Category Archives: Uncategorized

Spring has finally arrived

I haven’t always had luck with tulips. They’re like candy to the deer. I planted these last fall right next to my studio. Mikey the dog will keep the critters at bay.

Spring has finally arrived in this part of Southern Indiana.  It’s so beautiful that it takes my breath away.  Remember that crayon you used to have in your box called Spring Green?  Well, it’s all over the place now. At this old homestead (over 130 years), there are many established flowers and trees.  Plus we’ve added many more in the three decades that we’ve lived here.

So I thought you’d just enjoy a walk in the country.  Some of these flowers and trees are already on the wain while others have yet to bloom, the redbuds and dogwoods are just coming out now.  Maybe another post about them later.

An in and out day with the scudding clouds chasing the sunshine. I love the spring greens.

Little pansies are so cheerful. These came from an early foray to the local garden center about a week ago. I couldn’t help myself.

A cheerful crab apple next to the garden. This is a start from the original which was a Mother’s Day present to me many years ago.

More tulips basking in the sunshine.

A friendly little toady emerging from the leftover leaves. He looks a little ragged. I expect he’d like a nice breakfast of some juicy bugs.

The east fields, still soggy from the night’s rain. More clouds and sun shadows.

Bluebells and narcissus. These have become naturalized in several spots of the yard and I have more plans to move some starts elsewhere this spring.

I love violets. They come in so many variations but these deep purple ones seem to be dominant.

The importance of preliminary work

Green and Yellow, 20 x 20, acrylic, Kit Miracle. Intimate Spaces series

I recently posted a step-by-step outline of my painting A Day at the Beach (4-10-2019). A critical part of creating a significant panting is the preliminary work. I sincerely believe that the more thought I put into the piece at the beginning, the more I can work out the problems ahead of time, and the better the final result will be.  Well, that’s my theory anyway.

Green and Yellow, detail.

This is another painting in my series Intimate Spaces, all about the territory that people carve out when they visit the beach.  In this painting, I was sitting behind a couple who staked out their space early in the day with two chairs and an umbrella.  They didn’t show up until mid-afternoon.

NOTAN sketches for Green and Yellow. This is where I work out basic shapes and composition. As you can see, initially I intended this to be a rectangle shape but then changed it to a square shape.

I liked the near silhouette of the couple with the contrast of the kids playing in the surf in front of them. Maybe they were grandma and grandpa.  I don’t know and never did figure it out.

Large graphite sketch of the main characters for Green and Yellow.

As with most of my paintings, I begin with a NOTAN sketch, just hard contrast of black and white to get a feel for the composition.  Then I did a large graphite sketch of the couple.  I didn’t feel a need to sketch the kids as they’re just notes really.  They were painted directly.

NOTAN sketches of past couple of paintings. Working in black and white allows me to focus on the shapes and composition.

Here are a few more examples of NOTAN sketches.  You’ll notice the one from my last post of A Day at the Beach and how I was focusing on the interlocking umbrella shapes.

More NOTAN sketches from Jump.

And the two pages of NOTAN of Jump which I created in February.  With some of the bigger pieces, I’ll also do a color sketch but not always.

The final conclusion is that no matter what style of art you create, you will often have better results if you put in more thought and work into the beginning of your work than having to correct problems later.  Indeed, sometimes you may discover that the scene or piece doesn’t merit following through.  Or you may decide to attack it from a different direction.

A Day at the Beach – Painting a Series

A Day at the Beach, final. 24 x 36, acrylic on canvas, Kit Miracle

As a working artist for over three decades, I find keeping interested in painting involves challenging myself. Sometimes this means new subject matter or new materials. Even a new location helps.  The challenges keep me inspired and allow the mental juices to flow.

My latest challenge is painting a series of paintings revolving around a day at the beach.  I love slice of life subjects, catching people going about their lives without thought of an audience. One thing I’ve noticed is that when people are at the beach, they stake out their territories, bringing the chairs and the umbrellas, the coolers and the toys.  Beach goers seem to operate under the illusion that no one can see them in their little sand kingdoms.

But the artist’s eye can.

The planned series includes vignettes of life at the beach.  Families, couples, kids playing, people just enjoying the sunshine…or totally ignoring their surroundings with their noses in books or napping.  My inspiration for these seaside paintings are John Singer Sargent, Joaquin Sorolla, and Burt Silverman.  It took a lot of effort to make their seaside paintings seem so, well, effortless.  Unstaged even though they often were. And that is the aim of this current series that I’m working on.

The painting above depicts the settling in and establishing of territory by a family.  Mom gets the lounge chairs ready while son is waiting patiently for her attention.  The composition with overlapping umbrellas and tents is like a little city, each with its own slice of life.

The beach walkers and people playing in the surf add distance and perspective to the scene.  I also chose to flatten the color of the sky (no clouds) and the foreground.  This allows the emphasis to be placed on the middle plane where all the action is.

A Day at the Beach is number six in the series.  I have sixteen planned but we’ll see.  A series is an exploration of an idea and I’ll keep at it until I don’t have anything else to say about the subject.

If you’d like to see how this painting was created, click on this link or go under the tab Artworks and click on A Day at the Beach for step-by-step photos.

Thanks for stopping by.

Ground breaking for the new Thyen-Clark Cultural Center

Thyen-Clark Cultural Center sign made with colored chalk and sand.

Today was a big day for everyone in this area.  The official ground breaking for the Thyen-Clark Cultural Center was held this afternoon.  This is a true partnership between Jasper Community Arts and Jasper Public Library.  The new building will be on the site of a former factory in the downtown area near the River Walk and many other area attractions.

Thyen-Clark Cultural Center proposal. Will the doors really be ready to open by the end of 2020? Yeah!

We are so excited.  Both entities have been seeking expansion for many years, decades in fact.  I first met with the Thyens in 2006 but it wasn’t until about four years ago that the library and Jasper Arts decided that a partnership would be a great idea.

Some of the first shovels with our generous donors Jim and Pat Thyen at far right.

The road has not been easy but everyone in the community seemed to get on board with fund raising, the referendum drive for the library, approval from all the political entities, funding from state organizations.  The turning point was the challenge grant pledged by Jim and Pat Thyen.  From major companies to individuals, everyone in the area has pitched in to make this project happen.

So this afternoon, we all gathered at the site for the ground breaking ceremony.  Speeches were given, children were invited to participate, all of the board members and staff and other supporters were given an opportunity to wield one of the golden shovels.

The bulldozers take over tomorrow.

I can hardly wait!  Viva la arts!

Links to more information.

Library Director Christine Golden and Arts Director Kyle Rupert welcomed the crowd of about 100 people.

Mayor Dean Vonderheide gave a brief speech. He has been involved in the Cultural Center project before he became mayor. We’re so fortunate to have his continued leadership.

Visual Arts Coordinator Emily Colucci Peake decorated the honorary shovels, an artist’s brush and a stack of books. How clever!

Gumby put in an appearance. Here he is posing with Corina and Juan Mack. Corina is special Project Coordinator for the arts.

Peppa Pig also dropped in to entertain the kids and adults.

Jasper Community Arts

Jasper Public Library

How to enter a digital portfolio review

Krempp Gallery, Jasper Indiana

I am on the Visual Arts Committee for the arts center for which I used to be Director.  The committee is charged with selecting exhibits for the following year.  We do twelve exhibits a year with some being fixed so generally we have slots for seven or eight shows.  Some of these are solo shows and some are group exhibits.  A few are invitationals based on a theme, ex, portraits, furniture, costume design, etc.

Each December we put out a call for artists with the deadline for entry the following March.  Then the committee, comprised of artists, teachers, gallery owners, and interested community members review the entries and begin to winnow them down.  We’re seeking talent, variety in both style and media, and often something just plain different.

What initially began as slide submissions quickly morphed into digital images on CD which has again transitioned to reviewing all the artists in an online forum.  This week I’ve looked at over fifty artists.  (The first year we put out a call we had over two hundred entries!)

One thing that has struck me is how some artists clearly project a professionalism that others do not.  This gives them a big advantage in the review process.  So, just what do I mean by this?

  1. Follow the rules.  If you’re asked to submit ten images, then don’t submit three or twenty. Check the size and format that is requested.  If an Artist’s Statement or CV is requested, then send one. DO NOT send a link to your web site or a photo of your fancy brochure.  You want to make it easy for the judges and they shouldn’t have to go fishing for information.
  2. Check your photos very carefully. Is the quality up to par or could you do better?  There are all kinds of resources online or YouTube about how to take decent photos of your artwork.  You don’t want any hot spots, frames, hands holding the work, your dog or the garage door in the image. With affordable digital cameras and editing software, there is no excuse for submitting shabby images.
  3. Check your computer monitor and view your images on different monitors. If you’re really serious, invest in a monitor calibrator.  This will help ensure that your images appear the same across many platforms.
  4. What work should you submit? Obviously, your best, but more than that.  Ask yourself if your work is consistent in quality and impact?  Or does it look like everyone else’s work?  Is everything too same same or are you working in a distinguishing style?  Usually first impressions count so I would suggest lining up your work with your best piece first and your second best piece last in order to make the impression stick. What makes your work stand out?  Yes, it may be very well executed but it just may not have that special something.  Try to be objective.
  5. If you are working in more than one style or medium, it is OK to submit more than one portfolio with each submission focusing on a different style or medium. However, that means that should your work be accepted for an exhibit, then your show will be focused on the work that was submitted.  Gallery directors understand that the exact pieces you submit for review may no longer be available (unless that was one of the rules), but they expect to see you deliver a show similar in style and content to what was in your application.
  6. Learn to write a decent Artist Statement. Can you explain your work in half a page or less?
  7. When you are writing your CV (curricula vitae), start with the newest items first.  If you have many, many listings, then highlight some of your most important awards or shows.  Summarize the earlier work.  Believe me, no one is interested in what you did in kindergarten.

After you submit your portfolio, then relax.  You either will or you won’t get in.  It’s out of your hands. But learn from the process.  It’s OK to contact the gallery or museum to find out if there was anything you could improve or for other helpful suggestions.

You can often find request for portfolios in the back of many artists’ magazines and through online resources, such as, CaFE.org.  Some charge a fee and some do not.  Again, read the rules.  And if you should get accepted for an exhibit, pay particular attention to the conditions and rules of the gallery.  But that is a subject for another post.

Read more about submitting your work for a juried show at this link to an earlier post.    5 Tips for Getting into a Juried Show

Fresh flowers for spring!

Are you tired of winter and ready for something new?  Try adding some fresh flower paintings to your home for a new look.  Both of my Etsy shops are having a sale of 20% off ALL flower paintings or even any painting with some flowers in it.  No limit except for the time.  Sale ends April 30th.  Check out the links below.

Etsy KitMiracleArt  click here!

Etsy shop My90Acres click here!

Spring sale. 20% off all flower paintings or any painting with flowers in it. No limit. All in my Etsy shop KitMiracleArt.

Spring ad for Etsy shop my90acres. 20% off all flower paintings. All original. No limit.

Yearning for Spring

Yearning for Spring, framed, 16 x 20, acrylic on canvas, Kit Miracle, contemporary impressionist

I am just so ready for spring.  Living here in southern Indiana, the winters are usually rather mild, at least compared to my years in Michigan.  We will often get a little snow but not much to worry about.  I think winter here is really like a long fall.

However, this year Mother Nature seems to have taken a fit.  Warm one week just enough to tease the early bulbs out of the ground.  Then the next week, temperatures diving for the bottom of the thermometer.  Last week we saw lows of 10 degrees which meant our wood furnace (The Beast) was doing its best to keep up.  Yesterday we saw a high of 62 with some 70s predicted for next week.  Last evening the peepers could be heard in chorus in the bottoms.  Did I mention that I am really ready for spring?

I felt an irresistible urge to paint some spring flowers. With few early flowers out yet except a couple of bedraggled crocuses and some hardy daffodils, I turned to my photos of some spring bouquets.  And to step outside my usual style.  Same old, same old, gets boring in my opinion.

Yearning for Spring, acrylic on canvas, 16 x 20, contemporary impressionist, Kit Miracle

The first bouquet consists of forsythia, double fancy daffodils and some branches of flowering quince.  I like the subtle colors here and aimed at coordinating the background to the flowers but to subjugate it to the foreground.

Dancing Tulips, acrylic on canvas, 16 x 20, contemporary impressionist, Kit Miracle

The second flower painting took me in a different direction.  I aimed for bold colors and lively strokes.  This painting certainly accomplished that.  It almost looks as if the tulips are dancing.  To see the step by step for this painting, click here or go the Artworks tab and click on Dancing Tulips.

With the warming temps coming this week, my real tulips might be blooming. They’re already up several inches and it will just need old Sol to entice them out.  I’m ready!

Of course, both paintings are for sale at my Etsy shop.

Thanks for stopping by.

Spring is Nature’s way of saying, “Let’s Party!”       Robin Williams

Yearning for Spring, detail 1

Yearning for Spring, detail 2

Dancing Tulips, detail 1, Kit Miracle

Dancing Tulips, framed, acrylic on canvas, 16 x 20, Kit Miracle

Winter reading – artists’ biographies

I love reading biographies, particularly autobiographies, particularly artists’ autobiographies.  Winter is a great time to snuggle inside with a book or two or ten.  These are a few of my current recommendations.  You may be surprised that I don’t just read books about painters or even about artists who work in the same style as I do; I am more interested in their motivations, how they became who they became, and what obstacles they had to overcome.

Alexander Calder, an Autobiography with Pictures.  1965.  In this autobiography, Calder dictates over a period of several months, his life and career as an artist.  From a struggling student in engineering to the famous artist he became, this is a fascinating tour of his life.  He doesn’t always delve into the why of the works he created, but it’s amazing to see how his career grew.  And I couldn’t believe just how much he and his wife Louisa traveled, not only between the US and France, but all over the world.  They moved frequently and were undaunted to tackle any old derelict of a farmhouse, apartment or barn.  Personally, I would not be able to remember all the details about my life as he relays in this account of his.  Full of photos in both black and white, this is a page-turner.

Chuck Close, A Life  by Christopher Finch (2010) Chuck Close is a brilliant artist known for his gigantic portraits but he also faced many struggles in his career. A poor student, he probably suffered from dyslexia, but he overcame the naysayers to garner acceptance into Yale.  His early successes established him as a leader in the art world.  I loved reading about his years in a loft apartment in the Village, and the name-dropping of other famous contemporaries.  His spinal stroke in mid-career set him on a new trajectory that would have sidelined many lesser individuals.  Close didn’t discover until late in life that he actually suffered from prosopagnosia, i.e., he is unable to recognize faces, even of those whom he knows well.  This probably set him on the path to focusing on the giant portraits.

Renoir, My Father by Jean Renoir  (1959) It was interesting to read this biography of such a famous artist by his own son.  I always admire the early impressionists (although they didn’t call themselves that at the time) and to read such a personal account by an eyewitness of the day is fascinating.  I learned a lot about Renoir and in the end, didn’t really care for him as much as a person.  But this is still a great you were there account which gives the true flavor of what it was to be a painter at this critical period in France.

Van Gogh by Steven Naifeh and Gregory White Smith (2011)  Nearly everyone holds some ideas about Van Gogh but many of those ideas are shallow characterizations.  He was much deeper than cutting off his ear.  He painted to celebrate his love of God and God’s world.  The fact that he was able to create in the face of so much ridicule and drive himself to continue to paint is inspiring.  This book is not for the faint of heart as it is over 900 pages, but it is very thorough.

Edward Willis Redfield, An American Impressionist and His Paintings and the Man Behind the Palette by J.M.W. FLETCHER (1996)  I am a huge admirer of Redfield and his work.  He was such a dogged master painter and had some of the best working habits of any artist that I’ve read about.  Redfield doesn’t get as much attention as he did during his lifetime but take a look at his work if you happen to visit a museum.  What I love most is the sheer energy that he put into his paintings.  You can tell by the bold and sure strokes.  He was a big man and usually painted large canvases….on location.  No matter the season, winter or summer, he would wade through snow and ice to get what he wanted.  This book is a personal labor of love by the author who researched it about as thoroughly as anyone could.  It contains just about every detail of Redfield’s life and career as he could round up.  I feel that some of the photos that the author took could have been done a little better, but overall, this is an amazing portrait of an American Impressionist.

Willard Metcalf, Yankee Impressionist  Spanierman Gallery, LLC.  (2003)  I fell in love with Metcalf when I first viewed his painting The North Country in the Metropolitan Museum of Art in New York. It became an annual pilgrimage to visit this painting on my many trips to the city.  The delicacy of the colors of the painting cannot be done justice in any reproduction compared to the real painting.  Metcalf was prolific and had many successes early in his career.  However, he was not so lucky in his relationships and had a problem with alcohol.   The book is filled with many beautiful plates and is certainly a good depiction of a lesser-known American artist.

This is just a small list of some of the artist biographies that I have enjoyed.  Check them out and be inspired. I’ll post links to my favorite women artists another time.

Links to the books:

Calder – Autobiography with Pictures

Chuck Close – Life

Renoir, My Father

Edward Willis Redfield 

Willard Metcalf 

Wings, a beach scene

Wings – final, acrylic on canvas, 18 x 24. Kit Miracle

I was looking through some old photographs for subjects to paint which I haven’t visited for awhile and came across the inspiration for this painting. Sometimes the subject doesn’t grab me for several years until I revisit the pictures but this photo was only from last summer. I love the beach scenes by Sargent, Sorolla and Zorn, particularly the ones involving children.

For this painting, I decided to work slowly and do plenty of preliminary work.  My last post included several sketches, some Notan studies, and one painting study of the central figure. The latter is actually larger than the figure in the final painting.  See the sketch for this painting.

The title comes from the focus on the little girl with her water wings and the flapping wings of the seagulls.  Sargent did a wonderful painting of Neapolitan Children at the beach and one of them is wearing a contraption of bladders for floating, similar to today’s water wings.

To learn more about this painting, check out my step-by-step page here.

Your One Thing

How are you doing with those New Year’s resolutions?  Already feeling a bit overwhelmed?  Maybe fell off the wagon already?  I’ll go on my diet when all these sweets are out of the house.  That big work project is hanging over my head; I can’t stop smoking now.  I promise that NEXT YEAR I’ll set up a budget for holiday shopping. Any of these sound familiar?  Or something similar, I’m sure.

I always get weird looks from people when I tell them that my favorite day of the year is New Years.  Not for the sports (although I live with someone to whom those are pretty important.)  No, it’s my favorite day of the year because it portends new beginnings, new opportunities, a fresh slate.  Possibilities!

Over the years, I’ve gotten pretty good at planning.  My job as Director of a performing and multi-discipline arts center required planning out eighteen months to two years.  I set up a spreadsheet with upcoming events and tasks in all the major areas: administrative, fund-raising, performing arts, visual arts, educational, special events, etc.

I would check the list every month, update as necessary, and set up my weekly schedule – also in categories.  Long term goals were guided by our five year plan and updated as needed.

When I retired a couple of years ago, I decided to put my energy back into painting.  I’ve been a professional artist since the early 80’s but had limited time to give when I was working full time (although I never gave it up, always managing to fit in 15 or so hours a week). Now that I didn’t have any excuses for not giving my best, what exactly did I envision for my next stage art career?

The first several months I floundered about.  I fooled around, did some art, but not with any real focus.  My question to self was, how do I apply everything I’ve learned and practiced for the past couple of decades in the arts business to my art business?

Then in December 2017, I picked up a book from the library that impressed me so much that I had to order my own copy.  I’m a business and marketing book junkie, btw, but I was really fired up by this book.  It is called The One Thing by Gary Keller.

The One Thing by Gary Keller

The main premise is to focus on one thing.  The focusing question is:

What’s the ONE THING I can do

such that by doing it

everything else will be made easier or unnecessary?

There is more in the book to help the reader find and focus on his/her One Thing, but that is the main premise.  The author has a number of free downloads on his website but I developed my own.

I usually focus on some personal goals as well as business goals, but inevitably I am too ambitious and can get overwhelmed.  Sound familiar to you?  Keller emphasizes setting up a set of goals which will cause a domino effect, i.e., do a small thing, which will lead to a bigger thing, until you finally get to your ONE BIG THING.  I set  weekly, monthly, one-year, five year, and someday goals, all revolving around my one big thing.

The goal I set for the year (which I’m not going to share specifically) revolved around creating and selling a certain amount of artwork.  This was one BHAG (big hairy a$$ goal) and beyond anything that I’ve achieved for a very long time.  It was a real stretch. The final result?  I created and sold more artwork last year than I have in any single year since I had a full-time job.  I came within $17 of my big, reach-for-the-stars goal.  Yay!  What a boost to my confidence.  And, all that creating has probably improved my work as well.

So, what’s up for this year?  Revised the plan from last year, tweaked a few things….and DOUBLED my goal!  Heck, why not?

What are your goals for the year?  What is your One Thing?   What one thing, such by doing it will help make everything else easier or unnecessary?

If you’re floundering and lack direction, or lack progress, I highly urge you to get this book by Keller.  Check it out of the library or snag a copy online.  With over 2,500 hundred reviews, you can’t go wrong.  As a caveat, I am not affiliated with Gary Keller or his organization in any way.  I just really like this book and think you might, too.

The One Thing by Gary Keller

Gary Keller’s website

My personal Word doc for goals  one big thing 2019 blank form