Tag Archives: kit miracle

Busy busy busy – part 2

Fall decorations on the farm. My husband’s old 1952 Allis-Chalmers tractor all gussied up for the studio sale this weekend. He even washed it! And this was his idea entirely.

I recently posted about all the arts activities I have going on lately so this is just a quick update.

My solo show at Oakland City University closed last Friday.  It was extended two more weeks which was fine with me.  We picked it up on Saturday.

Will Read and Sing for Food event. I expected about 15 people to show up on a Thursday night but they had about 60 people there!

Last week I was asked to exhibit some of my work at a Will Read and Sing for Food event.  This is a local group of volunteers who raise money for worthy causes and organizations.  This time they raised $650 for Mentors For Youth.  Singers, musicians, poets, and writers all donate their time and talent to the community.  How neat is that?!

Flower painting class. Students practicing making shades of green. Much more difficult than they thought.

Then I wrapped up my flower painting class on Monday this week.  I think everyone enjoyed it.  I haven’t taught a class for a long time so it was good to try that again.

And now I’m working hard to prepare for my Open Studio Sale this weekend.  This consists of inviting people out to my studio for a couple of fun days of art, food and friends.  I haven’t had a sale for four years and, boy, do I have a lot of work!.  Some of the paintings are at fire-sale prices.  In addition to cleaning out the studio and setting up the displays and artwork, my husband and I feed everyone.  Homemade minestrone soup, homemade herbed breadsticks, biscotti and other refreshments, including some adult beverages.

So, next week I’ll need a rest, for sure.  And to get back to painting.  The 90 degree temps are gone, the fall colors are out, and it’s a beautiful time of year to get outside.

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God’s Light

God’s Light, beautiful cumulus nimbus clouds with rays of sun streaming down.

I went to Louisville yesterday to visit the St. James Art Fair.  I exhibited in the fair for many years but haven’t been back since I quit exhibiting. It was exciting to meet up with old friends and to see the new trends in art.  Quality art is always popular no matter the materials or subject.

The day was beautiful with temps near the 90s.  Unseasonably warm for October.  This heat can make some very unstable air and weather conditions.

On the trip home, I was admiring the beautiful cumulus nimbus cloud formations.  Gigantic fortresses of white against a brilliant blue sky.  Some of the clouds were dropping rain which was evaporating before it could hit the ground.

This is a photo of one of the clouds which I took out my window.  (Don’t try this at home, folks.)  Artists often call the rays of sunlight streaming through the clouds God’s Light. Easy to visualize but difficult to paint. I just love clouds and have painted many, so I guess this one will be on my to-do list of painting subjects in the future.

Busy, busy, busy. An artist’s work is never done! And that’s a good thing!

This month and next month promise to be VERY busy.

The Jasper Arts annual juried show wrapped up on Friday.  I had my painting Homage to a Dead Bird in it. Have to pick it up this week.

Solo exhibit at Oakland City University, Kit Miracle

And my solo exhibit at Oakland City University was supposed to end last Friday, too.  However, I’ve been asked to extend it for a few more weeks so if you didn’t catch it, you still can through October 12th.  The fifty works in the show are a good example of what I’ve been creating the past few years and are pretty colorful.

Goldenrod – wildflower, watercolor pen and ink, Kit Miracle

My class on Flower Painting with Watercolor and Pen and Ink begins tomorrow.  I’m a little nervous since I haven’t taught a class in years.  But I’ve been painting watercolor for 35 years now and have painted hundreds of flowers so I’m sure I’ll relax.  I hope the students have a good time and learn something.

 

Then on October 11th, I’ve been asked to exhibit some of my work at one of the final Will Read and Sing for Food events.  I’m so flattered to be asked.  This is a very worthy group of volunteers who have been raising money for worthy causes for the past several years.  Music, singing, comedy, humor, editorials.  All in good fun.  I’ll be sad to see them end their rein but understand exactly how much work is involved behind the scenes for a two hour show.  Thanks, friends!

Invitation to Open Studio Sale

Example of previous open studio paintings for sale. Up to 50% off, many of them framed. Get extra 10% off if you bring the invitation card.

Good food and drink. Homemade soup, bread, and desserts.

Finally, I’m hosting an Open Studio Sale on October 20 and 21.  I haven’t had an open studio sale for four years and have a LOT of paintings for sale at some really great prices just in time for the holidays.  Two fun-filled days with art, music, food (homemade minestrone soup and homemade bread), and good friends.  Plus it’s a great time to drive out in the country to see the fall colors.

In between all these activities, there’s company coming, fall gardening activities, a wedding and other events to attend, and so much more.  Whew! I thought I retired!

If you’d like any more information about any or all of these events, please contact me.  I sent out a bunch of invitations to the Open Studio Sale but if you didn’t receive one, just ask.

Thanks so much for stopping by.

Visiting the Falls of the Ohio

Falls of the Ohio II, acrylic on canvas, 16 x 20, Kit Miracle. This view is looking back towards the shore from the beds, where the puddles reflect the cloudy sky and trees.

A couple of weeks ago my husband and I took a day trip to the Falls of the Ohio in New Albany, Indiana.  Although it’s only a short drive away, I had never been there.

The Falls of the Ohio is an Indiana state park set on the edge of the Ohio River.  It features large fossil beds which visitors can climb over.  You can view thousands of fossils right beneath your feet.  As the level of the river drops, more layers of fossils are uncovered.

Falls of the Ohio I, acrylic on canvas, 16 x 20, Kit Miracle. View from the treeline at the Falls, across the river towards Louisville. We saw a train crossing the bridge while we were there.

The day we visited was an in and out day, with showers alternating with sun.  I particularly loved the setting along the river.  The old trees, the puddles reflecting the trees, the skyline of Louisville across the river.  We even saw a train crossing the old bridge.

There is an interpretive center which has a fee but the visit to the Falls is free.  If you go there, it is a bit tricky to find but follow the signs.  Obviously it’s on the river so you will be looking for River Road.  Take a picnic lunch or travel along River Road to eat lunch at one of the many neat restaurants in the area.  You can even follow the road east to Jeffersonville to the walking bridge over the Ohio.

All in all, an enjoyable day. It’s good to try something new.

Reception at Oakland City University

Gallery exhibit at the J. Michael Dunn Gallery at Oakland City University in Oakland City, Indiana. The paintings always look so nice when the lights are set. As you can see, I really love color!

As I mentioned earlier, I have an exhibit at Oakland City University last month and through September 28th.  We had a reception today.

Friends who made it to the reception. Even with the leftover remnants of the hurricane rain, some people still made it out. Thanks so much!

I was so delighted that some new and old friends were able to make it as we have had some real rainy weather with the remnant of the hurricane coming up from the Gulf. (We had over seven inches of rain yesterday!)  It would have been real embarrassing if no one had shown up.

My son and his girlfriend speaking with a long-time acquaintance LaVonne Tisdale.

My friend Roger Willis and his helpers put out some nice refreshments.  People hung around for my gallery talk.  Difficult to squeeze thirty-five years into twenty minutes but I hope they enjoyed it.

The artist posing with a self portrait with still life. A bit ironic, I think.

Thanks so much for coming out.  The show runs through September 28th.  If you’re in the neighborhood, please try to stop by.  Check out the hours and address at the J. Michael Dunn Gallery on campus.

Pen and ink, a test

I’m teaching a class next month for flower painting with watercolor and pen and ink.  I’ve been using this technique for about 35 years now so I might have learned a thing or two about the subject.

A few of the pens that I used in the most recent test. Top to bottom, India ink and a #4 quill dip pen, my favorite Platinum Carbon Ink pen, a Uniball Vision Elite, Lamy Safari, Shaeffer calligraphy, and a brush pen with ink.

In preparation for the class, I dragged out all of the accumulated pens that I’ve used over the years.  I first started with the old fashioned dip pens and India ink.  This is still a tried and true favorite.  I use a #4 quill and used to buy them by the dozen as I tend to wear them down. (Or a #102 crow quill.) I like the feel of the quill pen and the slight variance of the lines as I draw.  However, there’s often the problem of an errant drop of ink on the paper, which, being India ink, cannot be removed and is difficult to cover up.  Also, when I was doing house portraits and using a ruler for some straight lines, the ink would sometimes wick under the ruler, again, spoiling the painting.

Several years ago, I began exploring other pens.  I’ve tried many of the mechanical drawing pens but they were too difficult to clean.  Some commercial pens were nice but the ink faded over time.  I’ve actually done some tests in the south-facing window of my studio and some of the inks faded totally away!

My current favorite is the Platinum Carbon ink pen.  These are wonderful pens with cartridges, never seem to clog, and are very affordable.

Several others that I tested in this sample are the Lamy Safari, Faber Castell, a brush pen, and whatever else I had.

Samples of various pens and inks. The blurred samples are where I dragged a brush loaded with clear water to test the fastness of the ink. As you can see, they’re not all the same.

After drawing the test sections, I let them dry completely, and then passed a brush with clear water over the lines. As you can see, some of the inks are not waterproof at all.  This could be a problem for artists who do the ink drawing first before they add the watercolor.  In my case, it wouldn’t matter too much as I always start with a quick pencil sketch, paint the watercolor, then add the details loosely with the pen and ink.

This test paper has been in my window for 16 years. On the inside of this piece, I tested several commercially available pens as well as the standard India ink. Some faded totally away while some others held up surprisingly well.

Anyway, if you’re interested in the class, there are still some openings but it’s filling quickly  Here is the link for the signup. Flower Painting Class.

search my blog for more posts about using pen and ink.

Flowers from the garden

Here you see Beebalm, onion, and a beautiful Magnolia. Watercolor, pen and ink, Kit Miracle

After the painting blitz of landscapes the past few weeks, I jumped back to painting flowers again.  I’m teaching a flower painting class in October, watercolor / pen and ink, so I wanted to have some more work for the class.

All of the flowers I depict pretty much come from my own property.  Even though they’re seasonal, it seems as if we always have something in bloom, either cultivated plants or wildflowers.  One has to be pretty quick sometimes because the blooming season passes quickly and some plants I’ve missed.

Zinnias and red day lilies, watercolor, pen and ink, Kit Miracle

I needed to catch up on photographing paintings today.  In the old days of film cameras, I used to have to order special film from New York, special lights and filters, then set everything up in my studio with total black-out curtains.  The lights were hot and it was a real pain.

These days, with digital cameras, I just hang the paintings on the side of my studio, either on overcast days, in the shade, or on the north side.  As long as it’s in focus and square to the camera plane, photo editing programs will take care of the rest.

For the flower paintings, I divide a full sheet of watercolor paper (22 x 30) into quarters.  Each quarter is then divided into smaller sections, either four, three or two.  I tape these down to a board and work on them that way from the actual flowers.

Orange cosmos and a mixed bunch of purple and lavender cosmos. Watercolor, pen and ink, Kit Miracle. The orange cosmos is topping seven feet now! Can’t believe it.

The style is a very loose, not botanical studies, but lively, colorful depictions of the flowers. My whole aim is to capture the spirit of the flower, its uniqueness and what makes it special and different.

I’ll have some of these up on my Etsy shops soon so if you’re interested, check them out.

Etsy:  my90acres for the small paintings and KitMiracleArt for the larger ones.

What’s in a name?

East Field in Evening, tetraptych, acrylic on canvas, Kit Miracle

This week I created a set of paintings but I’m not quite sure what to call them.  They are of our east field in the evening, showing the stretching shadows.

I started with one painting, the one on the far right, and that just lead to another and another and another.  Four in all…so far.  I’m actually working on a fifth one.

Since these are all painted from the same vantage point, it’s not quite a series which I consider to be more of the same subject but not necessarily from the same view.  This set of paintings creates one broad vista, each overlapping by a quarter to a third.  They don’t exactly match as far as horizon and it wasn’t my intention to do so.  But I did want to convey the same feel.  Although they work well together as a connected work of art, the individual paintings each stands alone as far as composition and technique.

My question is, what does one call four (soon to be five) paintings of the same larger subject but from the same vantage point?  If a diptych is two paintings, and a triptych is three, what is four or five?

The best information I can find is a polyptych or maybe a tetraptych or soon to be a pentaptych.  Doesn’t exactly fall off the tongue, does it?

What is your opinion?

East Field in Evening 1, acrylic on canvas, 16 x 20, Kit Miracle

East Field in Evening 2, acrylic on canvas, 16 x 20, Kit Miracle

East Field in Evening 3, acrylic on canvas, 16 x 20, Kit Miracle

East Field in Evening 4, acrylic on canvas, 16 x 20, Kit Miracle

 

“Whatever you eye falls on – for it will fall on what you love – will lead you to the questions of your life, the questions that are incumbent upon you to answer, because that is how the mind works in concert with the eye. The things of this world draw us where we need to go.” 
― Mary Rose O’ReilleyThe Barn at the End of the World: The Apprenticeship of a Quaker, Buddhist Shepherd

Gallery show, update

Kit Miracle at the J. Michael Dunn Gallery at Oakland City University, Oakland City, Indiana.

I took a drive over to Oakland City University today to see my newly-hung show at the J. Michael Dunn Gallery.  I’ll admit, it’s been a long time since I’ve had enough work to show at a solo show.  However, in the past few years I have been able to devote more time to painting and creating.

Most artists understand how amazing it is to walk into a gallery and see your work on display, especially if there are several years’ worth of work.  But to see everything out of storage and out of boxes and hung all together…well, it’s just a bit overwhelming.

I’ve posted photos of individual paintings over the past few years but I really haven’t seen the whole body of work in one place.  The first thing that struck me is the color.  I like color and it shows.

Then there’s the subject matter.   Still lifes, landscapes, portraits.  It’s all meaningful to me but I’m not sure it is to anyone else.  Nevertheless, I love seeing the work hung as a group.

The show runs from August 13th through September 28th.  The public reception and gallery talk is scheduled for Sunday, September 9th from 2 to 5 CST.  The gallery hours are M-F 10 to 5, weekends by appointment.  Check it out. Come on out for the reception or just to view the work.

https://www.oak.edu/facilities/j-michael-dunn-art-gallery

Kit Miracle, gallery show 2

Gallery show-3, Kit Miracle

Gallery show 4, Kit Miracle

Gallery show 5, Kit Miracle

Gallery show 6, Kit Miracle

Gallery show 7, Kit Miracle

Gallery show 8, Kit Miracle

Gallery show 9, Kit Miracle

Gallery show 10, Kit Miracle

Gallery show 11, Kit Miracle

Gallery show 13, Kit Miracle

Gallery show 13, Kit Miracle

Painting close to home

Garden in August, acrylic on canvas, 16 x 20, Kit Miracle

Visiting new places is always fun and inspiring for artists, but many of the best paintings have been made close to home.  One of my favorites is one that Renoir painted of Monet in his garden.  It’s just a homey painting of a backyard with other houses in the distance.

Renoir painting of Monet in garden

Today I decided paint a scene that I see every day from my breakfast table. It is of my garden this month with the tall sunflowers and multi-color zinnias and other flowers.  The rest of the garden is still producing but is beginning to look a little straggly this time of year.  We’re still getting plenty of tomatoes, eggplants, beans, and peppers.  But it’s the flowers that I really love. The birds and butterflies love them, too.

Garden in August. The sunflowers and zinnias are in full bloom. The vegies are still producing heavily. Lots of tomatoes, eggplants, beans and peppers.

I got out early to take advantage of the cool morning and the shade.  The canvas is primed with a beige color and painted black on the border.

Garden in August, step 1. Here I have generally covered most of the canvas. Notice that I’ve edited the trees in the background to provide more interest.

The first step as usual for me is to lay in the general composition and the dark colors.  As you can see, I did some editing, removing the line of trees in the background and just including a few big trees.  I also squashed things together a bit for the composition.

Garden in August, step 2. More blocking in plus I’ve added the sky and most of the foreground.

Next I laid in more darks and some brighter greens as well as the sky.  I wanted a rosy early morning sky….so I made one.

Actually the most difficult part was painting the flowers.  It is so hard to get them bright without being gaudy.  I ended up painting a light wash of pale green over some of them to tone down their brightness.

The entire painting took about three hours minus some time for a phone call to a friend while I was waiting for paint to dry. The point here is that you don’t have to travel a great distance to find something worthy to paint.  A good subject might be just outside your window.