Monthly Archives: January 2020

Rereading favorite books

Just a small portion of my personal book addiction. I should also mention that I have library cards from two counties!

Winter is a time of forced indoor activities, or at least, that’s my excuse.

I’ve been culling some of my many books for donation and have come across some of my favorites, probably too tattered to donate.  I was thinking about if I could only have ten books to read, maybe on that proverbial deserted island, what would they be?  That actually led me to contemplating rereading some of my favorites.  Books that may (or probably not) end up in the donation pile.

These are just some of my favorites, most read many times but at least twice…or more.  These days I cheat a little and will get the recorded book from the library to listen to while I’m in my studio, but they’re still on my list.

In no particular order:

Barbara Kingsolver, Animal Dreams and The Bean Trees.  Plus, just about anything else she has written.  I love her observations and narrative.  She has introduced me to different ways of life, different ways of living, that I never knew existed.

Louisa May Alcott, Little Women and Little Men.  I always thought Laurie was a sap and Amy was a spoiled brat.  But I actually like Little Men much better.  I haven’t seen any of the recent movie remakes but will probably catch them on TV later.  My imagination is always better than the movie.

Robert McCammon, Boy’s Life.  This was a gift from my father many years ago and has nothing to do with the magazine of that name.  It’s a delightful coming of age tale with so many twists and plot threads that it’s often difficult to keep up with.  I’ve read it several times including once aloud to my sons when they were young.  One of them recently borrowed it again.

Jean M. Auel, Clan of the Cave Bear and Valley of Horses.  I’ve read these several times and recently pulled them off the shelves again.  I even read them to the boys, skipping the juicy parts, and they have borrowed them again.  I didn’t care for some of the later books in the series but these were still thought-provoking.

Niven and Pournelle, Lucifer’s Hammer.  I first read this on vacation in Florida many years ago and it has been a hit with the family since then.

Shel Silverstein, all.  Love every book of his and am now reading them to the grandchildren. Just the irreverent attitude and silly poems and puns. And who doesn’t love The Giving Tree?

Raymond Jones, The Alien.  First read this back in high school when I was in my aliens and outer space period and a few times since. Might have to reread this again.

Norman Vincent Peale, The Power of Positive Thinking.  I read this when I was very young and I think it has an effect on my life ever since.  It gave me the idea that with enough effort, I could pretty much be whatever I wanted to be.  Looking back now, it seems a little simplistic, but it was a good push at a young age.

Robert Henri, The Art Spirit.  A major inspiration for artists and probably on lots of studio bookshelves.

Bayles and Orland, Art and Fear.  I reviewed this book not long ago and have read it several times.  I find something new in it every single time.  Another great inspiration.

David Lynch, Catching the Big Fish.  This book has prompted me to look at life with new eyes and an open attitude.  Another inspirational book for artists, writers and any creative person.

Mihaly Csikszentmihalyi. Flow and Creativity.  I particularly liked his research on flow, that feeling of being one with whatever you’re doing, whether that is painting, gardening, biking, whatever.  You get so involved with what you’re doing that you just go away in your head for awhile and return to the results a few hours later.  This really works for me and other people that I’ve talked to.  It might be likened to a creative meditation trance.  For me, at least.

Johanna Spyri, Heidi.  And her other books.  I’ll admit that I read this many times when I was young but when I tried to read it to my granddaughter, it just wasn’t the same.  Probably dated, by now.

Anna Sewell, Black Beauty.  Another children’s book that is getting pretty dated now, but still, most girls love horses, so there’s that.

Agatha Christie, any, all.  I think I have the complete works of Agatha Christie in various book forms.  Used to love these books and would reread them endlessly.  I loved the England of the era of Miss Marple but those days are gone now.  Might be time to donate this collection.

I remember the time when my best friend Mary and I would always have a mystery or sci-fi book tucked into our purses for those moments when we had to wait after school for someone to pick us up, or on road trips or vacations.  I wonder if teens still do this?  I know my granddaughter is happy to take a bag of reading material with her on vacation.  I still do.  But I also am as likely to read a book on my phone at the hairdresser or while waiting for a meeting to begin as with a physical books.

What do you think?  What favorites have you reread or are still rereading?  Are any of these books on your list, too?

Making temporary fixes to a painting

Far Horizons, original painting, acrylic on toned canvas, 20 x 24, Kit Miracle This is the original painting with portions of the toned canvas (raw sienna mostly) showing through as well as the original charcoal sketch on the canvas.

A few weeks ago I posted about changing the background of a painting.  I took a standard flower painting from a traditional dark background to a colorful reddish-orange background to a mixed background.  Someone asked me if I made the changes on the actual painting.  Yes, I did.  I like the painting but I’ve long passed the point of where every one is precious to me.  As the artiste, I feel it is my right to paint how I wish and what I wish.

However, I’m going to show you a neat little trick which will allow you to make temporary changes to a painting.  Here you can try out new ideas, new approaches without making permanent changes.

I have a large roll of acetate film which I used to use for wrapping large matted but not framed paintings, particularly watercolors.  This kept the paintings clean and protected them from fingerprint smudges and other dirt.  Great to use in art bins or wherever you want to display your work in public. You can buy acetate in rolls or sheets.

The painting that I’m demonstrating with is titled Far Horizons.  It shows my granddaughter looking out over the Grand Canyon. Not only does the painting depict the distant views of the Grand Canyon, but the deeper meaning of a young girl looking out to the future.

Although I love the composition of the painting, it somehow didn’t seem to give the impression of really far horizons, as anyone who has visited the great canyon can attest.  So I wanted to try to lighten the background as a test.

Far Horizons, 1st step. A clear acetate sheet has been taped over the canvas. No painting has been done on the acetate yet.

First, I cut a large piece of acetate and taped it to the painting.  Then just started loosely painting over the acetate with acrylic.  I lightened both the distant sky, and made many changes to the rocks with lighter colors.  I even added some more highlights to the girl’s hair and jacket.

Far Horizons, 2nd step. Here you see that I started with the sky and have been painting directly on the acetate sheet. The whole idea is to test out some lighter background colors in order to push it back.

Detail of step 2 showing some loose strokes of lighter colors.

Far Horizons, final step of the acetate painting over the original painting. I even touched up the highlights of the girl’s hair and jacket.

This is the actual painting on the acetate. I’ve put a plain piece of toned paper behind it to better show you the actual painting.

I plan to set the painting aside in order to evaluate whether I want to make any of these changes permanent.  If not, I haven’t done any damage to the original painting and can leave it just the way it is.

This technique works well for both acrylic and oil painting.

Painting in 3D

I recently had some work in an exhibit which was limited to works 8  by 8 inches.  That is pretty small.  So I decided to challenge myself by adding another twist.  I ordered three canvasses 8 x 8 by 2.5 depth.  It was almost like painting on boxes.

I’ve painted edges of canvasses before but this deep was extra challenging.

Kit Miracle – White Dahlia 3D, acrylic, 8 x 8

White Dahlia, left side

The first two paintings were of flowers, of course.  I paint a fair amount of flowers as you know.  Here it was fun to plan what part to focus on and which parts to wrap around with the painting.

Kit Miracle – Sunflowers 3D, acrylic, 8 x 8

Sunflowers 3D, left side. You can see where the flowers were carried around the edge of the deep canvas.

Sunflowers 3D, right side.

The final painting was really outside of my normal subject matter.  A goldfish bowl with a couple of fish swimming around.  I actually had great fun with it, especially carrying the fish bowl around the sides, top and bottom.

Kit Miracle, Goldfish Bowl 3D, acrylic on canvas, 8 x 8 I love the way the fish on the right is looking directly at you. Or so it seems.

Goldfish Bowl left side

Goldfish Bowl 3D, right side

Goldfish Bowl, top

Kit Miracle – Goldfish Bowl 3D – bottom

I guess some artists are more comfortable painting the same thing time after time, but I find that I like the challenge of trying something different.  What do you think?