Tag Archives: kit miracle

Low carb pizza

Low carb pizza

If you’ve been following this blog for awhile, then you saw the recipe for the crusty artisan bread that I posted earlier.  My husband loves to make bread of all types, white, whole grain and multigrain.  Unfortunately, all this bread has consequences.  His doctor advised him last year to cut back on the carbs.  Drat!  No bread. No pizza.  Bah!

So I came up with this low carb version of pizza last year which is made from, yes, cauliflower.  Let me just preface this by saying, although we LOVE vegetables in this house, I doubt that a cauliflower has ever crossed our threshold since we’ve lived here…30+ years.  Blech.  A white vegetable that isn’t potatoes?  No way.

However, we are open-minded people so I did some research and this is what I came up with.  No, it does not taste like cauliflower…at all!  Yes, it does taste like yummy pizza.  If you’re watching your carbs, give this recipe a try.  You might like to make two crusts if you’re going to the trouble.  You’ll want to repeat this again.

Ingredients:

  • One large head of cauliflower
  • One egg
  • Goat cheese
  • Salt and pepper
  • Decorations for the actual pizza, your choice– your favorite sauce, herbs and spices, peppers, onions, olives, garlic, sausage, pepperoni, veggie crumbles, cheeses (Romano, mozzarella, etc.)

Steps:

  1. Preheat oven 425 degrees
  2. Cut up cauliflower into same size flourettes

    Cauliflower flourettes

  3. Add ½ c water, cover with plastic wrap with one side open to let out steam, and steam in microwave until medium soft, about 15 minutes. You may need to stir these every five minutes or so.  It shouldn’t be mushy but just al dente.
  4. Run through food processor until just riced, (not mashed). You may have to do this in batches.

    Steamed flourettes after ricing in food processor, about 20 seconds

  5. Place riced cauliflower in clean, dry kitchen towel, stir a bit to let cool, then squeeze ALL the water out that you can. The more you squeeze, the crustier your pizza crust will be.

    Riced, steamed cauliflower in clean, dry towel before squeezing

    Squeezing out moisture from the steamed, riced cauliflowe

    Riced, steamed cauliflower after squeezing moisture out.

  6. Add egg, goat cheese, salt and pepper and stir.
  7. Press onto parchment-lined pan. You want about ¼ inch with a little higher crust on the edges.

    Cauliflower Pizza crust, baked

  8. Bake 20-25 minutes or until browned on the edges.
  9. Decorate pizza as usual with your favorite toppings.
  10. Lower temp of oven to 375 and bake for another 20-25 minutes until it looks like a pizza.
  11. Cauliflower Pizza, final, baked.

There you go! You’ll be surprised that you can actually hold this like a piece of regular pizza. It does NOT taste like cauliflower.  Manga!

Advertisements

Wyoming Landscape

Wyoming Landscape, original painting, acrylic on canvas, near the Shoshone River, impressionistic style, Kit Miracle

If you have never visited the western United States, you really must do so someday.  I particularly love Wyoming, Yellowstone and the Grand Tetons.  However, when my husband and I visited a few years ago, we took the northern route across the Big Horn mountain range, (a nail-biter for sure).  After we crossed the mountains and were heading to Cody for the night, we drove along this river valley.

The scenery is just so beautiful.  Peaceful and with the bluest sky you’ve ever seen.  I imagine it’s a different story in the winter but this was summer.  As I searched through old photos earlier this week, this subject caught my eye.  Of course, much editing as usual, but the landscape just called to me.  Oh, how I want to visit again.

This is painted in acrylic on stretched canvas.  I’ve painted the edges black so the painting doesn’t necessarily need a frame.  Such a peaceful painting.  Enjoy!

A Week of Painting

A question that I often receive is, “Are you still painting?”  This puzzles me.  Do we ask musicians if they still make music?  Or writers if they still write?

The answer is, Yes, I paint nearly every day for several hours.  This is what I do.  I can’t seem to help myself.  I often do some inside work or gardening in the early part of the day, then head out to the studio and paint. And paint. And paint.

These are three paintings that I completed last week.

Chinese Bridge at Missouri Botanical Gardens, St. Louis, acrylic on canvas, 24 x 30, Kit Miracle

This large one is acrylic on canvas 24 x 30 inches. The scene is from the Missouri Botanical Gardens in St. Louis.  As it’s only a few hours away, my husband and I like to visit for a quick trip.  The gardens are beautiful in nearly any season.  The scene depicted here is from the Chinese garden area.  I was attracted to the bridge, of course, but also the back lighting.  It has some echoes of Monet but is pure American impressionism.

Windy Day at the Lake, acrylic on canvas board, 12 x 16, Kit Miracle

The next painting is called Windy Day at the Lake.  I painted this en plein air on Friday. My husband and I went over to the Lake (Patoka); him to fish, me to paint.  We found a nice sheltered  area and had a wonderful morning at the lake.  The acrylic sketch is 12 x 16 on canvas board.

Japanese Bridge at Missouri Botanical Gardens, acrylic on canvas, 16 x 20, Kit Miracle

The final painting that I completed last week is of the bridge in the Japanese area of the Missouri Botanical Gardens in St. Louis.  I was attracted to the early autumn colors, the shape of the bridge, and the reflections in the lake.  Painted in acrylic on canvas, it has the edges painted black so it wouldn’t necessarily need a frame but could be hung as is.  It just gives such a feeling of peace.

So, as an artist, this is what I do.

Perseverance: Or How to Build Your Art Career

I was thinking the other day about how some artists become successful and others, equally talented, don’t seem to be able to attain any kind of success.

I think I was prompted to this thought by a casual remark my husband made while he was watching the Masters golfing tournament, I wish I could golf like that. My flippant reply was, Well, you have to get out there more.  Golfing a few times a year won’t cut it.

This harkens back to Malcom Gladwell’s theory that you need 10,000 hours invested to master anything.  Not quite true but close.  I would clarify that to be many hours of working diligently and with thoughtfulness.  If you practice incorrectly, you’ll only get good at doing something poorly.

But I asked a visiting artist, Alice Kidderman, a tiny woman who is a wonderful stone sculptor, what her secret was.  We hosted many artists over the years at the arts center and some were definitely more organized and easier to work with than others.  Alice was one of the best.  And most successful.

She told me that being a stone sculptor took a physical toll on her body with all that hammering away at pieces of rock.  She always spend one day a week, usually Wednesdays, on the business aspect of her career.  Updating inventory, posting and updating her website, applying to shows, taking care of the money and correspondence, etc.

This reconfirmed some things that other artists have written; about how they spend 50% of their time on the business of art and the rest of the time on creating.  That makes sense to me.  Otherwise, you can end up with a studio full of work and no place to go with it.

When I was Director of the arts center, I always made annual, monthly and weekly goals, keeping in mind the five year plan.  Everything was flexible but it gave me a road map.  Each Monday I would look at what I wanted to accomplish in each area (fundraising, grants, performing arts, special events, etc.) and started with the most difficult task first.  Sometimes this meant locking myself in my office and just sticking with the task at hand, without distractions. I have always been a goal setter and list maker and I still do this.  Now I apply my efforts to my own career – art creations, home / farm stuff, whatever.

One of my top goals this year was to redesign my website, a chore I was definitely not looking forward to.  I’ve had my own website since the 1990s and it has morphed several times.  And I’ve managed several other websites, too.  It always involves learning new platforms, tricks, maybe some coding.  What a headache!

After several months of researching what other artists are doing, many web hosting companies, and new platforms, I finally made my selection.  I made a list of what I wanted:  full screen but adaptable to notebooks and mobile, an e-commerce site, a site that looks good but is relatively easy to manage (ha ha), and more bells and whistles.

Then I spent some months moving domains around to new hosts (the former hosts really gave me a hard time about this).  I outlined what I wanted on the actual site, wrote out the descriptions, found or took the art photos, and then I dove in.

I made use of my library’s high speed internet and would come in early and spend ALL day in a little study room working.  Even the librarians were surprised when I left in the evening and commented on how long I had been here.  But, as I replied, sometimes the only way to get a job done is to sit your butt in a chair and do it.  So, whether it’s writing a grant application, doing your taxes, or creating something new, just dedicate a significant amount of time without distractions to the task at hand no matter how difficult it may seem at first. Break it down to small tasks or steps if you need to, but stick with it.   The feeling of accomplishment when you’re done is amazing.  And it encourages you with the possibility of the next big thing you can tackle.  And you will.

So, I invite you to check out my newly designed website at www.kgmiracle.com .  It shows my bigger paintings and will give you a lot more information about me as an artist.  There will certainly be additions and changes over the coming months but I always welcome feedback and suggestions.

Screenshot of new website, KGMiracle.com Check it out.

Thanks for stopping by.

Talent or skill?…or is it even art?

Moving sculpture from junk

Talent or skill…or is it even art?

I’ve had some pretty lively discussions with artist friends this week about what is authentic art.  Boy, that is a can of worms. Fair warning; there is no definitive answer to this question but come along for the ride.

We were reviewing submissions for the gallery for next year (2019).  About 50 artists entered their portfolios this year for about seven slots.  This is usually a good variety (some years we’ve had up to 200 entries). The committee was also given a list of about 15 artists to consider who didn’t actually apply but who might add to quality of the line up.  (Debatable.)

The committee is comprised primarily of professional artists and art teachers.  But…we do not always agree on what would make a good exhibit.  A little background is that this is a public art gallery so we have to be somewhat cognizant of our audience and the fact that we are receiving tax dollars.  We like to bring in new and different work but we’re not out to shock our audience.  We also understand that many people enjoy viewing art they are familiar with.  Trying to meets the needs of everyone is challenging.

A little more background.  I have been on this committee for about 30 years, and was director of the arts center and gallery for many of those years.  I’m back to being just a citizen volunteer now.  And I’ve been a professional artist for 35 years.  I’ve probably seen more art than most people will see in several lifetimes.

And I’m still confused.

I believe that some people are endowed at birth with talent.  That is a given aptitude for doing whatever they are going to do, whether it’s shooting a basket or drawing a portrait or playing a musical instrument.  Skill, on the other hand, requires some work.  Continuous practice, that 10,000 hours thing.  I appreciate that.

But sometimes I’m reminded of the story about the Emperor’s New Clothes.  I just feel as if someone is pulling the wool over my eyes and I want to be that kid that says, “Hey, he’s naked!”  I look at a piece of art and wonder, is that really art?  Or is it just hype? I try looking beyond the artist to see where they’re coming from.

Felix Gonzalez-Torres, pile of candy installation

For instance, here is a photo of an installation piece by Felix Gonzalez-Torres of a pile of candy.  Really?  That is art?  Not to me it isn’t, but a whole lot of high-highfalutin’ people think it is.  I think it is good marketing.  Just my humble opinion.

Helicopter at MOMA

Or how about a helicopter hung in the stairwell of the Museum of Modern Art?  Art?  Or is it engineering?  Who really gets credit for this? By the way, they also own Andrew Wyeth’s Christina’s World which is exhibited in a dark hallway next to the bathrooms.  Really?

Gabriel Orozco exhibit at the Guggenheim Museum

Or how about this installation by Gabriel Orozco of junk (artifacts) that he collected along a certain part of the beach on the Baja Peninsula in Mexico.  (Exhibited at the Guggenheim Museum in 2012-2013.)  I like the way he’s laid this out.  I like the fact that he took photos of EVERY piece and made photo montages of them.  It certainly makes me think.  But is it art? Who says?

Wise Man, Cesar Santos, charcoal on paper

On the other hand, there are the wonderful and amazing drawings of Cesar Santos.  Just watch the video of him completing this awesome pencil sketch of an old man.  I’m overwhelmed with appreciation for his talent AND skill.

Juliette Aristides, painting of soldier

Or there’s Juliette Aristides and her wonderful atelier for training artists in classical drawing and painting.  Boy, do we need that! No, she isn’t exactly trying to do “pretty” but her work is pretty amazing.  I’m so glad to see someone still promoting classical training in the arts.  Not just hype.

It shouldn’t come as a surprise that realistic art is more popular than abstract art or assemblages.  People can relate to it.  No, I do not think that realism is better than abstract or installations.  But I certainly do not have patience for anyone who believes that obscure art or that which needs an explanation is better than realism.  To each his own, I guess. There is no room for art snobs.

And this is my humble opinion.  Go check out your local gallery or museum to see for yourself. What do you think?

Hey, how about these ties at the local Good Will? I think this is an interesting composition. Is it art?

Original art makes your house a home

Or…ten tips on decorating with art

I am astounded when I walk into someone’s house and they have nothing on their walls! What?!?  It’s like watching one of those home improvement shows and the final reveal shows nothing personal at all; just “wall art” that can be picked up at any decorating store.

Your home is your sanctuary.  It’s where you go to be you.  To be with your family.  If it doesn’t reflect who you are, then who are you?

Are you bohemian or modern?  Are you zen or kitschy?  Maybe you feel most comfortable with Swedish Modern or French Provencial.  Who are you?

Art adds so much to our lives but so many people are afraid to make a choice.  They’re afraid to make a mistake.  Afraid to put a hole in the wall to hang a painting.

So here are a few tips I suggest for choosing art for your home.  Some but not all will ring a bell with you.

  1. Choose the largest piece you can afford and make it a focal point.  Make the colors of your decorating scheme around the painting if you wish.  (But it does not have to match the sofa!)
  2. Do you have a theme in mind? Maybe you collect bird or flower-related items? Landscapes of Nova Scotia?  All pink or red or orange works? Perhaps you just enjoy modern abstract.  Whatever floats your boat, do it.
  3. Group items. Maybe you don’t have that large focal painting, but you can make a focal area by grouping artwork.  They don’t have to be framed all alike, or maybe framed at all.  That’s okay.
  4. Don’t forget bookshelves and sideboards. You can tuck small paintings or artwork into unexpected corners.
  5. Change out your artwork. You don’t have to keep the same pieces up all the time. You can switch them around or change them out as your mood or the seasons dictate.
  6. Avoid too much matchy matchy. Maybe you like Norman Rockwell prints but do you need twelve of them?  Just saying.
  7. How is your family and love for them represented? Do you have a framed painting of a child’s masterpiece?  Try it.  You’ll like it.
  8. Buy what you love. So what if the art you love isn’t currently in vogue.  It’s your living space.  You can have what you want.
  9. Let your art collection grow and go with you. When you move to a new place, hanging your own personal touches will make it feel like home very quickly.
  10. Make your home a retreat. This is the place you can come to kick back and be yourself.

Art makes a house a home.

When is a painting finished?

Grand Canyon from the South Rim. Cloud shadows on the rocks. Painted in impressionistic style in acrylic, 20 x 20. Kit Miracle

Sometimes when I’m working on a painting, it just seems to paint itself.  I have a clear vision of what I want and it all comes together.

Other times, not.  I may think I’m finished, then when I go back into the studio, I see a glaring mistake.  Or something I was attempting didn’t quite turn out the way I wanted.

This is a painting of the Grand Canyon from the South Rim.  I was particularly attracted to the play of the cloud shadows across the scene.  The Canyon has such beautiful colors which change constantly throughout the day and the seasons, that it’s difficult to catch just the right time and color.  Sometimes I get some part of the painting which becomes “too precious”, meaning that I like it and tend to paint around it, but it throws off the rest of the composition.

This particular painting was created with the limited palette that I mentioned in my last post but took me far longer than some of my other recent paintings.  In fact, I painted some other paintings and then came back to this one.  Still not sure it’s finished.  What are your thoughts?

Painting with A Limited Palette

Abiquiqui, Georgia O’Keeffe’s home, Ghost Ranch, New Mexico, acrylic on canvas panel, 12 x 16, Kit Miracle

How many colors do you actually need on your palette to create a painting?

In truth, you probably need far less than you think. Some time ago, I marveled at a young artist who bragged about using 37 different colors.  My first thought then, and still, is, “Don’t you know how to mix colors?”  Maybe he does now.

My current color palette consists of six colors plus white.  This isn’t a hard and fast rule because I’m a sucker for a new color just like anyone else.  But this seems to work for me.

Acrylic palette currently in use

The hues that I currently use are:

  • Titanium White
  • Cobalt Blue
  • Cerulean Blue
  • Prism Violet
  • Quinacridone Magenta
  • Cadmium Red Medium
  • Cadmium Yellow Medium

I seemed to have weaned myself off of Burnt Sienna, Raw Umber and Sap Green.  But really, this is enough.

I like bright colors and can mix pretty much anything from this small group.  It also makes it very easy to transport for plein air painting rather than dragging along a whole sackful of paint tubes.

The paints displayed are all acrylics.  I’m leaning toward heavy body (thicker paint) and plan to replace the next selections with them.  When I initially tried acrylics, I wasn’t too pleased with the quick drying properties and the fact that I couldn’t “sculpt” the paintings.  However, I have adjusted my working procedures.  Textures are easily obtained if one can wait just a little while before applying new layers.

Acrylic palette in use. Disposable plate.

As you can see, I’m using disposable plates for my palette.  (I hate to clean palettes!)  I can spritz them with water and cover them up for the night.  It works for me.

And cleaning brushes used for acrylics is a must.  Immediately.  They do dry quickly and you don’t want crusty brushes the next day.

So, this is the color palette that I’m using these days.  This may change.  What do you use?

Abiquiqui – Framed, Georgia O’Keeffe’s home, New Mexico, 12 x 16, acrylic on canvas panel, Kit Miracle

By the way, one is not allowed to take photos inside Georgia O’Keeffe’s house and studio.  After touring the home, I had to drive back just to take these photos from the outside.  Love the adobe buildings and brilliant blue sky.

Flower Market – Provence, France

Flower Market, Jardin du Sur, Uzes, Provence, France. 16 x 20 on red-toned canvas panel. Kit Miracle This shows the final painting. I have sharpened some of the details and added more. I deliberately did not concentrate on the white labels for the flower pots as I thought they would be too distracting. Overall, I like the painting but it seems a bit busy.

Small Flower Market, Uzes, Provence, France. 16 x 12. Kit Miracle Final painting. I like the way the path leads the eye to the main figures. Plenty of color but it works for the subject.

Several years ago I had the opportunity to bike through Provence, France.  It was the opportunity of a lifetime.  I fell in love with the area.

One of our stops was in Uzes at the Jardin du Sur.  This was wonderful open air flower market on a very hot Sunday.  I spent quite some time there, sketching, taking photos, writing postcards, and, of course, buying a souvenir or two.  The flowers and the people were so inspiring.

A few weeks ago, I was going through the old photos and my journal when I came across these references to the flower market.  I decided to create the larger painting first which is on a red-toned canvas panel.  After I was finished with it, it seemed a bit too busy even though I had cut out many details.

Then I decided to do another painting of the same scene but just a close-up of the two main figures. This was on a canvas which I had toned fuchsia!  Yes, really!  I think I like the second canvas better but what do you think?

Anyway, if you’d like to see a step-by-step, visit this page where you can follow along on both of the paintings.

Happy Valentine’s Day!

Happy Valentine’s Day, 2018, watercolor, pen and ink, Kit Miracle

Best wishes and hugs to all my friends.  May you enjoy some time with your sweetie this day.