Tag Archives: oil painting

Jack Frost Visits

Jack Frost on my windowpane in the studio.

After a balmy winter holiday, the temperatures in the Midwest plummeted.  We recorded minus 4 degrees (F) this week.  Needless to say, I’m a wuss and am not spending much time outdoors.  However, even working in my studio has challenges.

As I have mentioned before, my studio is an old summer kitchen about 30 feet from the back door.  It was designed when cooking was done on wood-fired cook stoves (which it actually had when we moved here.)  This was to keep the heat out of the house in the summer.  You’ll find one of these buildings on many old farms in southern Indiana and throughout the Midwest and South.  I am lucky that ours is about 15 x 25’, which is pretty large for a summer kitchen.  In this case, the family and field hands actually ate in the building.  It is a perfect size for a studio.

Unfortunately, the whole purpose of the design was to keep the heat out of the house so they didn’t really care about insulating the building.  Thus, it’s very drafty.  Although I have a gas heater, unless I want to go broke, I keep it turned down.  This week I was wearing a hat, many layers of clothing, two pairs of socks (the cold comes up through the floor), and I was still chilly.

I snapped this photo of the beautiful patterns of the frost on the windowpanes.  It looks like giant feathers.  With all of our insulated windows and super-heated houses, window frost has become more and more uncommon.

The beauty of nature is all around us, even in the most unlikely places.

Since I was confined to studio painting, here are a couple of my recent works.  Plus, I tweaked the still life with red cabbage and artichokes that I posted on here a few weeks ago.  Artists are never quite satisfied with their finished work. Renoir was known to bring his paints to gallery exhibits even after his paintings were hung, just so he could make changes.  I’m not quite that bad but I might fiddle around with a painting which doesn’t quite suit me.

Here’s hoping that the weather is better where you are and that warmer days will be here soon.

Artist Still Life, oil on canvas board, 10 x 10, Kit Miracle

Down by the Creek, oil on canvas, 20 x 16, Kit Miracle

Red Cabbage and Artichoke, 18 x 24, oil on canvas, Kit Miracle. Still Life revised from previous version.


Ladybug Teapot, a Whimsical Painting

Ladybug Teapot, oil on canvas, 12 x 16, Kit Miracle

This playful still life was inspired by the whimsical ladybug teapot that I found in my prop cupboard.  It’s actually a teapot and cup combination which I paired with some red apples and bright green fabric.  Check out the step-by-step of how this painting was created here.

The painting can also be found on my Etsy shop, KitMiracleArt.  A great gift for your favorite tea lover!

Appletini – Something Different

It was a busy week here on the farm with company and the big Thanksgiving feast.  The weather has been pretty great, too – all sunshine and balmy temperatures.  In November, this means more outdoor chores, such as, chopping firewood, cleaning gutters, etc.

Appletini, oil on canvas, 16 x 12, Kit Miracle

All of these activities mean that I only completed one painting this week.   I call it Appletini since it features a big red apple in a martini glass with a silver shaker behind it.  The reflections were what really attracted me.  This is similar to previous paintings that I’ve posted on here, Apple Jack, and Two Lemons and a Martini Glass.  I don’t know why but I like placing objects in unusual situations.  Props courtesy of Goodwill thrift shop.

I’m not quite sure if I’m finished with the painting but I probably am.  What do you think?

Of course, available on my Etsy shop and can be shipped in time for the holidays.

Studies in Red – Oil Paintings with Heart

I’ve always liked red paintings.  When I did art fairs for many years, they seemed to be very popular with my patrons, too.  Everyone has room for a red painting to brighten up that special spot.

The four paintings that I completed this week are predominantly red or at least in the red/orange family.

The Birdcage, oil on canvas. 12 x 16, Kit Miracle

The first one, The Birdcage, features the antique birdcage that I bought at a flea market earlier this summer.  I paired it with some bright red fabric printed with beautiful little birds.  Then I decided to do a tea theme with a teacup and small teapot, along with some luscious lemons.  Although the painting is a little busy, especially after the simplicity of the others that I’ve been working on lately, I think it works.  Boy, that birdcage was difficult to paint!  The other challenge was to depict the birds on the fabric without letting them take over the composition.

The Conversation, oil painting, 10 x 10, Kit Miracle

The second painting I did this week is called The Conversation.  I can just imagine two friends having a lovely talk in the afternoon sunshine.  It looks as if they just left, doesn’t it?

Lamplight, oil painting, 10 x 10, Kit Miracle

Then I painted this bright interior painting called Lamplight.  This depicts an interior scene, perhaps an entry hall, with a lamp and a simple bouquet of red flowers.  The gold frame of the mirror helps connect the objects on the table.

A Sunny Corner, oil painting, 10 x 10, Kit Miracle

My final painting this week I call The Sunny Corner.  I’ve always loved the play of sunlight and shadows on interior walls and floors.  The effects are often fleeting but beautiful, nonetheless.  The chair just invites the viewer to take a rest and enjoy the sunshine.

Visit my Etsy shop, KitMiracleArt, to see many more painting details.

Onions and Garlic, a step-by-step demonstration

Onions and Garlic, 12 x 16, oil on canvas, final- Kit Miracle

I’ve been painting a lot of still lifes lately.  This one was inspired when my husband came home recently with a bag of big, beautiful garlic bulbs.  I quickly grabbed them before he could put them in a sauce or plant them in the garden.  Then I went “shopping” through the house and refrigerator, and even my prop closet for the rest of the items I needed for a still life.  This one reminds me of something by Cezanne or Renoir.  The impressionists were known for beautiful paintings featuring simple household items.

If you would like to see a demo of this painting step-by-step, click here for the demo page.  The painting is for sale on my Etsy shop, KitMiracleArt.  Paint has to dry though!

Painting Marathon – Trying Something New

About a week ago, I decided to see how quickly I could paint ten paintings.  I’m not quite sure what the spark was.  Maybe I was bored, tired of the old style. Something I saw that reminded me of some yellow and blue paintings that I had done years ago.  Anyway, I decided to challenge myself, not only with the number of paintings, but stretching to a slightly different style.  In this case, my aim was to paint looser, faster, and more colorful.

Apple Jack, oil on board, 16 x 12, Kit Miracle

I chose my subject matter by going “shopping” through my house and refrigerator, and, of course, my prop cupboard in the back of my studio.  Hey, I didn’t even remember that I had martini glasses until I spotted them in the back of that cupboard!  And a shaker, too.  Must have been from a resale shop.

Two Lemons and a Martini Glass, oil on canvas board, 12 x 9, Kit Miracle

It was really great fun.  The miserable and damp weather meant that I didn’t feel any guilt at all about holing up in the studio instead of going outside for some fresh air.  I didn’t even want to come into the house to eat.  (And that never happens!)

Wait for Me!, cherry tomatoes in a dish, oil on canvas, 8 x 10, Kit Miracle

Although I wasn’t deliberately trying to emulate any particular style, I can see a lot of Cezanne and Janet Fish in these paintings.  And I’m really eager to try some more, perhaps larger or some landscapes in this style.  What do you think?  Thanks for stopping by.  Your feedback and comments are always welcome.

Oh, yes, all of these paintings are available at my Etsy shop, KitMiracleArt.  Check them out.

Three Tomatoes on a White Plate, oil on canvas, 8 x 10, Kit Miracle

Three Lemons in a Blue Bowl, oil on canvas, 8 x 10, Kit Miracle

Pine Sprigs in Antique Blue Bowl, Weller pottery, oil on board, 12 x 16, Kit Miracle

Lucky Four, green apples, oil on canvas, 12 x 16, Kit Miracle

Lemons on Blue Plate, oil on board, 12 x 16, Kit Miracle

Green Apples and Cut Glass Dish, oil on canvas board, 9 x 12, Kit Miracle

Adam and Eve, red apple and green apple, oil on board, 8 x 10, Kit Miracle

The Huntress I and II, oil on canvas

The Huntress I – oil on canvas, 20 x 20, Kit Miracle

The Huntress II – oil on canvas, 20 x 20, Kit Miracle

The Huntress I and II are two paintings that I created earlier this year.  Although I have often created a series of paintings, this is the first time that I created a pair of paintings.  They each stand alone from a design view, but work better as a pair.

My aim here was to create a bit of mystery, to simplify the background and the figure, and to play off the high intensity light without adding a harshness to the scene

Check out the step-by-step page to learn more about how I made these beautiful pair. https://my90acres.com/artwork/the-huntress-i-and-ii-step-by-step/

Selling Art on Etsy….or Not

My90Acres, Etsy shop

A couple of months ago I had lunch with two old friends from high school.  We hadn’t seen each other for decades so there was much to catch up on – families, careers, retirement, etc.  We had such fun.  As the newest retiree in the group (just since May), I was curious about how they spend their time.  As it turns out, my friend Susan started an Etsy shop.  We talked some more and I thought I could probably revive some fruit and vegetable paintings that I used to do when I was traveling the art fair circuit.  Later, when I returned home, I looked at my friend’s shop DoodleDogDesigns (cute personalized doggie bandannas) and was impressed by how professional it was….and how many sales she has had!  Wow, who doesn’t need a little extra income?

KitMiracleArt-Etsy shop

Within a week, I had set up a new Etsy shop, My90Acres with the intention of focusing on artwork related to the theme of this blog, i.e., living in the country.  The paintings are all original watercolor / pen and ink sketches, matted to 8 x 10.  These used to be my bread and butter item when I did the art fair circuit for 25 years. Very popular with buyers who want to add a pop of color to their kitchens and living spaces.  Afterall, just how much grey can we live with these days?  And they’re small enough to fit into those awkard spaces in your home, on the soffits over the cabinets, between the cabinets and the counter, between windows, or even on a shelf.  I had customers who would come by my booth every year to add a few more paintings to their collection.

Veggie Painting, My90Acres, Kit Miracle

I was also surprised that an Etsy shop that I’d started a few years ago was still registered to me, KitMiracleArt.  So I decided to revive it for all of my other artwork.  I’m ambitious if nothing else.  Besides, I have plenty of artwork on hand and plenty of time to pursue my interests now.

Autumn Road

So after two months of the Etsy experience, this is what I have to report.


  • The investment was minimal. I already have the studio and all the tools I need to do my work.  The Etsy fee is only 20 cents per item and 3% per sale which is a small fee to get my work in front of so many people.  I did purchase museum-grade ready-cut mats.  Not much overall.
  • I already have the skills. I’ve been painting professionally for over 30 years. I have years of selling at art fairs and running a business.
  • I have a modest amount of computer skills with my original web site since the mid 1990s, plus managing the website, blog, and other online activities at my former job as Director.
  • I’m pretty good at marketing and SEO (search engine optimization). During my decade as Director, we sold out about 50% of our performing arts events. And a Google search of my name reveals that I come up five times on the first page.
  • This forced me to take a complete inventory of my studio, plus clean up. Neither of which is a favorite activity of artists.
  • I was forced to learn my “new” digital camera which I purchased two years ago.
  • I was also forced to learn a really good photo manipulation program which I had installed over a year ago.
  • And, my time is still my own; I still get to paint and do something I enjoy. I love those afternoon naps, too!

LuckyRed #3

But all is not paradise in the land of Etsy.  There were some surprises.


  • Running a successful Etsy shop takes LOTS OF TIME! I so admire those people who are really good at this and totally appreciate the effort they have put into their shops. The actual time invested to make this happen was a surprise and affected almost every area related to my Etsy shops.
  • Establishing a new shop and reviving the old shop was more work than I anticipated. What was I thinking?!
  • Production time increased. Just to get enough products for the My90Acres shop required a concerted investment of time.  This could almost become a job. Did I mention that I just retired?
  • Taking good photos is paramount. If your pictures don’t look good in your store, you don’t look professional. I was forced to learn the new camera so this ultimately was a good thing. It takes a lot of time to set everything up, check the lighting, take the photos, and put everything away.
  • Photo editing (after I learned the new program) takes a lot longer than I anticipated. I really want my pictures to look good.  Many evenings will find me working on my laptop while my husband is taking in the Cubs game.
  • Writing the descriptions for each item takes way more time than I imagined. Afterall, I want to be informative but perky, to entice the buyer to actually purchase something.
  • Promotion is critical and again, takes some investment of time. This includes making sure your tag words are good, searchable, promoting on social media, and just keeping up with it all.
  • Educating myself about the ins and outs of Etsy has also been a treat. I’ve read a couple of books but will say that the Seller’s Manual on the Etsy site has been a tremendous help.  I’ve also watched several videos on the topic (there are over 1 million Etsy videos on YouTube).
  • One needs to have some business background – budgeting, accounting, inventory – to have a successful shop. Fortunately, I had this already but new Etsy shop owners should educate themselves in this area.
  • Planning and organization are key. I’m pretty organized but the amount of time involved has been a surprise.

Bottom line

So, my shops have been open for less than two months.  Lots of visitors from all over the world but no sales yet.  My friends are encouraging and I’ll stick with it because, hey, I’ve got the time to devote to it now.  And….shameless marketing….I’ve got sales going on in both shops through September 18th.  Time to start shopping for the holidays! KitMiracleArt   My90Acres

Pumpkins and Sunflowers, KitMiracleArt, Etsy

Telling A Story with Your Art

Pumpkin Head – final painting, oil on linen, 29.25 x 36, Kit Miracle, Halloween theme, telling a story

I was talking with an artist friend recently and was lamenting that I couldn’t seem to find my style.  She was astounded and said that I definitely do have a style.  Upon reflection, I’ve had other people tell me that they can recognize my paintings immediately in a gallery full of artwork.  So, I guess maybe I do have a recognizable style.

But as we talked further, I said that the paintings that I’m most proud of are the ones that tell a story.  To me, storytelling is so much beyond just the skill of being able to render a still life or landscape.  This is not really a new thing. Artists have been telling stories through their art for centuries from the first caveman drawings (how to hunt) to relaying biblical scenes to recording street scenes.

Some of the things I think about when I’m creating one of these story paintings are:

  1. How can I engage the viewer?  How do I draw him in, step closer, stay awhile?
  2. I want the viewer to ask, What’s next? Is there a next?
  3. If I can, I want to insert an element of surprise. After the viewer stands in front of the painting, they notice the small things.  Maybe they have an Ah Ha
  4. I like to insert some emotional aspect.   Wonder.  Fear.  Danger.
  5. And it seems as if many of my story paintings exhibit some quality a little beyond reality.

The painting Pumpkin Head is such a painting.

The straight story here is that my son was carving some pumpkins for my granddaughter for Halloween.  When she asked for happy faces, he responded, No, they’re born as pumpkins and they die as scary Jack O’Lanterns! Kinda creepy if you ask me but it set the scene.

Many viewers have picked up on the element of danger here.  He really shouldn’t have been carving a pumpkin in his lap…but no blood was shed.

Pumpkin Head – detail, carving jack-o-lantern

And the element of surprise.  The viewer doesn’t really know if the child is a boy or girl with the gray outfit and dinosaur boots, until the pink bow is spotted peeking over the pumpkin she is holding.

Pumpkin Head – detail, child with jack-o-lantern

And, of course, there is humor.  It’s just a bit silly but something kids have done for years.

Finally, there’s an unreal quality about the painting.  Maybe it’s the October light or the impressionistic handling of the paint.  The moment in time.  The difficulty for me was to decide what to leave out of the painting.  I worked on this for two months with the last month taking the most time as I agonized what to change, what to emphasize.

I will make some future posts of other recent story paintings.  Meanwhile, think about the idea as you look at the work of Edward Hopper, Grant Wood, or Diego Rivera.  Good art is a lot more than just pretty decoration.

To view a step-by-step illustration of Pumpkin Head, visit this page.

Pumpkin Head is currently on exhibit in the annual Juried Show at the Krempp Gallery, Jasper Arts Center, Jasper, Indiana.

Studio visit – where the magic happens!

My studio is the old summer kitchen surrounded by herbs, flowers and giant maple trees.

I love to visit the studios of other artists, to nose around and see how they work, what materials they use, how they store materials and artwork.  Sometimes I get great ideas but it’s just wonderful to see what the other artists do.

So I’m inviting you to visit my studio.

Over thirty years ago, my husband and I decided to leave the corporate world and purchased a small farm in Southern Indiana.  This was always a dream of mine so he mostly came along for the ride.  If you are not familiar with this part of the country, it is totally beautiful with woods and fields, gently rolling hills, lakes and streams. And not too many people.  I like to say it’s like New England without the crowds.

We live in a 150 year old farm house with a large garden, a couple of orchards, and plenty of the aforementioned woods and fields and streams.  We raised two sons here and have enjoyed living in a county that doesn’t even have one stoplight…and we’re proud of it.

My studio is the old summer kitchen so my commute is about 30 feet from the back door.  For those of you who are not familiar with this term, summer kitchens were popular in the days of wood-fired stoves to keep the heat out of the house…in the summer!  They are very common on old homesteads in the midwest and south.  And it’s very nice for me to have an area to keep my art separate both physically and mentally from the rest of the house.

Thanks so much for stopping by.  Don’t forget to visit my art website at kgmiracle.com  or my Etsy shop.

My Blue Door Studio,the old summer kitchen is about 30 feet from my back door. The blue is Electric Blue, a lucky southwest color. Hey, why not?

View from the front door through the studio. It is a two-room space.

View from my artist chair to the front door of the studio.

A broader view of the front room of the studio. This used to be the dining room for the field hands during the summer.

It may looks a bit haphazard but I know where everything is…usually.

Broader view from the back room into the front room.

This large pantry in the back room of the studio is where I store many objects for still lifes. The old wood cook stove was back here, too. I can’t imagine how many meals were fixed here, as well as all the canning that was done.

Storage is always a premium for artists. Where does one PUT all this art?

This is where the magic happens. The easel for oil painting. The flat table for watercolor and some drawing. Everything I need within a hand’s reach.