Monthly Archives: September 2023

The Golden Marble – More Gold and Silver Leaf

The Golden Marble, acrylic on canvas, 30 x 24. 23K gold leaf and sterling silver leaf. Kit Miracle

This is another painting in the gold and silver leaf series that I’ve been exploring.  At 30 x 24, it’s the largest one so far.  I also completed this one before Leo’s Muse which I posted last week.

The subject is a young boy who has been playing dress-up with his sister.  In a spirit of silliness, she has adorned him with ribbons and hair clips.  His smile engages the viewer as he shows off The Golden Marble which is a prized possession.

Although I usually plan my paintings very carefully, I’ll admit that I really wasn’t sure where I was going with this one.  I liked the subject.  I knew that I wanted some gold and silver.  Other than that….well…

A preliminary sketch of the subject of The Golden Marble

As usual, I did some preliminary drawings of the child.  These are just to familiarize myself with the subject.  I then sketched him on the canvas, a straight-on shot.  Then I began playing with background colors.  I elected to use some very bright and warm colors, radiating out of the figure.

I then painted the figure in grisaille, those greyish tones.  Later working overall with adding some detail to the background.  More paint on the primary figure.  Although I had some reference photos to work from, this doesn’t really represent the situation.  I painted very loosely, adding more to both the figure and the background until I was satisfied.

Because the canvas is so large, I had to place it on the floor of my studio to work on adding the gold leaf.  Again, no fans or air conditioning blowing as the metal leaf is so fragile and blows everywhere.  It was pretty challenging to decide where I wanted to place the metal leaf, plus I kept switching back and forth during the process.  Sometimes the gold would be on top; other times the silver would be.  The fixative is clear so I had to carefully judge where I wanted to place it, and estimate the right amount of tackiness for the metal leaf to stick.  Overall, I’m pretty pleased with the result.

The Golden Marble, detail 1. I left plenty of the warm background colors show through. As you can see, I alternated placing the gold leaf on top of the silver, and the silver on top of the gold. Abstract shapes alternate with more organic circle or bubble shapes. No real planning, just in the flow.
The Golden Marble – detail 2 showing the texture of the canvas and close-ups of the hair decorations

The final steps were to go back and touch up the figure here and there.  I have learned that it’s difficult to touch up or make changes in the gold and silver leaf as it just doesn’t look the same as when first applied.  I may find some way to eventually meet this challenge, but haven’t yet.

The very final step is to spray a protective coat of clear acrylic over the entire painting.  This keeps the silver leaf from tarnishing and the gold leaf from flaking off. 

Overall, it’s a very striking piece.  I want to explore my next subject in this medium.

Adding pizazz to a painting with gold and silver leaf

Leo’s Muse, final, acrylic on canvas, 23K gold leaf, sterling silver leaf, 16 x 16, Kit Miracle

For the past several months, I’ve been experimenting with adding gold and silver leaf to some of my paintings. I don’t know why I decided that this was a path for me, but as with most artists, we get inspired with new ideas and techniques. I posted on here earlier about some glam cat paintings and some others, but the most recent sparkly paintings have been both challenging and rewarding.

Leo’s Muse, several sample preliminary sketches

In Leo’s Muse, I began with some ideas rolling around. I took a few dozen photos of my model in different lighting and poses. Then began the difficult part of winnowing down all my options to a few good poses. It may seem like an unnecessary step, but I have found that it helps to do a number of sketches even before I get to the final idea. This allows me to familiarize myself with the model and the lighting until I reach my final idea.

I then sketched the outline of the pose on a prepared canvas (gesso and a couple of coats of acrylic paint.) Then I basically start…somewhere. For a portrait, it will be with the head or body. Then I lay in some loose background colors. In this particular painting, I painted the flesh in grisaille (grey undertones) before I began adding color to the face. After I have the basic face laid in, I just keep working on the painting as I would a normal painting until I reach a point where I am satisfied.

Another challenge with this painting is the added wreath of flowers. That is entirely imaginary as I didn’t really think of it while I was planning the painting. That is often the way of the creative process. Surprises pop up.

Leo’s Muse, nearly finished. Last step before gold and silver leaf is added

The canvas is two inches deep so the painting is carried around the sides.

Leo’s Muse, adding the metal leaf

After letting the painting dry for awhile, I then began to add the gold and silver leaf. I was a bit conflicted about this step as I really liked the painting without the added touch. But the design in my head called for it so, what the heck? I took the leap.

If you have never used gold or silver leaf, let me tell you, it is challenging. This is not a paint but actual sheets of real 23K gold and real sterling silver which have to be applied to the painting. The sheets of precious metal are so thin (.003 microns, whatever that is), that I can’t have a breath of air in the studio. No fan. No air conditioner. Hold my own breath while I’m applying the metal. And the little flakes get everywhere! On me, my clothes, other parts of the painting, all around my studio.

A fixative must first be applied to the surface that you wish to apply the metal. Then you have to wait until it has the right amount of tackiness. Then gently apply the metal, transferring from the tissue paper leaves to the painting, then gently press it into the fixative, and then remove the tissue paper all the while praying that the gold will actually adhere to where you have placed it. The fixative is clear as it dries, so that’s another dimension of challenge. Where did you paint it? Ha!

After I’ve let it dry, then I can take a somewhat stiffer clean brush and brush it off the rest of the painting. More challenges with flying gold and silver flakes. If you’ve never tried this before, you might want to experiment with the fake gold until you get the hang of it. When possible, I collect the extra flakes and put them in labeled jars for use on backgrounds or other areas.

After the paintings have had time to “set”, I will spray them with a clear coat of acrylic. This prevents the sterling silver from tarnishing, and the gold from flaking more or rubbing off. Or so I am told. I haven’t used it enough to be absolutely certain but we’ll see.

Leo’s Muse, final, acrylic on canvas, 23K gold leaf, sterling silver leaf, 16 x 16, Kit Miracle

By the way, the title of the painting, “Leo’s Muse” is actually short for Leonardo’s Muse. The model’s direct gaze and Mona Lisa smile of that other famous lady with the knowing look.

August summary

Afternoon visitors. They’re eating fallen fruit from the orchard.

If you’ve been wondering where I’ve been, maybe imagining some exotic vacation, nothing could be further from reality. Mostly just hanging around here tackling one thing after another.

Although we had a week or two of pretty hot weather, last week was marvelously cool with temps in the 70s. We also have managed to have pretty even rain – not too much, not too little. All good.

My little raised bed garden has been producing better than I thought. Tomatoes, peppers, eggplant. Note to self: plant less squash next year and more beans. And I just planted a fall crop of spinach and lettuce.

Unfortunately, all this produce came at an unlucky time when our 35 year old freezer elected to die. This involved a lot of hassle with the local big box store (HD) on delivery dates. But mostly the fact that the huge truck they decided to deliver the freezer – the same one that they delivered the washing machine two months ago – suddenly couldn’t make it down our drive. Lots of unhelpful phone calls until we cancelled the order and went with the local appliance store. Spent a little more but the service was great. I like supporting local businesses, too.

The second half of this misadventure is that the freezer resides in the back of my studio. Which meant, of course. hauling out most of the paintings that have been stored back there. Might as well clean it out while I’m at it. None of this was on my schedule. Anyway, it’s all fixed up now. On to other things.

The Golden Marble (detail), acrylic, real gold and silver leaf, 30 x 24. Kit Miracle

I’ve been experimenting with more applications of gold and silver leaf to my paintings as discussed earlier. I really like this but it is so tricky to work with. This is 23K gold and sterling silver on the thinnest of metallic sheets. Even a breath of air will mess it up while applying it to the canvases. Here is a detail shot of one of the largest paintings that I’ve done using this technique. I’ll post more about it later.

Deer in the bean field

And, the deer seem to be out in abundance. Although we rent our fields out, it’s sure a shame to see how much these visitors eat. The beans are high enough now that we mostly only see their heads. And they don’t seem to be skittish at all with the noises coming from the house and yard. Well, another couple of months it will be a different story when hunting season starts. Meanwhile, I love watching the twins playing in the yard just as any youngsters might do.

I hope to post a bit more regularly in the future. And I also hope that you’ve all been managing the weather – heat, drought, hurricanes. Autumn is coming and the leaves are even beginning to change. Can’t wait!