.

Here are two simple compositions of the Snake River in the southeast area of Idaho.  The paintings are created with about five or six colors, but certainly less than eight.

Palisades Reservoir, Snake River, Idaho. Watercolor, pen and ink, Kit Miracle

One shows the reservoir lake as the viewer is looking into the sun. The other shows the Snake River with the sun at the back of the artist.  Both are relatively simple landscapes but should be challenging for a class of beginners to try.

Painting the Snake River

Final, Snake River painting. The final step is to use some pen and ink to add some details but be careful not to add too much. I suggest that you zoom in on the image so you can get a better idea of what I’ve done. It’s really just a lot of scribbling and very loose calligraphy.

I mentioned last week that I’m teaching a watercolor landscape painting class. I let the class choose which subject they wanted to paint and they selected the colorful sunset.  Well, it seemed easy but was a little more difficult than they thought.   I’ve painted that scene three times and none of them have turned out exactly the same.

So, I thought I would try to find something a little easier for the class.  One of my selections is this scene from a trip we took out West several years ago. This is the Snake River in Idaho near Palisades Reservoir.  Such beautiful country out there.

Snake River, original photo upon which the painting was based. As you can see, I eliminated many of the shrubs in the foreground to better draw attention to the river and the mountain.

This is a classic landscape valley with pretty clouds and blue sky, a nice piney mountain, a river, and some trees up front leading us into the scene.  I only used eight colors for this painting,  three brushes, and my fade-proof ink pen.  The paper is Arches, French-made of 100% cotton rag.  The painting time was about two hours.

To see a step-by-step view of the process, click here or go to Artworks and scroll down to Snake River Landscape.

Juicing up your painting colors

Bill’s Gate, Autumn, watercolor, pen and ink, Kit Miracle

I’m teaching a class in landscape painting, watercolor with pen and ink. Last week I asked the students which picture they preferred, the regular photo or the one with the juiced up colors.  They all agreed that they liked the one with the brighter, more emphasized colors.

It is often a difficult choice for artists who paint in a realistic style, of whether to paint exactly what they see or to change things to suit themselves.  I tend to change things to suit me.  Personally, I like paintings with a little extra pop in color.  Not to go garish, but to just add an extra emphasis.

Below are some comparisons between the original photos, the juiced up photos, and the final paintings.

Which do you prefer?  Would love to hear your comments.

Autumn sunset photo before enhancement.

Autumn sunset with color saturation.

Autumn Sunset, painted with the enhanced colors. Watercolor, pen and ink, Kit Miracle

East field in fall, before enhancement.

East field in fall, after enhancement. I wanted to emphasize the warm autumn colors in the trees in the distance.

East Field in Autumn, watercolor, pen and ink, Kit Miracle

Florida Keys before color correction.

Florida Keys after photo saturation.

Florida Keys painted from the color saturated photo. The water down there is actually a turquoise color but it’s a great place to spend a morning in the shade.

Wickliffe Road without color enhancement.

Wickliffe Road, Watercolor, pen and ink, Kit Miracle

 

 

 

A walk through the yard

After weeks of oppressive heat and no rain, we finally had a few storms blow through here earlier this week.  Not only did the yard and garden receive a beneficial watering, but the temperatures have dropped to actually pleasant for late August.  The windows are flung open and I can’t help but want to play outside.

Chicken in the Woods fungi. Such a beautiful color and shape. This is supposed to be edible but I’m not too fond of wild mushrooms.

This evening the dog and I took a walk around the yard to see what was going on.  The first thing to catch my eye was a spectacular Chicken of the Woods mushroom.  It grows in about the same place every year.  It’s supposed to be edible and is highly sought after, but I’m not much for wild fungi.

Garden sunflowers about a week ago. Some of these beauties were over twelve feet tall!

Sunflowers down after the big storm blew through here earlier this week.

This sunflower seed head is already being harvested by the little critters.

And here are two photos of my giant sunflowers.  One from a week ago.  And the other from a few days ago, after the storm knocked them down. Well, all is not wasted.  Apparently the critters are already feasting on the seeds.  Enough flowers are still standing for the hummingbirds and finches, too.

Wild Joe Pye weed is a perennial which grows throughout the Midwest. The butterflies love it and it’s supposed to have been valued for its medicinal properties by the pioneers.

Our yard is surrounded by fields and woods.  There are banks of Joe Pye weed and Jewel-weed.  So pretty for summer bouquets.

We planted this peach tree over thirty years ago. It blew over many years ago but has managed to survive and even provide some of the sweetest peaches I’ve ever eaten….if I can get to them before the animals do.

And here is an old survivor, a thirty year old peach tree which still produces.

Damage to cedar bench from wood bees (Carpenter bees), and the wood peckers who went after their larvae.

As a little sidebar, I am showing you the damage to the cedar benches we refinished a couple of years ago.  The wood bees (Carpenter bee), digs a hole into the wood and lays her eggs.  This only causes a little round hole but the inside is eaten out like a honeycomb which weakens the wood.  The real damage you see are from the pileated woodpeckers who are going after the larvae.  Gggggggggggrrrrrr.

The last lily of the season. I’ve drawn and painted this one many times.

Here is a photo of the last lily of the summer.  It is a beautiful peach color with a yellow interior.  I’m not sure what variety this is but I have painted it several times over the years.

Beautiful large hosta blooming in late August. Variety Plantaginea Aphrodite.

Finally, these large white hostas (Plantaginea Aphrodite) are just coming out.  They’re the last of my hostas to bloom in the garden.  They have large white bell-shaped flowers and a heavenly perfume.  I especially like the whorls of flowers.  They’re very hardy and need little care.

So, this is just a walk though my little corner of the world.  I hope that you have someplace where you can enjoy a bit of the outdoors, to reflect and just admire.

In every walk in nature, one receives far more than he seeks.

  John Muir

Spring cleanup

These cheery yellow crocuses are the first to bloom this year. They get extra warmth and shelter near this rock wall.

After what seems like weeks of rain, wind and generally yucky weather (yes, that is an actual meteorological description in the Midwest), we finally had a beautiful sunny and relatively warm day with temps in the 50s.  I couldn’t wait to get outside for a bit.  This is the time of year to clean up all the winter debris.  I know I raked those flower beds so where did all these leaves come from?

This is just a small portion of the area still covered by the chestnut seed hulls. I raked four wheelbarrow loads today and have as much again to rake tomorrow. They didn’t decompose much over the winter.

A big mess in the yard was our last chestnut which we cut down a week ago.  We had already cut down two companions previously.  The Chinese chestnut is a beautifully shaped tree with an umbrella-shaped top, large leaves, beautiful grayish bark and, of course, lots of chestnuts.  These trees were very prolific.  This would not normally be a problem as we have plenty of room – ninety acres, remember – and we have loads of other nut-bearing trees.  Oaks, walnuts, hickory, plus fruit trees.

Chestnut seed hulls remind me of spiny sea urchins. They are very painful to handle or step on. I only use leather gloves to work with them.

However, chestnuts have a seed hull which is very prickly, like a spiny sea urchin.  You can only handle them with leather gloves and they are very painful to step on.  They are also very prolific. When we cut down the first two chestnuts, we thought that we wouldn’t get any more seed pods without the pollinators.  That was a mistaken idea.  As you can see by the debris on the ground, there was still plenty to clean up.

I spent a couple of hours raking and gathered four wheelbarrow loads of hulls.  There is still as much again to do tomorrow.  What I couldn’t rake will eventually decompose but it will probably be a few years before anyone can go barefoot in that part of the yard.

Chestnut woodpile. All of this wood came from one tree.

Chestnut wood is beautiful with a grayish-green color and kind of stripey. It is also very dense and heavy.

It was a beautiful day.  The first crocuses were finally brave enough to pop out.  I even spotted a few spring beauties in bloom.  In about a month, they will carpet the lawn so it looks like snow.

One of my favorite wildflowers and early harbinger of spring. Spring beauties have a delicate pink stripe which can’t be seen in this photo. I’ll try for another shot later.

I sure was ready for lunch and a rest.  And our dog Mikey was ready, too.  Keeping me company and following me around was hard work.

You are like a chestnut burr, prickly outside, but silky-soft within, and a sweet kernel, if one can only get at it.  Love will make you show your heart someday, and then the rough burr will fall off.

Louisa May Alcott

High Noon, a street scene

High Noon, acrylic on canvas, 24 x 36, Kit Miracle
cityscape, landscape

I had the idea for this painting rolling around in my head for some time. The middle of the day is not my favorite time to paint as the shadows are often small and the colors are too washed out. However, I wanted to try this back-lit village scene with the street, buildings and cars.

High Noon, detail 1, showing the contre jour lighting and impressionistic brush strokes, Kit Miracle

There weren’t really any people around at the time that I took the reference photos for this painting which is surprising considering all the cars that were there.  I decided to add some people to the landscape to give it more life.

The challenge for a painting like this is, first, to get the perspective correct.  Perspective can be conveyed not only from the actual drawing but distance is also indicated by the shading. The farther away the objects, the lighter the shading. The second challenge is to ensure that the colors are right, that enough details are included without being too focused on details. It’s all a matter of balance.

High Noon, detail 2.  Adding people to a street scene makes it come alive but you don’t need to include every detail. Let the viewer’s eye fill in the story.

I added more color to the street to “lay it down”, that is, to make sure it didn’t appear floating.  This is where having a lot of experience in plein air painting helps.  Photos often make the darks too dark and the lights too light.  Copying a photo exactly often gives unsatisfying results.

Overall, I liked the challenge of this painting.  It has been on display at a local gallery and many people have recognized the scene and commented on it.

Fall Scene with Bridge

Fall Scene with Bridge, acrylic on canvas board, 12 x 16, Kit Miracle

I love to drive around on the roads in this part of the country.  Especially this time of year, the trees are golden and a multitude of other colors.  Just looking at the scenery makes my heart sing.

This is a little one lane bridge in my county.  My son commented the other day that it’s amazing that up close, impressionistic painting looks just like a bunch of fuzzy blobs, but step back a few feet, and the whole scene looks realistic and inviting.

I couldn’t agree more.  It’s all an optical illusion.

Trees at Alton, Indiana, on the Ohio River

Trees at Alton, Indiana, on the Ohio River. Plein air, 12 x 16, Kit Miracle

Yesterday I drove up to Indianapolis to drop off a couple of paintings at the Indiana Plein Art Painters Association annual member exhibit.  I haven’t entered this before, mostly because of the three hour drive.  But the day was a beautiful fall day, starting off with some fog in low-lying areas. The fall colors were breathtaking.  For those of you who think Indiana is represented by flat cornfields, nothing could be further from the truth.  The southern part consists of beautiful hills, rivers, and streams covered mostly by deciduous forests.  This time of year, the landscape is a panorama of golds and reds.  It was just a glorious day for a drive.

One of the two paintings I entered is Trees at Alton, Indiana, on the Ohio River.  I just painted this back in late September.  As you can see, the tall trees on the left are just beginning to show some color.  Alton is a tiny little collection of houses and has been flooded many times over the years. But the people who live here are passionate about living on the Ohio River so they always come back.  There is something mesmerizing about the big river with its barges and other river traffic.  I can just sit and watch the river for hours.

This scene is pretty classic.  Just some trees, a path leading into the picture, a river and some hills.  A very peaceful vista.

If you’re interested in seeing the whole exhibit, it is at the Hoosier Salon Gallery in Carmel, just north of Indianapolis.  The exhibit runs from November 10th  through  December 14th.  The reception is Saturday,, November 10th 5-9 pm.  There are many beautiful paintings of all parts of Indiana and most of the work is for sale. Take a gander at this exhibit and visit lovely downtown Carmel with its many arty and eclectic shops and eateries.  A great time for some holiday shopping.

Visiting the Falls of the Ohio

Falls of the Ohio II, acrylic on canvas, 16 x 20, Kit Miracle. This view is looking back towards the shore from the beds, where the puddles reflect the cloudy sky and trees.

A couple of weeks ago my husband and I took a day trip to the Falls of the Ohio in New Albany, Indiana.  Although it’s only a short drive away, I had never been there.

The Falls of the Ohio is an Indiana state park set on the edge of the Ohio River.  It features large fossil beds which visitors can climb over.  You can view thousands of fossils right beneath your feet.  As the level of the river drops, more layers of fossils are uncovered.

Falls of the Ohio I, acrylic on canvas, 16 x 20, Kit Miracle. View from the treeline at the Falls, across the river towards Louisville. We saw a train crossing the bridge while we were there.

The day we visited was an in and out day, with showers alternating with sun.  I particularly loved the setting along the river.  The old trees, the puddles reflecting the trees, the skyline of Louisville across the river.  We even saw a train crossing the old bridge.

There is an interpretive center which has a fee but the visit to the Falls is free.  If you go there, it is a bit tricky to find but follow the signs.  Obviously it’s on the river so you will be looking for River Road.  Take a picnic lunch or travel along River Road to eat lunch at one of the many neat restaurants in the area.  You can even follow the road east to Jeffersonville to the walking bridge over the Ohio.

All in all, an enjoyable day. It’s good to try something new.

What’s in a name?

East Field in Evening, tetraptych, acrylic on canvas, Kit Miracle

This week I created a set of paintings but I’m not quite sure what to call them.  They are of our east field in the evening, showing the stretching shadows.

I started with one painting, the one on the far right, and that just lead to another and another and another.  Four in all…so far.  I’m actually working on a fifth one.

Since these are all painted from the same vantage point, it’s not quite a series which I consider to be more of the same subject but not necessarily from the same view.  This set of paintings creates one broad vista, each overlapping by a quarter to a third.  They don’t exactly match as far as horizon and it wasn’t my intention to do so.  But I did want to convey the same feel.  Although they work well together as a connected work of art, the individual paintings each stands alone as far as composition and technique.

My question is, what does one call four (soon to be five) paintings of the same larger subject but from the same vantage point?  If a diptych is two paintings, and a triptych is three, what is four or five?

The best information I can find is a polyptych or maybe a tetraptych or soon to be a pentaptych.  Doesn’t exactly fall off the tongue, does it?

What is your opinion?

East Field in Evening 1, acrylic on canvas, 16 x 20, Kit Miracle

East Field in Evening 2, acrylic on canvas, 16 x 20, Kit Miracle

East Field in Evening 3, acrylic on canvas, 16 x 20, Kit Miracle

East Field in Evening 4, acrylic on canvas, 16 x 20, Kit Miracle

 

“Whatever you eye falls on – for it will fall on what you love – will lead you to the questions of your life, the questions that are incumbent upon you to answer, because that is how the mind works in concert with the eye. The things of this world draw us where we need to go.” 
― Mary Rose O’ReilleyThe Barn at the End of the World: The Apprenticeship of a Quaker, Buddhist Shepherd