Tag Archives: indiana

Deer Cam – Spying on Nature

This is a large male bobcat. A really spectacular picture. Although the males are only about 30 pounds, I wouldn’t want to run into one. And my granddaughter and I had just walked down the drive earlier that morning! Yikes!

One of my favorite gadgets is our deer cam or trail cam.  Over the years, I’ve had the pleasure…and surprise of catching many critters on camera.  I’ve moved the camera around the property several times but it seems that the most active spot is a place on our driveway where it crosses a creek.  There are woods on either side with some fields nearby.  Although much of the animal traffic seems to be at night, I’ve captured some pretty spectacular daytime shots, too.

Coyote with pear. Taken in back orchard this summer. About 40 feet from the house.

Check out the photos and enjoy a brief visit to my part of the world.  I’m not including all the neighborhood cats, multiple pix of my dog (and some other dogs), the delivery people and other vehicles and tractors.

By the way, a trail cam makes a great present to the outdoor lover in your life.  We have two cameras but I’d love to have more.

Buck in velvet this summer

Heron strutting down the driveway.

A very large rooster strutting down the drive. Probably an escapee from my neighbor’s chicken house.

Mystery critter. I had moved the camera nearer the house and it was also near our security light. I kept seeing this creature pass in front of the lens. I finally concluded that it is a photo of a bat in action. What do you think?

Is this my best side? I get so many photos of deer (deer cam, right?). The light is infrared so they can’t see it, but I think they hear it click when it takes a picture.

Two raccoons heading up the drive for a midnight snack. Probably the culprits for the losses in my neighbor’s chicken house. They are NOT cute. They are mean and vicious and can destroy a garden in a night.

A large coyote with a bite mark. I’d hate to see what gave it to him.

Coyotes often travel in packs. While usually shy, they were nightly visitors to our orchards this year.

Wild turkeys are very crafty and great survivors in the woods. They actually can fly and manage to raise a brood every year.

Many possums in the area. I don’t particularly like them but they are reported to eat thousands of ticks each day. That is good. They will also break into a chicken house and eat the eggs and baby chicks. Not good.

Groundhog. Not a desirable creature as they tend to dig out building foundations and otherwise become pests.

A standoff between a crow and a squirrel. It appears that the crow is holding something in his beak.

Night visitor. This is the scariest of all of the photos I’ve captured. The intruder is coming up the drive in the very early morning on Easter Sunday. (And, no, it’s not the Easter bunny!) With his knapsack and large knife, I hope that he was planning to do some mushroom hunting in the woods. But, also, the neighbor’s house was broken into that morning. Kinda creepy. Our dog was locked up unfortunately.

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Plein air painting, Brooks Bridge, Martin County, Indiana

Plein air painting of Brooks Bridge, oil on canvas board, Kit Miracle

I went plein air painting with my friend Bill Whorrall on Monday.  It was a beautiful and unseasonably warm December day with temps in the 60s.  However, the wind was brisk which posed some problems later.

Brooks Bridge across the East Fork of the White River in Martin County, Indiana

Bill lives in Martin County, Indiana which is lovely and boasts a variety of terrains – rivers, stone ledges, hills, woods.  We decided to paint this one lane bridge, Brooks Bridge, which spans the East Fork of the White River south of Shoals.  We had spotted this location before but the ground was too wet to drive on.

While we were painting, we saw about four vehicles, including a four wheeler; probably the farmer checking us out.  (It’s hunting season and there are lots of poachers.)  I just waved and he drove back.  The sparse traffic is probably why the bridge is only one lane.  Yeah, impossible for you city people to believe but they still exist.

Bill was working on some ink drawings that he created with sticks and twigs as drawing instruments.  You can see the results here.  Really neat.

Plein air painting along the East Fork of the White River south of Shoals. My friend Bill Whorrall is drawing with ink and sticks.

Painting half done

I decided to use a canvas panel toned with yellow paint.  It was pretty bright but where it shows through, it seems to add some magic.  I like it anyway.

Plein air painting of Brooks Bridge. The wind nearly took my easel right after I took this photo!

The only real problem was that the wind picked up throughout the morning.  A strong gust nearly knocked my easel into the river!

I tweaked the final painting in my studio, darkening the details and adding highlights.  It’s sometimes difficult to really see and judge colors and contrasts in the bright sunlight.  What do you think?

Yeah, it’s for sale at my Etsy shop.

Autumn in the country

Most people think of autumn as the time to slow down, but here in the country, we have work to do before we can take it easy.  We’ve had a couple of hard frosts but the weather has actually been pretty balmy in the 50s and 60s.  This really helps extend the growing season here in southern Indiana.

Fall view in the country, looking down to the creek.

One of my favorite things to do is look for the hardy flowers that are still blooming, even after the frost.  I still have some geraniums, alyssum, Sweet William, and even one tiny confused violet.  There is almost always some flower which manages to make an appearance except in deepest winter.

Hardy flowers that survived a hard frost. Alyssum, geranium, sweet William and a tiny violet.

We also like to plant a fall garden.  As you can see by the photos, the frost killed the weeds but the kale is still happily growing.  The cold frame will protect some more kale and lettuce until probably early December.  We’ve got fall peas growing but ….no blooms.  And probably no pollinators if we did have blooms.  The asparagus and garlic have been put to bed under straw.

Garlic bed under the straw and some happy kale. See how well it survived the frost which killed the weeds.

Fall peas look great but no blooms, and probably no pollinators. Note to self: plant earlier next year.

Cold frame with kale and lettuce. Asparagus bed behind under the straw. We will cover the cold frame as the weather gets colder.

My husband has a deer blind in a small grove of locust trees overlooking the bottom field and creek where we often see deer.  I’m not really worried that he’s going to get a deer as he’s only gotten ONE in thirty years.  But….you never know.  And the toll the deer population takes on cars in this area is steep.  Our family alone has hit seven deer over the years.

Deer blind overlooking the creek and lower field.

Our wood pile is growing. Today the guys dragged several logs out of the woods as it’s easier to cut and split them all in one place, plus they handle the wood less than when they cut and split it in the woods. Thanks also to our son who came home for the weekend to help out.  This is hard work!

Cutting firewood on a Saturday morning in November.

The walnuts have been picked up by the boy scouts who turned them in for money at the mill.  What they missed, the squirrels are tucking away.

Fall at the creek. We have several creeks but pass this one every day as we go over it on the drive.

This giant oak tree has history and is one of my favorite trees on the property. I call it The Sentinel as it “guards” the driveway.

And, it’s just a beautiful time to take a walk and enjoy the season while I can.

I hope you enjoyed your visit to our country place.  Feedback is always welcome.

Surprises

A nest of baby mice found while splitting firewood.

Life in the country often means some hard physical labor, always trying to keep up with the garden and chores.  But sometimes there are surprises.  Yesterday morning we were splitting firewood and found this soft nest of sweet baby mice.  Look at their tiny toes and ears.  Unfortunately, mice are a constant problem in the country but today, we gently set the nest behind the woodpile.  Maybe mama will find them.

Painting Marathon – Trying Something New

About a week ago, I decided to see how quickly I could paint ten paintings.  I’m not quite sure what the spark was.  Maybe I was bored, tired of the old style. Something I saw that reminded me of some yellow and blue paintings that I had done years ago.  Anyway, I decided to challenge myself, not only with the number of paintings, but stretching to a slightly different style.  In this case, my aim was to paint looser, faster, and more colorful.

Apple Jack, oil on board, 16 x 12, Kit Miracle

I chose my subject matter by going “shopping” through my house and refrigerator, and, of course, my prop cupboard in the back of my studio.  Hey, I didn’t even remember that I had martini glasses until I spotted them in the back of that cupboard!  And a shaker, too.  Must have been from a resale shop.

Two Lemons and a Martini Glass, oil on canvas board, 12 x 9, Kit Miracle

It was really great fun.  The miserable and damp weather meant that I didn’t feel any guilt at all about holing up in the studio instead of going outside for some fresh air.  I didn’t even want to come into the house to eat.  (And that never happens!)

Wait for Me!, cherry tomatoes in a dish, oil on canvas, 8 x 10, Kit Miracle

Although I wasn’t deliberately trying to emulate any particular style, I can see a lot of Cezanne and Janet Fish in these paintings.  And I’m really eager to try some more, perhaps larger or some landscapes in this style.  What do you think?  Thanks for stopping by.  Your feedback and comments are always welcome.

Oh, yes, all of these paintings are available at my Etsy shop, KitMiracleArt.  Check them out.

Three Tomatoes on a White Plate, oil on canvas, 8 x 10, Kit Miracle

Three Lemons in a Blue Bowl, oil on canvas, 8 x 10, Kit Miracle

Pine Sprigs in Antique Blue Bowl, Weller pottery, oil on board, 12 x 16, Kit Miracle

Lucky Four, green apples, oil on canvas, 12 x 16, Kit Miracle

Lemons on Blue Plate, oil on board, 12 x 16, Kit Miracle

Green Apples and Cut Glass Dish, oil on canvas board, 9 x 12, Kit Miracle

Adam and Eve, red apple and green apple, oil on board, 8 x 10, Kit Miracle

A walk in the big woods.

It was a beautiful early fall day on Friday so I decided that my dog Mikey and I needed to explore the big woods to see how things were progressing towards autumn.  I always take a bag to collect fall things – acorns and pretty leaves, bits of lichen and moss.  Our property is a mix of gently rolling hills and streams with some acres of hardwood (red and white oaks) up on a hill.  It is one of the highest places around and one of my favorite escapes.

Beginning of the walk through the east bean field.

I usually don’t head up to the woods in the deep summer – too buggy and too many weeds. So I was eager to see what had happened since I’d last been up to the big woods last spring.  Of course, this called for long pants and long sleeves, and some bug spray.  Dang, I hate chiggers and ticks!  And biting flies!

An old weathered tree stump on the dry creek bed.

Through the hickory grove. Love the way the light strikes the dead cedar on the left. My companion Mikey waits almost around the bend. He’s very patient.

Another almost dry creek bed. Look closely and you can see plenty of deer traffic through here, especially some very large prints.

I’m always fascinated by interesting patterns of fungus and lichen.

It’s a little early for many of the leaves to have changed color here but there were the beginning signs.  And, as expected, the creeks were really dried up after the past few weeks without rain.  Normally everything is very lush, even in the deepest of summer.

Mikey loves to go into the woods and runs about 20 feet for my every step.  Of course, one will never see any wildlife as he chases it all off.  But I eagerly look for signs and wasn’t disappointed to see some pretty big deer prints in the mud near one of the creeks.

Getting ready to cross under the powerline. Usually this is a cleared path but since we’ve added another path, this one has grown up over the summer. The weeds were taller than me! I’m heading towards that dead tree on the hill on the upper right.

Wading through chest high weeds, I appreciated the brilliant colors of this late patch of goldenrod.

I actually just walked through this (looking back). Path is totally grown over with some fierce briers, snatching at my hat and clothes. I can’t imagine the early pioneers and explorers wading through this kind of terrain, although deep woods really have little undergrowth. This is caused by the open spaces that were created when some trees were taken out.

Reached my “resting” chair, an old chair that we dragged up into the woods on a favorite lookout space. I had to clear the weeds off just to sit down.

Over the past 30 years, we have done some selective timbering.  The last time was a few years ago and a new path was cut to the big woods on the hill.  The old path had grown over but I wasn’t prepared for just how much it had grown over since last spring.  I almost got myself into more work than I anticipated as I had to practically hack my way through the overgrown weeds and briers.  It was a relief to come around to the new path (and mowed) area. I sure don’t know how the pioneers did it except that real heavy woods don’t have much undergrowth.

We’ve hacked our way through the briers and have come out on the downside of the loop with the cleared new path. Yay!

Now the hiking is much easier, exactly what I was anticipating.

Coming out of the top woods, heading back under the powerlines.

The view from the top of the woods on the hill. If you enlarge this photo, you’ll see farms in the distance which is about a mile or more away.

Easy walking through the lower woods. These are mostly hardwoods, red and white oak.

Poor Mikey was as tired and thirsty as I was. I have never seen him lie down to drink. I think he really wanted to roll in the water on the cool sidewalk.

Mikey and I had a good hike (about a mile and a half for me) and much more for him.  But we were both exhausted by the time we returned to the house.  An immediate shower was called for to help prevent any chiggers or ticks from digging in.  So far so good.  Lots of good material for future paintings and a pleasant way to spend a fall morning.

Studio visit – where the magic happens!

My studio is the old summer kitchen surrounded by herbs, flowers and giant maple trees.

I love to visit the studios of other artists, to nose around and see how they work, what materials they use, how they store materials and artwork.  Sometimes I get great ideas but it’s just wonderful to see what the other artists do.

So I’m inviting you to visit my studio.

Over thirty years ago, my husband and I decided to leave the corporate world and purchased a small farm in Southern Indiana.  This was always a dream of mine so he mostly came along for the ride.  If you are not familiar with this part of the country, it is totally beautiful with woods and fields, gently rolling hills, lakes and streams. And not too many people.  I like to say it’s like New England without the crowds.

We live in a 150 year old farm house with a large garden, a couple of orchards, and plenty of the aforementioned woods and fields and streams.  We raised two sons here and have enjoyed living in a county that doesn’t even have one stoplight…and we’re proud of it.

My studio is the old summer kitchen so my commute is about 30 feet from the back door.  For those of you who are not familiar with this term, summer kitchens were popular in the days of wood-fired stoves to keep the heat out of the house…in the summer!  They are very common on old homesteads in the midwest and south.  And it’s very nice for me to have an area to keep my art separate both physically and mentally from the rest of the house.

Thanks so much for stopping by.  Don’t forget to visit my art website at kgmiracle.com  or my Etsy shop.

My Blue Door Studio,the old summer kitchen is about 30 feet from my back door. The blue is Electric Blue, a lucky southwest color. Hey, why not?

View from the front door through the studio. It is a two-room space.

View from my artist chair to the front door of the studio.

A broader view of the front room of the studio. This used to be the dining room for the field hands during the summer.

It may looks a bit haphazard but I know where everything is…usually.

Broader view from the back room into the front room.

This large pantry in the back room of the studio is where I store many objects for still lifes. The old wood cook stove was back here, too. I can’t imagine how many meals were fixed here, as well as all the canning that was done.

Storage is always a premium for artists. Where does one PUT all this art?

This is where the magic happens. The easel for oil painting. The flat table for watercolor and some drawing. Everything I need within a hand’s reach.

One hour painting challenge

Painting in plein air is a great time to challenge yourself with a limited time to complete a work.  Usually you’re painting quickly anyway due to the changing light and conditions.  In this piece, I decided to limit myself to one hour.  I even set a timer.

Wild daylilies

Orange daylilies grow wild here in southern Indiana and can be found along nearly any country road in June.  They’re so beautiful and hardy.  This patch of flowers I actually dug up along the road since, surprisingly, our farm had zero of these elegant and lively flowers.

One morning I noticed the light pouring through the trees which seemed to spotlight this flowerbed.  I also loved the dark background of the bushes behind the flowers which seemed to make them stand out even more.

Wild daylilies plein air, Kit Miracle

I decided to work in acrylic which is not my strongest medium to work with.  The pochade box is a Sienna which is a beautiful piece of craftsmanship in itself.  As an aside, I will say that I was not prepared for this painting venture; I had to keep returning to my studio for supplies that I had forgotten. (Note to self:  make a list of supplies for each medium and keep everything together.) I also limited my palette to four colors plus white.  I could have eliminated the green and just stuck with the primary colors.  I would also have used an acrylic paint retarder medium as the paint kept drying too quickly.

When I set the timer, I dove into the work by doing a quick sketch and using larger brushes.  I tend to cover large amounts of canvas for the initial lay in, going back to add details and tweak things.  That’s my method but you may work differently.  The whole point of the timer and this exercise was to force me to make decisions more quickly and not get overly fussy.  Having too much time is not always beneficial.

Wild daylilies, Kit Miracle, acrylic on canvas, 9 x 12

Shooting for bright colors and the contrajour light, I think I accomplished my task.  What are your thoughts?

Studio Work

Like many artists in winter, I don’t have much time to get outdoors to paint. By the time I get home from work, it’s usually dark. However, I paint every week, often several evenings. These are some recent paintings from photos that I took this autumn.  One is from a trip to the Indiana Dunes in 2015.

As a contemporary impressionist, I try to capture the “feel” of the scene rather than every little detail.  It is often difficult to restrain myself.  I think in this day and age, with the benefit of photos, many artists often fall prey to the tendency of painting every detail which has been captured by the camera.  But that is not actually the way we see.  We see what is directly in front of us but the peripheral edges are often lost. The advent of modern photography continues to tempt us.  But that is not why we are artists. Anyone can take a photo but only the few can interpret their feelings in an artistic medium.

Indiana Dunes, 2015, oil on canvas board, 12 x 16, Kit Miracle

Indiana Dunes, 2015, oil on canvas board, 12 x 16, Kit Miracle

This first painting is from a trip that we made to the Indiana Dunes in 2015.  Surprising enough, this national park is set on the shore of Lake Michigan in northern Indiana.  It seems to have been carved from an industrial landscape but if you spend some quiet time here, you can imagine what the shore was like 100 years ago.  I wish I had painted this with a little warmer tones but that is in hindsight.  Love the sketchiness of the trees and the ever-moving sand.

Fall Walk, 16 x 20, oil on canvas, Kit Miracle

Fall Walk, 16 x 20, oil on canvas, Kit Miracle

This next painting is from a photo I took on a walk along my country road this autumn.  It is difficult to not go overboard with the bright colors which could lean to garishness.  I had to make a great effort to push back the far trees to add some atmosphere which enhanced the foreground trees and the lovely green of the cattle pasture to the right.

Frosty Field in Autumn, 12 x 16, oil on canvas, Kit Miracle

Frosty Field in Autumn, 12 x 16, oil on canvas, Kit Miracle

The final painting is just a glance out my bathroom window one frosty morning.  Love the early morning light catching the pine tree with the colorful woods behind.  Not so successful capturing the feeling of frost.  It looks more like a river or lake but there you have it.  As any experienced artist knows, not every painting turns out as we wish.  But we always learn something, even from our failures.

Challenge Painting

HikinginCrawfordCounty30x30oiloncanvas

Hiking in Crawford County, 30 x 30, oil on canvas, Kit Miracle

Last year I decided to participate in a challenge art competition.  This was a local county exhibit with the county plus the eight surrounding counties.  The requirements were:  a box, fabric, a living or formerly living thing, a map and something representing my county.

This is the painting I finally came up with.  The box is the L.L.Bean shoe box.  Fabric background and tablecloth.  A deer skull and some bittersweet.  A map of a local park.  And some postcards of local scenes.  It sounds simple but it actually took me an entire day to set up the still life.

Many of the entrants created collage or 3-D sculptures.  Only two of us did paintings.  I was shooting for something that met the conditions of the challenge and also created a good painting.  Adding the lamp to the still life created its own special challenges as I had to paint much of the painting in a nearly dark studio.  I repainted that lamp four times and I’m still not totally happy with it but the judge really liked the way it seemed to glow on the canvas.  I won second place so I guess it was a success.  What do you think?