Category Archives: travel

Soft days of autumn

View of Madison, Indiana, from the inn. It’s a quaint, arty little town about forty minutes up the river from Louisville. I wanted to get a photo of the sunrise in the morning but the whole river valley was fogged in. Couldn’t see a foot in front of myself.

The soft days of autumn seem to be sneaking up on us. From temperatures in the 80s a week ago, to lows in the 50s and even 40s now.  I love autumn with the smell of wood smoke and newly fallen leaves.  The golden sunshine and the reds and yellows of the leaves.  Everything seems to be winding down…but not quite yet.

This is the view from the Clifty Falls Inn. That is the Ohio River and Kentucky on the other side. Another week or two, and those hills will be ablaze with color.

My husband and I visited Clifty Falls State Park in Madison, Indiana.  This 1400 acre park sits on the banks of the Ohio river and boasts some beautiful views of the river scenes, foliage, and the town of Madison. There is some great hiking here, too.  Unfortunately, with the dry September, the falls weren’t running so we’ll have to plan a visit for another time.

The variety of pumpkins and gourds at the farm was amazing. I could have brought home three times as many. But they provide a little fall color for the season. And in the end, get tossed into the chicken pen. The ladies are very appreciative.

We just spent one night at the inn but it was a pleasant getaway.  On our return, it seemed as if the leaves had begun changing colors overnight.  We stopped to buy pumpkins at the Cornucopia Family Farm.  This was our first visit but apparently they have many visitors from a wide area.  Whole families were there for the hayrides and popcorn, children’s activities and, well, to buy pumpkins.  I have never seen so many varieties.  I wanted them all but had to restrain myself.

We discovered this beautiful little country church as we were looking for the pumpkin farm.

As we drove home on the country backroads, we saw little churches and just enjoyed the day.  There were several Amish buggies on the roads.  It was Saturday, after all.  Just so relaxing to be out and about.

Late garden harvest of loads of peppers and a few tomatoes. Plenty more peppers to pick, too!

Summer tasks are winding down here on the farm.  The garden has about had it but I’m a hold out for the last green bean.  Still have plenty of peppers to pick as well as the sweet potatoes.  And the zinnias which I grow for cutting are still vibrant. Some of them are taller than me!

Firewood. This is nice, dry and seasoned firewood and splits easily. The basement is already stacked but there’s plenty more wood to split.

It’s time to put away the fishing gear. Although, really, does the season ever end? The impatiens and coleus are getting a little leggy.

The leaves are starting to turn and drop.  We usually just grind them up with the mower for mulch.  And our stack of winter firewood is growing.  We share a log splitter with the neighbor which is great for gnarly old pieces of wood.  But the boys actually like to split the wood by hand with a maul.  There is a lot more skill to this than it looks, requiring just the right swinging rhythm and twist of the wrist.  It’s nice of them to come out and help the old man out once in awhile.

The zinnias that I use for cutting are still going strong. Some of them are taller than me! In the background are the desiccated stalks of the sunflowers that the goldfinches have stripped. And those poles on the left hold motion sensitive lights which help scare away the night critters. Sometimes.

The next month will find me out tidying up the place before it gets too cold.  Maybe sitting by the firepit with a hot beverage and a book.  I hope you have a quite place to retreat, too.  Enjoy the season.

The last rose. Well maybe, maybe not. Sometimes I bring this little beauty inside in the winter just to enjoy the beautiful perfume on a cold day.

Plein Air Painting – Tips and Tricks

Perched on the edge of the Grand Canyon. This was from 2011 but I went back to the same spot last year. Not much had changed.

I have been painting en plein air for many years.  This is just a fancy French term for outdoor painting. The practice has been around for a couple of centuries but the activity has really exploded in the past few decades.  There are magazines and organizations, contests and exhibits of plein air paintings all over the world.  This doesn’t even take into consideration the books, videos, YouTube, and other outlets for this art activity.

Turner, J.M.W.; Travelling watercolour box owned by J.M.W. Turner, R.A This little watercolor box is a couple of hundred years old.
Credit line: (c) Royal Academy of Arts

Over the years I’ve had many people say to me, I wish I could do that.  Well, I’m here to tell you that you can.  You just have to start.  This will be a three part post about helping you get over the hurdles and begin painting outdoors.  Today I’ll cover some of the basics, including equipment, drawing, where to go, etc.  Then the next  post will cover watercolor and the final post will add tips for acrylic or oil painting.

So let’s get started.

What kind of equipment do you need?

This can be as simple or as complicated as you want to make it.  A sketchbook and a pencil or pen is a good place to start.  Just get used to carrying one with you all the time.  One of my favorites is a small hardback sketchbook (ProArt) which is only about 3.5 by 5 inches.  It’s small enough to fit in a purse or pocket.  I’ve used it on beaches and mountains, in museums, restaurants, and theatres.  (Not all plein air painting is done outdoors.)  It’s good practice to just to sketch.  It trains your eye to see.

From a simple sketchbook you can climb up to spending a whole lot of money on fancy easels and other equipment.  But you don’t have to and it won’t necessarily make you a better painter.

My personal philosophy is to keep my equipment portable and lightweight.  I currently keep a backpack or other carrying bag (purchased used at a resale shop) packed for each type of medium I use.  The messenger bag that I use for watercolor was $5 at St. Vincent de Paul.  The bag I use for acrylics or oils is an old backpack.  I even keep a backpack with gear for framing if I should be at a competition where I need to submit a framed painting.

I have a couple of lightweight aluminum easels, one for watercolors (it tilts) and the other for vertical works on canvas or board.  They have extendable legs and even have spikes which are handy for anchoring your easel.  But, you can use your lap, a rock or fence, or other handy surface to support your work.  You can even make your own.  (Check here for instructions from James Gurney.)  I carry my easels in a bag that I made from an old pair of jeans.  You can’t imagine where that bag has traveled.

A stool or portable chair is also handy.  It can get tiring standing for several hours and I’d rather be comfortable.

Painting at Jackson Lake, Wyoming. I was watching for bears but sure don’t know what I would have done if I saw one.

Cathedral Rock, Arizona.

Where should I paint?

Frankly, anywhere you want to.  If I don’t have much time, I’ll just go out in the yard and paint some flowers, or trees, or landscapes.  I’ve dragged my equipment all over the country and even to France.  I’ve even rigged up a way to pack it on my bicycle and travel with it.

I’ve done sketches leaning against a building in Times Square late at night, on the edge of the Grand Canyon, along beaches, in the woods.  One time I was even next to a railroad track when a train hammered through.  A little exciting, for sure.

Using the lift gate as an improvised shelter during a drizzle.

When should I paint?

That is a personal preference but I like early morning or late afternoon because of the dramatic shadows.  But if you only have a little time, then take what you have and find somewhere.  There will never be a perfect place.  But you will make it perfect by selecting the composition.

Weather can be a factor.  I have painted in the rain either under the gate of my car or under an overhanging porch.  If it’s windy, you definitely want to anchor your easel with some bungees and your backpack.  If you’re painting in the snow, take some hand-warmers, scarves, and a hot beverage.  You can even paint in your car and make your steering wheel into a prop for your work.

Painting with my friend Bill Whorrall. It’s interesting how two artists can paint the same subject at the same time but come up with totally different paintings.

Is it better to paint alone or with a group?

This is really personal preference.  I mostly paint alone more for my convenience than anything. But I know two ladies who have been painting together weekly for over forty years!  Some people enjoy the camaraderie of painting with a group or the excitement of a timed contest.  I just like to set my own pace without worrying about another person.  Except for my husband who enjoys fishing so we both get to do what we want together.

There is also the safety issue.  Being aware of your surroundings is always good, whether from beast or human or falling off a cliff.  Don’t do that! I’ve had both good and bad encounters with dogs.  One old guy just lay under my easel for the entire time I was painting.  A couple of others followed my bicycle looking at my leg like a steak.  Hot pepper spray has its uses.

The Saturday before Mother’s Day found me in the gardening department. The staff never bothered me but I did have someone come up and ask if I could help them. I was wearing my paint apron so they thought I worked there.

I’m embarrassed to have other people watch me while I work.  What do I do about gawkers?

People are naturally curious, especially about seeing an artist in the wild.  Most are very polite and won’t even interrupt you but just watch for a bit and move on.  I often use a set of earphones (listening to music or not).  Sometimes I’ll only unplug one ear as I answer their questions, then (while still holding the earpiece) kind of turn around.  They get the message and move on.  Other times, take the opportunity to talk with your audience.  Ask about the scene and what they know of the area.  Educate them on what you’re doing.  Maybe you’ll even sell your painting if the scene holds special meaning for them. Frankly, you’ll quickly become comfortable working in front of people.  Believe me.  Really!

Make lists.

I have lists made for each of the type of medium I plan to use for the day.  Although my bags are packed, invariably I will forget something if I don’t look at the list.  Do I have water for painting acrylic or watercolor …and a container.  One time I forgot my palette.  I improvised by using an extra canvas that I had with me.  Lists are just a nice way to relieve your brain from the last minute frantic packing and getting ready.  I’ll share my lists with you in my next post.

This is a long post but I hope it encourages you to get outdoors and do some artwork.

Painting the Snake River

Final, Snake River painting. The final step is to use some pen and ink to add some details but be careful not to add too much. I suggest that you zoom in on the image so you can get a better idea of what I’ve done. It’s really just a lot of scribbling and very loose calligraphy.

I mentioned last week that I’m teaching a watercolor landscape painting class. I let the class choose which subject they wanted to paint and they selected the colorful sunset.  Well, it seemed easy but was a little more difficult than they thought.   I’ve painted that scene three times and none of them have turned out exactly the same.

So, I thought I would try to find something a little easier for the class.  One of my selections is this scene from a trip we took out West several years ago. This is the Snake River in Idaho near Palisades Reservoir.  Such beautiful country out there.

Snake River, original photo upon which the painting was based. As you can see, I eliminated many of the shrubs in the foreground to better draw attention to the river and the mountain.

This is a classic landscape valley with pretty clouds and blue sky, a nice piney mountain, a river, and some trees up front leading us into the scene.  I only used eight colors for this painting,  three brushes, and my fade-proof ink pen.  The paper is Arches, French-made of 100% cotton rag.  The painting time was about two hours.

To see a step-by-step view of the process, click here or go to Artworks and scroll down to Snake River Landscape.

Does your high school have an art museum?

The impressive entrance to McGuire Hall. I wonder how much those giant blue vases weigh?

I had an opportunity to return to my hometown Richmond, Indiana this past week where I stopped in at my high school to visit beautiful McGuire Hall.  In addition to a lovely theatre space, this wing of the high school hosts one of the few in-school art museums in the country, Richmond Art Museum (RAM).

This is the entry hall for McGuire Hall. The wooden doors on the right lead into the theatre. It is so elegant that it’s difficult to believe this is a public high school.

The Tortoise fountain by Janet Scudder

I marveled at the marble floors and carved wood doors and trim, the Tortoise fountain by famous sculptor Janet Scudder, and the current exhibits.  They were featuring an exhibit of the works by local artist John Elwood Bundy (1853-1933). Famous for his many depictions of local scenes, especially the beeches and other sylvan scenes, at one time his work could be seen all over the area including libraries, businesses, restaurants and other locations, public and private.

Winter Landscape by John Elwood Bundy, one of the many paintings currently on exhibit at Richmond Art Museum.

Part of the exhibit by regional painter John Elwood Bundy including oils, watercolors and drawings.

The Richmond Art Museum (RAM) permanent collection is currently displaying a very nice collection of American Impressionists, regional artists and the famous Hoosier Group.  William Merritt Chase’s self-portrait is on prominent display as are other of his works.

This gallery displays some of the impressive paintings in the permanent collection.

More of the permanent collection on display.

William Merritt Chase, self-portrait.

As a student, I remember walking past these famous paintings on my way to art classes which were held in this wing.  I thought every high school had an art museum and only learned differently many years later. I remember being sent out of class to “draw something” and sitting on one of the marble staircases making my little watercolors.  I’m sure this influenced my choice of career in art making.

Richmond has a long history of support of the arts and they still have an active art scene.  There are many wonderful old homes in town and the city still holds much beauty, from the exquisite Whitewater River Valley, to Glen Miller Park, their rose garden, the famous Madonna of the Trails, and Earlham College.

Although regional art museums don’t get the same attention as do big city museums, if you’re in the area, I urge you to stop by the Richmond Art Museum which is open to the public.  I’m sure you’ll find this small gem a pleasant surprise.