Category Archives: landscape

Visiting the Falls of the Ohio

Falls of the Ohio II, acrylic on canvas, 16 x 20, Kit Miracle. This view is looking back towards the shore from the beds, where the puddles reflect the cloudy sky and trees.

A couple of weeks ago my husband and I took a day trip to the Falls of the Ohio in New Albany, Indiana.  Although it’s only a short drive away, I had never been there.

The Falls of the Ohio is an Indiana state park set on the edge of the Ohio River.  It features large fossil beds which visitors can climb over.  You can view thousands of fossils right beneath your feet.  As the level of the river drops, more layers of fossils are uncovered.

Falls of the Ohio I, acrylic on canvas, 16 x 20, Kit Miracle. View from the treeline at the Falls, across the river towards Louisville. We saw a train crossing the bridge while we were there.

The day we visited was an in and out day, with showers alternating with sun.  I particularly loved the setting along the river.  The old trees, the puddles reflecting the trees, the skyline of Louisville across the river.  We even saw a train crossing the old bridge.

There is an interpretive center which has a fee but the visit to the Falls is free.  If you go there, it is a bit tricky to find but follow the signs.  Obviously it’s on the river so you will be looking for River Road.  Take a picnic lunch or travel along River Road to eat lunch at one of the many neat restaurants in the area.  You can even follow the road east to Jeffersonville to the walking bridge over the Ohio.

All in all, an enjoyable day. It’s good to try something new.

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What’s in a name?

East Field in Evening, tetraptych, acrylic on canvas, Kit Miracle

This week I created a set of paintings but I’m not quite sure what to call them.  They are of our east field in the evening, showing the stretching shadows.

I started with one painting, the one on the far right, and that just lead to another and another and another.  Four in all…so far.  I’m actually working on a fifth one.

Since these are all painted from the same vantage point, it’s not quite a series which I consider to be more of the same subject but not necessarily from the same view.  This set of paintings creates one broad vista, each overlapping by a quarter to a third.  They don’t exactly match as far as horizon and it wasn’t my intention to do so.  But I did want to convey the same feel.  Although they work well together as a connected work of art, the individual paintings each stands alone as far as composition and technique.

My question is, what does one call four (soon to be five) paintings of the same larger subject but from the same vantage point?  If a diptych is two paintings, and a triptych is three, what is four or five?

The best information I can find is a polyptych or maybe a tetraptych or soon to be a pentaptych.  Doesn’t exactly fall off the tongue, does it?

What is your opinion?

East Field in Evening 1, acrylic on canvas, 16 x 20, Kit Miracle

East Field in Evening 2, acrylic on canvas, 16 x 20, Kit Miracle

East Field in Evening 3, acrylic on canvas, 16 x 20, Kit Miracle

East Field in Evening 4, acrylic on canvas, 16 x 20, Kit Miracle

 

“Whatever you eye falls on – for it will fall on what you love – will lead you to the questions of your life, the questions that are incumbent upon you to answer, because that is how the mind works in concert with the eye. The things of this world draw us where we need to go.” 
― Mary Rose O’ReilleyThe Barn at the End of the World: The Apprenticeship of a Quaker, Buddhist Shepherd

Wyoming Landscape

Wyoming Landscape, original painting, acrylic on canvas, near the Shoshone River, impressionistic style, Kit Miracle

If you have never visited the western United States, you really must do so someday.  I particularly love Wyoming, Yellowstone and the Grand Tetons.  However, when my husband and I visited a few years ago, we took the northern route across the Big Horn mountain range, (a nail-biter for sure).  After we crossed the mountains and were heading to Cody for the night, we drove along this river valley.

The scenery is just so beautiful.  Peaceful and with the bluest sky you’ve ever seen.  I imagine it’s a different story in the winter but this was summer.  As I searched through old photos earlier this week, this subject caught my eye.  Of course, much editing as usual, but the landscape just called to me.  Oh, how I want to visit again.

This is painted in acrylic on stretched canvas.  I’ve painted the edges black so the painting doesn’t necessarily need a frame.  Such a peaceful painting.  Enjoy!

Magic Rocks, Painting the Vortexes of Arizona

Cathedral Rock, original painting, 12 x 16, impasto, Kit Miracle

Whether or not you believe in the magic energy of vortexes, any visitor to Sedona, Arizona will immediately be struck with just how beautiful the area is.  The red rocks with the green juniper trees set against the azure blue skies are just breathtaking.

A few years ago I spent time in Sedona doing some plein air painting.  I got up early in the morning or went out again in the late afternoon to catch the light I love so much.

Bell Rock at Sunset, original painting, 12 x 16, impasto, Kit Miracle

This past week, I revisited my photos and sketches from the trip and decided to paint some of my favorite areas again.  This time, the paintings are a little larger and have some heavy impasto paint to add texture.  I just had so much fun recalling the trip and the time and places while I was working.

Cathedral Rock, back. Original painting, acrylic on canvas board, impasto, 12 x 16, Kit Miracle

Check out these paintings of two of the four vortex rock paintings.  Click on the paintings to see closer views which show the texture of the paint.  Of course, they’ll be for sale on my Etsy shop soon.  I still need to paint the last two sites in the series, Airport Rock and Boynton.

Flower Market – Provence, France

Flower Market, Jardin du Sur, Uzes, Provence, France. 16 x 20 on red-toned canvas panel. Kit Miracle This shows the final painting. I have sharpened some of the details and added more. I deliberately did not concentrate on the white labels for the flower pots as I thought they would be too distracting. Overall, I like the painting but it seems a bit busy.

Small Flower Market, Uzes, Provence, France. 16 x 12. Kit Miracle Final painting. I like the way the path leads the eye to the main figures. Plenty of color but it works for the subject.

Several years ago I had the opportunity to bike through Provence, France.  It was the opportunity of a lifetime.  I fell in love with the area.

One of our stops was in Uzes at the Jardin du Sur.  This was wonderful open air flower market on a very hot Sunday.  I spent quite some time there, sketching, taking photos, writing postcards, and, of course, buying a souvenir or two.  The flowers and the people were so inspiring.

A few weeks ago, I was going through the old photos and my journal when I came across these references to the flower market.  I decided to create the larger painting first which is on a red-toned canvas panel.  After I was finished with it, it seemed a bit too busy even though I had cut out many details.

Then I decided to do another painting of the same scene but just a close-up of the two main figures. This was on a canvas which I had toned fuchsia!  Yes, really!  I think I like the second canvas better but what do you think?

Anyway, if you’d like to see a step-by-step, visit this page where you can follow along on both of the paintings.

Winter vacation in the Florida Keys

My husband and I were able to take our first winter vacation in a very long time.  We chose the Florida Keys which we hadn’t visited for over 30 years.  Oh, it was so nice to bask in the warmth of the sun.

Plein air painting of Among the Mangroves, Florida Keys 2017

Plein air painting of Among the Mangroves, Florida Keys 2017

Among the mangroves, Florida Keys 2017

Among the mangroves, Florida Keys 2017

One of the nicest parts about the Keys is that there are so many places that visitors can pull over to fish…or in my case…paint.  The Pentalic Aqua Journal (5 x 8) is perfect for painting broad landscapes. In the first painting, I was sitting in the shade while trying to capture the feel of being tucked away in the mangroves.  The photos don’t do justice to the amazing aqua waters but it’s a nice memory.

Plien Air Painting from the park in the middle of Marathon, Florida Keys

Plien Air Painting from the park in the middle of Marathon, Florida Keys

Photo from the location I painted from the Marathon park.

Photo from the location I painted from the Marathon park.

The second painting was from a small park in the heart of Marathon.  I liked the way the house across the inlet was framed by the pine tree.  I took liberties to emphasize the house, actually more than I could really see it.  Oh, well, that’s what artists do.  Enjoy

Studio Work

Like many artists in winter, I don’t have much time to get outdoors to paint. By the time I get home from work, it’s usually dark. However, I paint every week, often several evenings. These are some recent paintings from photos that I took this autumn.  One is from a trip to the Indiana Dunes in 2015.

As a contemporary impressionist, I try to capture the “feel” of the scene rather than every little detail.  It is often difficult to restrain myself.  I think in this day and age, with the benefit of photos, many artists often fall prey to the tendency of painting every detail which has been captured by the camera.  But that is not actually the way we see.  We see what is directly in front of us but the peripheral edges are often lost. The advent of modern photography continues to tempt us.  But that is not why we are artists. Anyone can take a photo but only the few can interpret their feelings in an artistic medium.

Indiana Dunes, 2015, oil on canvas board, 12 x 16, Kit Miracle

Indiana Dunes, 2015, oil on canvas board, 12 x 16, Kit Miracle

This first painting is from a trip that we made to the Indiana Dunes in 2015.  Surprising enough, this national park is set on the shore of Lake Michigan in northern Indiana.  It seems to have been carved from an industrial landscape but if you spend some quiet time here, you can imagine what the shore was like 100 years ago.  I wish I had painted this with a little warmer tones but that is in hindsight.  Love the sketchiness of the trees and the ever-moving sand.

Fall Walk, 16 x 20, oil on canvas, Kit Miracle

Fall Walk, 16 x 20, oil on canvas, Kit Miracle

This next painting is from a photo I took on a walk along my country road this autumn.  It is difficult to not go overboard with the bright colors which could lean to garishness.  I had to make a great effort to push back the far trees to add some atmosphere which enhanced the foreground trees and the lovely green of the cattle pasture to the right.

Frosty Field in Autumn, 12 x 16, oil on canvas, Kit Miracle

Frosty Field in Autumn, 12 x 16, oil on canvas, Kit Miracle

The final painting is just a glance out my bathroom window one frosty morning.  Love the early morning light catching the pine tree with the colorful woods behind.  Not so successful capturing the feeling of frost.  It looks more like a river or lake but there you have it.  As any experienced artist knows, not every painting turns out as we wish.  But we always learn something, even from our failures.