Tag Archives: acrylic

Alley View, Belgravia Court, Louisville, Kentucky, Acrylic on Canvas

Alley, Belgravia Court, St. James, Louisville, Kentucky, original acrylic painting, 20 x 16, Kit Miracle

Last month I visited the St. James Art Fair in Louisville, Kentucky.  This is one of the most prestigious art fairs in the country. I exhibited on Belgravia Court for many, many years when I was traveling and doing art fairs.  Although the day was very hot for early October, many years the weather is rainy and miserable.  This year, the crowds were out en masse.

One of my favorite parts of walking around on city streets is looking into alleyways.  I always think of this as the back doors of the inhabitants.  The alleys seem so much more interesting to me than the front facades.  This is true for large cities or small.

This is an acrylic painting on canvas, 20 x 16.  I switched to acrylic last winter as I felt the fumes from oil painting and the solvents were probably not good to breathe in a closed environment.  As you can see, I handle acrylics very much like I handle oil paints.  The good part (and bad part) about acrylics is that they dry so much quicker.  As I painted watercolors for over 25 years, I am used to working under the clock.  To slow the drying process, I will often use a retarder which makes the acrylic paint dry more slowly.  I also like the tactile quality of oil paints.  Painting in impasto, or thick paint, is fun but challenging. It is almost like sculpting in paint. For acyrlics, I use a flexible sculpting medium to add more body to the paint even though I use heavy body paint.  The flexible medium allows the paint and canvas to breathe and to be, well, flexible.  It shouldn’t flake off the canvas as a stiffer medium would. My ultimate aim is to capture the feel and results of painting in oils without the toxic fumes.

If you are interesting in learning more about this painting or making a purchase, check out my Etsy shop at KitMiracleArt.  Also, follow my Facebook page KitMiracleArt for special discount codes.

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Fall Scene with Bridge

Fall Scene with Bridge, acrylic on canvas board, 12 x 16, Kit Miracle

I love to drive around on the roads in this part of the country.  Especially this time of year, the trees are golden and a multitude of other colors.  Just looking at the scenery makes my heart sing.

This is a little one lane bridge in my county.  My son commented the other day that it’s amazing that up close, impressionistic painting looks just like a bunch of fuzzy blobs, but step back a few feet, and the whole scene looks realistic and inviting.

I couldn’t agree more.  It’s all an optical illusion.

Trees at Alton, Indiana, on the Ohio River

Trees at Alton, Indiana, on the Ohio River. Plein air, 12 x 16, Kit Miracle

Yesterday I drove up to Indianapolis to drop off a couple of paintings at the Indiana Plein Art Painters Association annual member exhibit.  I haven’t entered this before, mostly because of the three hour drive.  But the day was a beautiful fall day, starting off with some fog in low-lying areas. The fall colors were breathtaking.  For those of you who think Indiana is represented by flat cornfields, nothing could be further from the truth.  The southern part consists of beautiful hills, rivers, and streams covered mostly by deciduous forests.  This time of year, the landscape is a panorama of golds and reds.  It was just a glorious day for a drive.

One of the two paintings I entered is Trees at Alton, Indiana, on the Ohio River.  I just painted this back in late September.  As you can see, the tall trees on the left are just beginning to show some color.  Alton is a tiny little collection of houses and has been flooded many times over the years. But the people who live here are passionate about living on the Ohio River so they always come back.  There is something mesmerizing about the big river with its barges and other river traffic.  I can just sit and watch the river for hours.

This scene is pretty classic.  Just some trees, a path leading into the picture, a river and some hills.  A very peaceful vista.

If you’re interested in seeing the whole exhibit, it is at the Hoosier Salon Gallery in Carmel, just north of Indianapolis.  The exhibit runs from November 10th  through  December 14th.  The reception is Saturday,, November 10th 5-9 pm.  There are many beautiful paintings of all parts of Indiana and most of the work is for sale. Take a gander at this exhibit and visit lovely downtown Carmel with its many arty and eclectic shops and eateries.  A great time for some holiday shopping.

Visiting the Falls of the Ohio

Falls of the Ohio II, acrylic on canvas, 16 x 20, Kit Miracle. This view is looking back towards the shore from the beds, where the puddles reflect the cloudy sky and trees.

A couple of weeks ago my husband and I took a day trip to the Falls of the Ohio in New Albany, Indiana.  Although it’s only a short drive away, I had never been there.

The Falls of the Ohio is an Indiana state park set on the edge of the Ohio River.  It features large fossil beds which visitors can climb over.  You can view thousands of fossils right beneath your feet.  As the level of the river drops, more layers of fossils are uncovered.

Falls of the Ohio I, acrylic on canvas, 16 x 20, Kit Miracle. View from the treeline at the Falls, across the river towards Louisville. We saw a train crossing the bridge while we were there.

The day we visited was an in and out day, with showers alternating with sun.  I particularly loved the setting along the river.  The old trees, the puddles reflecting the trees, the skyline of Louisville across the river.  We even saw a train crossing the old bridge.

There is an interpretive center which has a fee but the visit to the Falls is free.  If you go there, it is a bit tricky to find but follow the signs.  Obviously it’s on the river so you will be looking for River Road.  Take a picnic lunch or travel along River Road to eat lunch at one of the many neat restaurants in the area.  You can even follow the road east to Jeffersonville to the walking bridge over the Ohio.

All in all, an enjoyable day. It’s good to try something new.

What’s in a name?

East Field in Evening, tetraptych, acrylic on canvas, Kit Miracle

This week I created a set of paintings but I’m not quite sure what to call them.  They are of our east field in the evening, showing the stretching shadows.

I started with one painting, the one on the far right, and that just lead to another and another and another.  Four in all…so far.  I’m actually working on a fifth one.

Since these are all painted from the same vantage point, it’s not quite a series which I consider to be more of the same subject but not necessarily from the same view.  This set of paintings creates one broad vista, each overlapping by a quarter to a third.  They don’t exactly match as far as horizon and it wasn’t my intention to do so.  But I did want to convey the same feel.  Although they work well together as a connected work of art, the individual paintings each stands alone as far as composition and technique.

My question is, what does one call four (soon to be five) paintings of the same larger subject but from the same vantage point?  If a diptych is two paintings, and a triptych is three, what is four or five?

The best information I can find is a polyptych or maybe a tetraptych or soon to be a pentaptych.  Doesn’t exactly fall off the tongue, does it?

What is your opinion?

East Field in Evening 1, acrylic on canvas, 16 x 20, Kit Miracle

East Field in Evening 2, acrylic on canvas, 16 x 20, Kit Miracle

East Field in Evening 3, acrylic on canvas, 16 x 20, Kit Miracle

East Field in Evening 4, acrylic on canvas, 16 x 20, Kit Miracle

 

“Whatever you eye falls on – for it will fall on what you love – will lead you to the questions of your life, the questions that are incumbent upon you to answer, because that is how the mind works in concert with the eye. The things of this world draw us where we need to go.” 
― Mary Rose O’ReilleyThe Barn at the End of the World: The Apprenticeship of a Quaker, Buddhist Shepherd

Gallery show, update

Kit Miracle at the J. Michael Dunn Gallery at Oakland City University, Oakland City, Indiana.

I took a drive over to Oakland City University today to see my newly-hung show at the J. Michael Dunn Gallery.  I’ll admit, it’s been a long time since I’ve had enough work to show at a solo show.  However, in the past few years I have been able to devote more time to painting and creating.

Most artists understand how amazing it is to walk into a gallery and see your work on display, especially if there are several years’ worth of work.  But to see everything out of storage and out of boxes and hung all together…well, it’s just a bit overwhelming.

I’ve posted photos of individual paintings over the past few years but I really haven’t seen the whole body of work in one place.  The first thing that struck me is the color.  I like color and it shows.

Then there’s the subject matter.   Still lifes, landscapes, portraits.  It’s all meaningful to me but I’m not sure it is to anyone else.  Nevertheless, I love seeing the work hung as a group.

The show runs from August 13th through September 28th.  The public reception and gallery talk is scheduled for Sunday, September 9th from 2 to 5 CST.  The gallery hours are M-F 10 to 5, weekends by appointment.  Check it out. Come on out for the reception or just to view the work.

https://www.oak.edu/facilities/j-michael-dunn-art-gallery

Kit Miracle, gallery show 2

Gallery show-3, Kit Miracle

Gallery show 4, Kit Miracle

Gallery show 5, Kit Miracle

Gallery show 6, Kit Miracle

Gallery show 7, Kit Miracle

Gallery show 8, Kit Miracle

Gallery show 9, Kit Miracle

Gallery show 10, Kit Miracle

Gallery show 11, Kit Miracle

Gallery show 13, Kit Miracle

Gallery show 13, Kit Miracle

Painting close to home

Garden in August, acrylic on canvas, 16 x 20, Kit Miracle

Visiting new places is always fun and inspiring for artists, but many of the best paintings have been made close to home.  One of my favorites is one that Renoir painted of Monet in his garden.  It’s just a homey painting of a backyard with other houses in the distance.

Renoir painting of Monet in garden

Today I decided paint a scene that I see every day from my breakfast table. It is of my garden this month with the tall sunflowers and multi-color zinnias and other flowers.  The rest of the garden is still producing but is beginning to look a little straggly this time of year.  We’re still getting plenty of tomatoes, eggplants, beans, and peppers.  But it’s the flowers that I really love. The birds and butterflies love them, too.

Garden in August. The sunflowers and zinnias are in full bloom. The vegies are still producing heavily. Lots of tomatoes, eggplants, beans and peppers.

I got out early to take advantage of the cool morning and the shade.  The canvas is primed with a beige color and painted black on the border.

Garden in August, step 1. Here I have generally covered most of the canvas. Notice that I’ve edited the trees in the background to provide more interest.

The first step as usual for me is to lay in the general composition and the dark colors.  As you can see, I did some editing, removing the line of trees in the background and just including a few big trees.  I also squashed things together a bit for the composition.

Garden in August, step 2. More blocking in plus I’ve added the sky and most of the foreground.

Next I laid in more darks and some brighter greens as well as the sky.  I wanted a rosy early morning sky….so I made one.

Actually the most difficult part was painting the flowers.  It is so hard to get them bright without being gaudy.  I ended up painting a light wash of pale green over some of them to tone down their brightness.

The entire painting took about three hours minus some time for a phone call to a friend while I was waiting for paint to dry. The point here is that you don’t have to travel a great distance to find something worthy to paint.  A good subject might be just outside your window.

Winning Plein Air Painting

Here I am with my first place winning plein air painting at the Jasper Arts competition this past week. It’s the top painting of the new bridge at the Parklands. The bottom painting is of a dead tree.

Here I am posing with my winning plein air painting this past weekend.  It was of the new bridge at the Parklands in Jasper, Indiana.  What a nice surprise!  I guess it was worth enduring the extreme heat and humidity that day.

Also, there is an update on my exhibit at Oakland City University.  It was supposed to open this past Monday but that has been pushed back to Monday, August 13th.  The end date has also been pushed back to Friday, September 28th.  The reception and gallery talk is still scheduled for Sunday, September 9th from 2 to 5 p.m.  Hope some of you can make it out. I’d be embarrassed if no one shows up.  ;-/

Plein air painting at the Parklands

Bridge at Parklands, plein air, acrylic, 16 x 20, Kit Miracle

I attended a plein air painting event today at the Parklands.  This is a new park in the area which just opened last month.  Already, it has become a popular destination for dog walkers, bicyclists, moms pushing strollers, just about anyone of any age.  Created from a former golf course, it features three lakes/ponds, several water features, an outdoor musical instruments area, exercise equipment activities, a pavilion for special events, a splash park for kids, and many other features.

Although the day was promising to be exceedingly hot with temperatures in the 90s, I elected my first painting should be of a new bridge over a waterfall.  Usually one only has about two hours to make a plein air painting before the sun and the shadows move too much.

I always start with a small black and white Notan sketch before I begin to paint. Then on a toned canvas, I lay in the darks.  Since I was working in acrylic, it didn’t take long for the paint to dry.  In fact, I had to use an acrylic retarder to slow down the  drying.

This is the view I selected. I liked the shape of the new bridge and the contre jour light (backlight). As you can see, I began painting in the darks on a red-toned canvas.

I start with a one inch brush which will get 85% of the painting done.  The bigger the brush, the less fussy I am.  Sometimes I begin laying in the sky.  In this case, I laid in some of the other darks and midtones and just kept working away.  The bridge was critical as any mistakes could really make the painting ….well, not good.

About 85% finished. Leaving the bridge for last, I concentrated on the landscape first.

The final touches are to add the lightest colors, the highlights, the sky holes in the trees, most with smaller brushes.  I really like the peeps of red showing through the painting.  I think it adds a little bit of liveliness.

A friendly little butterfly who kept me company quite a while. I think it’s a Painted Lady butterfly. Very appropriate.

One interesting thing happened to me while I was painting.  I had a little butterfly who just kept hanging around.  She walked along the top of the painting, then the sides, not even moving as I painted closer to her.  If I shooed her away, she quickly came back.  If my identification is correct, this was a Painted Lady butterfly. How appropriate.

After I finished this painting, I moved to the shade where I completed another one of a different scene.  Fortunately, there was a nice breeze all day but it was still pretty dang hot.

To my surprise at final judging, I was awarded first prize.  So it was worth the melting conditions.  Maybe the Painted Lady brought me a little luck.

Memories of Paris

Memories of Paris, 24 x 36, acrylic on canvas, Kit Miracle

I completed this large painting this past week.  Well, I may not be finished as I keep tweaking it. You would think that a painting of the sky through some tree branches would be easy but I’ve worked on it for some weeks.

Memories of Paris, detail 1, acrylic on canvas, Kit Miracle

I’m not quite sure why I was attracted to this subject.  Maybe the cool spring colors.  It seems to exude a feeling of peace.

Memories of Paris, detail 2, acrylic on canvas, Kit Miracle

It was my intention to just give an impression of the sky view, not to paint every detail.  In fact, I think that is boring. I like the viewer to bring something to the scene.  If you look closely at the detail images, you’ll see many variegated colors, both in the foliage, the flowers, and on the tree limbs.  But also, look at the blank sections of the painting.  You’ll spot a vapor trail and some wispy clouds.

Memories of Paris, detail 3, acrylic on canvas, Kit Miracle

And, do you see the surprise that I hid here?  It is a pair of birds.  Maybe they’re getting ready to build a nest in one of the trees. Not overly obvious, just a sweet sign of spring.