Like nearly everyone else, my mind has been distracted with the current state of affairs in our nation, indeed, in our world. But I’ve cut back listening to the endless stream of news broadcasts which has helped bring some peace to my mental world. This has allowed me to get back to my next series of paintings. The theme of the series, which I planned out late last year, is Breaking Bread. A bit ironic since we can’t go out right now, and only share meals with our own families or pets. In this case I searched through hundreds (thousands?) of my photos from the past decade or more.
Italian Eating Italian. Charcoal sketch 18 x 24. Kit Miracle Again, the strong lighting is emphasized based on the NOTAN study but some middle tones have been included.
Italian Eating Italian, NOTAN study. As you can see, I’m playing around with the size and shape of the composition, square or rectangle?
The photos are taken in color but to distill them to their essence, I convert them to black and white, and then push the contrast of the black and white. You can do this in person by squinting at your subject or using the red gel trick that I have discussed before. I usually make quick NOTAN sketches when I’m out doing some plein air painting.
Alone, NOTAN study. Although I don’t usually add middle tones to the NOTAN study, I did here to add more body to the image.
Alone. Charcoal sketch 24 x 18, Kit Miracle. Here I have added middle tones but it still keeps true to the basic NOTAN study.
The whole idea of the NOTAN sketch is to find the best pattern for your subject. Definitely not meant for every style of painting but very helpful to establish the overall effect. As a rule, you will not want to have exactly the same amount of black and white areas in the NOTAN subject. Also, look for pleasing patterns. Don’t worry about details at this stage. As you can see, the NOTAN subjects that I’ve created here are about 5 x 7 inches, made with a Flair pen and a black art marker.
Old Man, NOTAN studies. I did two studies of this subject. The top one is more detailed with three tones – white, black, and middle. The bottom image is a more traditional NOTAN study and is very abstract.
Old Man, charcoal, 18 x 24. I will probably simplify the background of this painting to match the NOTAN study. There’s a lot going on but I like the contrast of the horizontal and vertical shapes.
After I have created the NOTAN sketches, I then do a larger (18 x 24) charcoal sketch of the subject. The NOTAN study helps keep me on track for the composition, but the charcoal sketch allows me to add some middle tones. Most of the NOTAN sketches only take about five minutes or less. The charcoal sketches usually take 30 to 60 minutes. I sometimes do more charcoal sketches of details or to try different compositions.
Late Night NOTAN. This is an example of extreme abstract shapes created by the NOTAN drawing. There’s a rhythm of ovals and rectangles within the picture plane.
Late Night, charcoal sketch 18 x 24. Kit Miracle. Although the oval shape in the foreground (back of a chair) captures the eye first, it is then directed to the group of teens in the right rear of the picture plane. The dark window provides a perfect foil for their shapes.
After these steps, I may do some color sketches but I always keep referring back to these black and white pieces when I’m working on the final painting.
Here are some links to previous postings about using NOTAN sketches for your work.