Intimate Spaces Series – Family at the Beach, acrylic on canvas, 30 x 30, Kit Miracle
This is the twelfth painting in the Intimate Spaces Series. Family Day at the Beach reminds me of the many beach scenes by Sargent, Sorolla, and even Mary Cassatt. There is nothing really extraordinary about the scene and that is what I like about it.
If you look closely at the mother in the painting (click to zoom in), you will notice that she is very pregnant. The son will soon have a sibling. Dad is painted with a slight paunch. Not all scenery at the beach is magazine perfect. This is real life.
Family at the Beach, detail. Notice how abstract the sand is painted. Layer upon layer.
Again, another detail of the sand in the foreground. This is painted very abstractly. There are many layers but the whole point is that the focus should be on the family and not necessarily anything else in the painting.
Intimate Spaces Series – Settling In, acrylic on canvas, 28 x 38, Kit Miracle
This painting is number seven in the Intimate Spaces Series. It is titled Settling In which is where the beach-goers begin to stake out their territories. In this case, the woman in red is being helped by the beach attendant.
Intimate Spaces Series – Settling In detail 1, Kit Miracle
I was attracted to the complexity of the chairs and umbrellas, to the figures and the contrast with the brilliant blue sky.
Intimate Space Series – Settling In, detail 2, Kit Miracle This detail shows the abstract brush strokes I have used for the sand.
As you can see in the detail photo, I have painted the wet sand in a very abstract manner. It is important to not be concerned about trying to depict every little detail, but to let the viewer’s eyes fill in the details. The entire painting is a study in contrasts, between details and abstracts, light and dark, near and far.