Category Archives: Uncategorized

Painting small

Tulips, four color schemes, 4.5 x 6.5.

Let’s face it.  There are few people who are not inspired when they walk into a museum or cathedral and face a giant painting depicting a well-known scene.  I have been brought to tears when I’ve been overwhelmed with some exhibits. 

But that is not always the case.  Most people cannot accommodate a wall-size painting or afford one.  But that doesn’t mean that we don’t like real art nonetheless.

A typical variety of colorful flowers, 4.5 x 6.5 to be matted to 8 x 10

Over the years I have created and sold paintings of many sizes.  Some pretty large ones but most have been medium size.  And I’ve sold a whole lot of small pieces.

There are pros and cons with creating small paintings.  On one hand, larger paintings are immensely fun to create, taking that large brush and swishing it across a wall-size canvas.  But they are also much more difficult to sell due to the size. 

Landscape and harbor scene, 4.5 x 6.5

Small painting have many advantages, too. They are a good way to try out new ideas, materials and techniques.  They are very portable. You can just pick them up and move them around your home, or transport them easily.  They are also economical to create since they use less materials.

Vertical tulips in various colors, to be matted to 8 x 10.

I’ve used small paintings to make preliminary compositions and try out various mediums.  Some of the mediums that I’ve used are drawing, watercolor, pen and ink, acrylic, oil, etching, collage and prints.  The most common has been watercolor with pen and ink overlay for the details. These are usually on medium weight (140 pound) imported watercolor paper.

Small paintings were also my bread and butter when I used to travel the country for art show, earning back the booth fees and traveling expenses.  At one time, I painted a series of over forty different fruits, vegetables and flowers, each hand-painted and individually matted.  These were all 4 x 6, matted to 8 x 10, and either framed or inserted into glassine envelopes. I initially hand-cut the mats but eventually found sources for ready-cut mats, backs and the envelopes.  This made the whole process so much more efficient. 

These days, the primary size of the small paintings are 4.5 x 6.5 plus a border for matting.  Very easy to assemble. BUT…I also create 4 x 6 size painted postcards.  These are so fun.  I cut out a bunch, maybe 100 of that size.  I take them with me on my travels, make quick original sketches, and then mail them back to friends.  Surprisingly, all of the postcards have arrived safely at their destinations and my friends are so surprised.

Daffodil postcards, 4 x 6, originals

Some of the tiniest paintings that I have created are 2 x 2 and 2 x 3.  These are cute and fun but I have to specially cut the mats.  Unless I want to order a bunch of ready-mades, I just don’t do that too often anymore. 

A variety of teen-tiny, 2 x 2 and 2 x 3.

One thing that I would like to point out is that all of my small paintings are originals, not prints.  If you are buying these on the market, make sure what you are getting.  Many small paintings are digitally reproduced, either on paper or printed on canvas.  The artist may add a swipe of paint in order to call them original but they’re not really.  Just pay attention

I still enjoy making larger paintings, mostly for the challenge.  But I would certainly recommend that you give small paintings a try.  They’re great for experimenting with new ideas and compositions without having to put an excessive amount of time into them.  And they can be attractively priced if you’re planning to sell them. 

Good luck and let me know how they turn out if you experiment with this option.

Foggy Morning, East Field – a painting how-to

Initial sketch and color notes. Notice that I trimmed back my initial sketch to eliminate some of the trees on the left.

Recently I posted some photos that I took of a very foggy morning out here on the farm.  The atmosphere of the scene has been nagging at me so I’ve been wrestling with some ideas.  I’ve done several sketches, including some color sketches in both watercolor and acrylic.  It seems the most challenging part to me is to tone back the color as I like to use bright colors so much.  Fog is basically various shades of grey. I’ve cut back the color in the foreground and added more grey tones.

One of several preliminary paintings testing the color scheme of Foggy Morning.

First I prepared the canvas which was already gessoed.  In this case, I sanded it, added another coat of gesso which I texturized with a soft cloth.  After this dried, I gave it a wash of a very pale but slightly warm tone.  This would be my underpainting.  Then I drew the image on the canvas. 

I don’t usually use a wide variety of paint colors as you can see in the image above.  I rarely use a commercial green, instead preferring to mix my own shades of green from the limited palette.  There are only seven colors plus white.  I also use an acrylic modeling paste which adds more texture.  A matt medium cut with water is my mixing medium.

First I mixed several shades of grey and started with the trees, then worked my way down through the field, adding more color as I reached the foreground.  I really had to keep reminding myself to focus on the foggy grey tones and not add too much color.  Then I added some more notes in the tree line.  The sky was painted with a very pale grey leaving some of the warm undertone showing through.  The hint of the rising sun through the fog was actually an accident but I liked it so I left it in.

Toned canvas with first layers of paint.

Then it was just a matter of adding the trees, darker in front, lighter in the distance.  Not too many details but enough. 

I’m not sure if I’m done yet so I think I’ll let the painting rest for awhile.  I’m working on a companion piece so we’ll see how well that one comes out and if I’ll need to make adjustments.

Foggy Morning, East Field 18 x 24, acrylic on canvas. Kit Miracle

I guess the lesson here is to learn restraint.  For me it’s with color, also perhaps too much detail which can be a hazard for many artists. I’ll probably do some more tweaking before I call this finished.  I’m always interested in feedback so let me know what you think.

Early signs of spring

Spring sketches page 1

I always eagerly anticipate the first signs of spring.  This year, I was surprised to see a dandelion in bloom on January 4th.  That is amazing to me.  Now I’ve eagerly started looking for signs.

So far, I’ve also spotted several bushes in bud. Rhododendron, azalea, magnolia. Sometimes I’ll catch a mixed up forsythia in bloom already but then, they often bloom in autumn, too.  However, they are easy to force if you just cut some branches and bring them inside. (Put them in water, of course.)

I have a lot of naturalized daffodils in the yard.  They are already coming up in several places.  Sometimes they’re too early.  One year I painted a group of daffodils blooming in the snow so it’s not inconceivable that I might see some soon.

One day last week, I saw three robins in a row in the front field.  Sometimes I’ve seen large flocks of them in early spring.  Only the males.

Rabbit in the headlights

And I caught this rabbit in my headlights as I was coming up the drive a few days ago.  The little devil was looking for something yummy in the garden but there’s nothing there yet except garlic.  A motion-detector solar-powered light is good to chase away night critters.

Nest

With the winds, I saw several of last season’s nests which have been blown down.  My kids used to bring them to me and I still love the engineering. 

These little sketches were done with some very old Osmiroid ink in sepia.  (It’s a collector’s item now.)  I haven’t worked with ink for awhile so it was fun to get back to an old friend.  I used a #4 quill which is also hard to come by these days.  There are a number of fine quality pens and inks made in Japan of which I would like to try more.  Stay tuned.

Spring sketches page 2

Fog

The east field. Frequently we see deer crossing here.

I am glad that I live in a climate that exhibits mercurial moods.  The past month has been some wild ride.  Record-setting heat for winter, up to the 70s.  And a blizzard which scrubbed the land with high winds, followed by bone-chilling freezes.  No two days were the same, it seemed.  I think I would get bored if every day was sunny and warm, say like Florida or Arizona. But ask me about that next month towards the end of February.

Out front looking back at the house.

One thing that I’ve noticed is that my own mood perks up on sunny days.  Thus, I seem to prefer painting outdoor scenes depicting sunshine.  So when I woke to a heavy fog a couple of weeks ago, I marched outside (yes, in my robe and rubber boots) to take some photos of the fog.  The air was soft and the neighborhood was very quiet.  It seemed shrouded in mystery if that isn’t too much of a cliché.  One could almost imagine some settlers emerging from the heavy air or some knights on horseback in days of old.  Yeah, too much reading with my granddaughter.

The front yard. I saw some deer go across the end earlier.

But as I was reviewing my photos, I got inspired to try some new subjects.  The misty landscapes will probably appear sometime in the next few months.  Just imagine the peace and soft footfalls.

The north field. The fog is beginning to lift but it’s just above the tree tops.

Oh, by the way, happy new year.  Or at least a better one if the past has been difficult for you.  Find a still place to reflect, maybe enjoy the peace of some foggy weather. 

A big maple in the side yard. The fog is already beginning to lift.

And then the cavalry arrived

The sticks ready to be processed.

As I have mentioned previously, we rely on wood heat to keep our house warm in the winter.  Yes, we have a gas furnace but that has a price.  The wood heat is free….mostly.  Oh, there’s your labor involved and the wood requires a lot of handling. A lot. 

The guys were experienced and jumped right into work.

Southern Indiana is hilly with plenty of hardwood forests. People often selectively timber their property.  That is when individual trees are cut.  The logger only takes the primary eight foot log (sometimes more than one per tree).  He leaves the limbs and tops for the landowner.  This is where our firewood mostly comes from.  Saturday mornings are spent in the woods, cutting, dragging, chopping, splitting, moving the wood from one place to another.  A lot of handling.

Last winter my husband bought some “sticks” from the neighboring logger.  The wood was good but maybe it was twisted, the wrong type, whatever.  They delivered it and it’s been sitting there awaiting attention.  Unfortunately, as mentioned in an earlier blog, he had a serious health issue this year and can’t handle the wood as he was used to.  Which led to plenty of fretting on his part.

So, as I was reading the paper a couple of weeks ago, I saw an article about the local seminary who was looking for families who heat with wood for their annual Project Warm.  This is where the seminarians acquire wood from people who donate it off their property, maybe previously timbered, chop and deliver it to families in need.  So I suggested to my husband that he give them a call and explain the situation.  That he had the wood but just needed some help processing it.

After a few phone calls, they agreed that this would be a relatively easy project for them and came out this week.  Wow, what a beehive of activity!

The crew. Such a wonderful bunch of guys and so hard working. (Husband is the guy in blue in the middle.)

Since the guys were experienced in the process, they were able to go right to work.  We have a log splitter and all the logs were staged in one area.  They just had to saw the logs into the right stove lengths, then split them.  Some used the splitter but most of the young men chopped the wood by hand with mauls.  It was like a well-oiled machine.  Some were sawyers cutting the wood, some were splitting the wood with mauls and one operated the machine splitter.  It is easy to spot someone who has been swinging a maul for years as there is a certain rhythm to it.  It’s not a chopping motion.  And this was hard wood, almost all hickory, one of the heaviest and densest woods, but which provides the most warmth. At least two of the young men grew up on farms in New England where they were accustomed to handling wood for home heating.

The final results. A whole lot of firewood to heat the house this winter.

The guys turned those logs into piles of wood ready to keep us toasty this winter.

Taking a well-deserved break after a couple of hours of real hard work

Of course, we fed them as is our custom in this part of the world.  Trays of homemade Italian pizza, pumpkin spice muffins, fruit, snacks and drinks.  It was a pleasant afternoon for us as I hope it was for them. We so enjoyed visiting with these young men and learning more about their backgrounds and fellowship.  What a wonderful day. The guys are from St. Meinrad Seminary, right down the road from us.  Project Warm has been one of their community missions for over forty years.  Although we just learned of the program this year, I can’t tell you how much we appreciated the help.

Our son came by the following morning to move the wood into piles. This makes it easy to tarp the piles, keeping it dry before it is moved into the house.

Learn more about Project Warm here. https://www.saintmeinrad.org/news?story=13467

Hunter’s moon

Last night I sat outside with the chill falling, enjoying the flames in the firepit.  I think we had a frost but it doesn’t seem to have made much of a difference. 

The Hunter Moon rising, October 9th.

Tonight I stood outside for awhile to wait for the rise of the Hunter’s moon over the ridge.  As dusk was falling and the dog and I were waiting, a soft shadow drifted into the bean field.  A deer.  One of many nearby.  The dog, of course, took off.  Just the love of the chase, I expect.  I don’t know what he would do if he caught one but there’s really no danger of that.  The deer glided across the field in leaping arcs.  He’ll be back.

Plein air painting with a friend down by the river earlier this week. It was so peaceful.
I’ve painted this scene several times, in many seasons. The tall maples and reddish dogwood set off the white house and the clear blue sky. So brilliant.
The dogwood backlit by the afternoon sun. My granddaughter says it looks like stained glass.

I try to get outdoors as much as I can this time of year.  Took the grandkids to paint pumpkins at the local art fair yesterday.  Went plein air painting down at the river with a friend earlier this week.  But even a walk through the woods with the dog are pure pleasure.  The squirrels sure aren’t leaving many hickory nuts and the walnut harvest is paltry compared to last year.  Never mind.  Plenty for all.

Purple ironweed looks brilliant and healthy this late in the season. It contrasts nicely with the beanfield in the background. It was actually covered with straggler butterflies a week ago.
Surrounded by fall colors which seem to have changed overnight, at least the past two weeks.

We had a bit of a drought earlier this summer but with some rain. Crops around here are abundant.  The farmers are scurrying to get it all in before the next big rain but I think they’ll be alright.  None predicted for awhile.

Anyway, I hope you can get outdoors to enjoy the crispy fall air.  I’ve painted nearly everything in the area throughout the seasons, particularly autumn.  But I guess that you’ll see more seasonal work as the months go by.  It never bores me. I find the rhythms of the seasons comforting.  I hope that you are able to enjoy some natural beauty in your area, too.

A beautiful sunrise over Lake Patoka. Photo courtesy of my friend Joan M. who lives nearby.

The oldest house

Farmhouse with Red Maple

I have mentioned several times over the history of this blog how rural and sparsely populated this area is.  In fact, until just last year, we were the only county in the state that didn’t even have a stoplight…and we were proud of it.

But times change. 

This was brought home to me last week as I pulled out of our driveway and drove down our short road.  I noticed a new house being built.  Well, I knew it was being built; it’s a former neighbor who is moving back to the area.  We’re happy as they were good neighbors. 

This set me to thinking about all the new houses that have cropped up since we moved here over 35 years ago.  At that time there were only six houses on the whole two and a half mile road.  Now there are twelve.  Yeah, I know, not many but still doubled. 

This led me to reflect upon which house was the oldest house.  And…it’s OURS! 

When we bought this house at auction (that is a lot of money to spend at the drop of a hammer), it was in the position where it could have been rented out and run into the ground in about ten years, or someone could put some money into it and fix it up.  We chose to do the latter.  We had been looking for a place such as this for over a year.  We could either find a house in the country with no property, or property with no house.  Despite what the Hallmark channel would have you believe, it’s difficult to find a nice old home in the country.  Still a desirable goal but increasingly scarce.

The road out front was gravel (since paved).  We do have city water but it had only been in for about three months which is probably why there wasn’t too much competition for the home (few people knew about the city water which would have made the property more valuable.)  It’s also only a few miles from the state’s largest natural recreation area, a desirable place.  But it’s the setting that everyone always comments on as they drive up.  The house sits in the middle of the property.  We found a cornerstone that dates it to 1883 but I think it’s probably about forty years older.  Probably an original land grant, several of which we saw when we were in the market. 

The front of the house is log with layers of clapboard, insulation, and siding on the outside, and lath and plaster, new drywall inside.  The walls are about a foot thick which makes for a very quiet home.  I’ll regale you with all our adventures in remodeling a house this old some other time.

I’ve often reflected on why someone would build a house in the middle of the property rather than on the road with easier access.  The road used to kick up lots of dust but this was before automobiles.  Probably because the house site is flat with several close water sources – creeks, dug wells, springs, etc.  I have also noticed over the years that we found many pottery shards and Indian artifacts, chips, etc.  This may have been a dwelling site long before the country was settled.  The attraction of water sources, abundant wildlife, a large river a few miles away would have been the same for native Americans as they were for settlers.

This also led me to reflect on the house numbering system.  (I had a lot of time to think on the drive that morning.)  There are some places in Japan where the house numbering system is based on the age of the dwelling.  The first house on the block is number 1, the second house on the block is number 2, etc.  That is totally confusing for a person who was raised in the Midwest where roads are laid out in grids, usually of a mile.  How does anyone find a house in the Japanese system?  Do people go around and around the block until they spot the desired number? 

I am not an historian but I do enjoy learning how a community or area got settled.  It reminds me of Pete Hammill’s book Downtown: My Manhattan, Harriette Simpson Arnow’s Flowering of the Cumberland, and other similar stories.  Who came first?  What was it like then?  Why was this area selected? I’m sure that your local library, county museum, or historical society can direct you to information on the settling of your own locale.

Anyway, these are some random thoughts I had on a little trip to town the other day.    

Be prepared

Brutus, the old farm truck. A family member for over three decades.

I have been working all week on a couple of ideas for my Sunday blog post.  Although I don’t usually write it until the end of the week, I give some thought as to subject matter, finding or taking photos, etc.  This week’s post was going to be about books. 

However, life had other plans.

I was in my studio early this morning, packing a painting to ship today.  My husband and son were outside installing a new battery into old Brutus.  (See former posting here.)  It was a sunny and blessedly cool morning so I had the door to my studio open while I was working. 

Suddenly, something caught my attention out of the corner of my eye.  I glanced outside and saw a fire beneath old Brutus.  AAAAaaaggggghhhhh!  (And my car was parked right next to the truck.)

I shouted to my son who came running, handed him the fire extinguisher that I keep handy in the studio, and he ran off with it.  Well, two more extinguishers later, the fire was out. The outdoor faucets and hydrants are too far from where the truck was parked to have been any help.

We’re not sure yet what started the fire – maybe an electrical short, maybe a fuel leak, or even a mouse nest in the air cleaner.  We’ll have a mechanic friend stop by next week to give us an assessment. Fortunately we were prepared or it might have been a very different story. 

Although we live in a remote area which is our reasoning for having some home fire protection, I would urge everyone to have a few fire extinguishers on hand.  You just never know what kind of emergency you might encounter. 

I’m not qualified to advise what types of extinguishers to get but there are several varieties for the many kinds of possible fires – paper, wood, chemical, oil, grease, etc.   Check online or with your local dealer or hardware store to see what they advise. 

You don’t know when you will need one.  Or wish you had been prepared. 

The rest of the story

Here are some photos of poor Brutus after the fire incident. As I said, we don’t know what type of fire it was. This is the damage.

To outward appearances, Brutus still looks pretty good….for a 37 y/o truck.
On closer look, the hood is scorched. That white powder is from one of the fire extinguishers.
Ah, here’s the damage. What was burned and melted? We’ll find out this week.
One of the small fire extinguishers. This one is a C rating, meaning it will handle three kinds of fire/flames.

Writing a personal narrative

I can’t draw a straight line.

I’m not good at math.

Science always confused me.

Mom liked my brother best.

We were poor growing up so I don’t know how to handle money.

Do any of these sound familiar to you?  What is your personal narrative?  What stories do you tell yourself….or worse yet, allow others to say about you that may not be true? 

I was having a conversation with someone the other day that I’ve known for years but whom I rarely hang out with much since we left school.  He made a remark about how I am shy or some such.  I let it slide but it suddenly dawned on me that he doesn’t know me at all.  Where did he come up with this story and, more importantly, why do I allow someone else write my personal narrative for me? 

I haven’t been shy since I hid behind the door when I was a toddler.  In fact, I’m one of the few people I know who doesn’t fear public speaking at all.  I ran for office in school, worked for one of the world’s largest companies, have given numerous presentations on stage, in groups, on TV and radio. Nope, no butterflies.

This led me to ponder what other narratives do I allow people to attach to me?  Or do I tell myself? 

What stories do you tell yourself?  Were you known as the smart sibling?  Or the trouble-maker?  The hard worker or the messy one?  Sometimes we tell stories on ourselves or allow other people to define us.  Maybe we were never like that.  Maybe we tripped once, but are we really a klutz? 

So, what should we do if someone starts telling our personal narrative for us?  First, I think it’s appropriate to spend a little time thinking about those boxes that people have put us in, and be ready to stop the narrative.  You don’t have to jump all over the person – maybe they’re just trying to find some common ground – but be ready to explain that you’re not really like that.  That you haven’t run into a door since you were sixteen.  But also, don’t let them argue with you.  Maybe they’re more comfortable when they have you in that box even if it isn’t true.  Just shrug and smile.  Or give them a good long stare.  They’ll get the hint.

And then give some thought as to how you would like to be perceived.  Maybe you’ve changed over the past twenty or forty years.  You don’t have to keep living someone else’s narrative of you.  This is your own life and you are the author of your own story.

Meeting famous people

It’s been five years since I retired as Director of Jasper Community Arts Commission.  JCAC is the only city-owned arts department in the state and one of the few in the country.  It was started by a group of private citizens in the small town, then later turned over to the city.  Although initially it was just a performing arts venue, eventually it came to encompass visual arts, arts in education, special events and so much more.  Now, of course, they’ve expanded to the new Thyen-Clark Cultural Center which is way beyond anything anyone envisioned at the time the performing arts center was created.

The performing arts are still a major focus of the arts department.  With an auditorium which seats 675, we’ve hosted a number of performances over the years.  During my tenure as Director, we presented about a dozen performances a year so I had the great pleasure of meeting a variety of entertainers over the years.

I’ve often been asked who was my favorite which is truly an impossible question to answer.  We presented singers and musicians, dancers and comedians, actors, jugglers, and acrobats.  It was all good.  Well, mostly. But we won’t talk about that.  Obviously, a small Midwest performing arts center cannot afford top Vegas headliners. But we had a wonderful variety of quality entertainers.

So, I thought you might like to hear about a few of my favorites.  Not all, by any means, but there were still some memorable performances.

The first one was Marie Osmond.  This was right after I was promoted to Director.  Tickets had just gone on sale and the phones were ringing off the hook.  Marie was just starting to revive her career.  On the day of the performance, the tour bus showed up and everyone disembarked.  I don’t remember very much about the actual performance since much of my time was behind the scenes.  Marie did two shows for us that day which was our way of doubling our capacity.  She was not feeling well at all and had a very bad cold.  But like the real trouper that she was, she went on stage and gave the audience a show to remember for years.  She sang a mix of her pop standards, but then she gave us a variety of Broadway tunes.  It was perfect.  The audience was blown away.  Such a nice person and so professional.

Another favorite performance was Always…Patsy Cline.  We were having trouble right down to the wire of determining if the show was going to go or not as the Broadway management hadn’t returned the final contract.  Fortunately, through the perseverance of the wonderful agent I worked with, the show went on.  I cannot remember the name of the actor who played Patsy in this performance but she was super talented.  She was a little, tiny thing but belted out over 25 songs during the performance.  But one of the memorable moments is that Louise, the woman who was Patsy’s pen pal, was played by Sally Struthers.  So nice and down to earth.  Quick to laugh and just had a kind word for everyone. 

As an aside, I quickly learned that the biggest stars were often the best to work with.  Undemanding, kind, thoughtful of the staff and crew.  The performers that we had the most trouble with were those who were just getting started with their careers and kept trying to impress us with their star status.  We were not impressed.

Due to our location in south central Indiana, we are on the way to or from many major cities in the Midwest.  We are only about three hours from Nashville so we were able to present quite a number of county music stars.  Many enjoyed the smaller venue, plus they could sleep in their own beds at the end of the evening.  Some names you might recognize are Clint Black, Ronnie Milsap, Kathy Mattea, Lee Greenwood, Larry Gatlin and the Gatlin Brothers, Sandi Patty and so many more.

One of my favorites was the Time Jumpers with Vince Gill.  This group is comprised of a bunch of Nashville musicians who get together for weekly jams.  Vince often sat in on the jam sessions (he has since left the group).  He was very conscious about not making the performance all about him, and all of the other musicians were extremely talented, too.  When we were negotiating the contract, I asked what they wanted to eat.  They said just some beans and hamburgers would be fine.  I replied that we could do better than that.  We ended up serving fried catfish and creek fries.  They loved it!  So happy not to have to worry about leftovers. Vince was kind enough to pose for this photo with one of my staff members and me.  We usually avoided putting performers on the spot since they were here doing a job, so this was an exception.

Vince Gill posing with staff member Emily Colucci-Peake and me, Kit Miracle

Speaking of food.  I quickly learned that all the dance and acrobat troupes ate like linebackers.  Usually after the performances, not before.  They expend so much energy during their performances and are such terrific athletes.  We presented the Russian National Ballet twice.  I wasn’t sure how our town would respond to Swan Lake but it was a sold-out house and you could have heard a pin drop.  We could count on every scrap of food disappearing at the end of the evening.

There were so many other wonderful performances that bring a smile to my face when I think about them.  The Blues Brothers, Under the Streetlamp, Women of Ireland, Nitty Gritty Dirt Band, The Diamonds and Glenn Miller Orchestra, Richie Havens, Leon Redbone, The Ahn Trio, The Texas Tenors, Big Bad Voodoo Daddy, Tommy Emmanuel, Jim Brickman and more. 

Over 132 performances during my time there.  I was so very lucky to have this experience.  I have truly missed live performances during the pandemic shutdown but I think we’re all ready to come out of our nests.  If you have a performance venue nearby, I hope you can get out and enjoy the experience. 

Jasper Community Arts