Tag Archives: contemporary impressionist

When is a painting finished?

Grand Canyon from the South Rim. Cloud shadows on the rocks. Painted in impressionistic style in acrylic, 20 x 20. Kit Miracle

Sometimes when I’m working on a painting, it just seems to paint itself.  I have a clear vision of what I want and it all comes together.

Other times, not.  I may think I’m finished, then when I go back into the studio, I see a glaring mistake.  Or something I was attempting didn’t quite turn out the way I wanted.

This is a painting of the Grand Canyon from the South Rim.  I was particularly attracted to the play of the cloud shadows across the scene.  The Canyon has such beautiful colors which change constantly throughout the day and the seasons, that it’s difficult to catch just the right time and color.  Sometimes I get some part of the painting which becomes “too precious”, meaning that I like it and tend to paint around it, but it throws off the rest of the composition.

This particular painting was created with the limited palette that I mentioned in my last post but took me far longer than some of my other recent paintings.  In fact, I painted some other paintings and then came back to this one.  Still not sure it’s finished.  What are your thoughts?


Painting with A Limited Palette

Abiquiqui, Georgia O’Keeffe’s home, Ghost Ranch, New Mexico, acrylic on canvas panel, 12 x 16, Kit Miracle

How many colors do you actually need on your palette to create a painting?

In truth, you probably need far less than you think. Some time ago, I marveled at a young artist who bragged about using 37 different colors.  My first thought then, and still, is, “Don’t you know how to mix colors?”  Maybe he does now.

My current color palette consists of six colors plus white.  This isn’t a hard and fast rule because I’m a sucker for a new color just like anyone else.  But this seems to work for me.

Acrylic palette currently in use

The hues that I currently use are:

  • Titanium White
  • Cobalt Blue
  • Cerulean Blue
  • Prism Violet
  • Quinacridone Magenta
  • Cadmium Red Medium
  • Cadmium Yellow Medium

I seemed to have weaned myself off of Burnt Sienna, Raw Umber and Sap Green.  But really, this is enough.

I like bright colors and can mix pretty much anything from this small group.  It also makes it very easy to transport for plein air painting rather than dragging along a whole sackful of paint tubes.

The paints displayed are all acrylics.  I’m leaning toward heavy body (thicker paint) and plan to replace the next selections with them.  When I initially tried acrylics, I wasn’t too pleased with the quick drying properties and the fact that I couldn’t “sculpt” the paintings.  However, I have adjusted my working procedures.  Textures are easily obtained if one can wait just a little while before applying new layers.

Acrylic palette in use. Disposable plate.

As you can see, I’m using disposable plates for my palette.  (I hate to clean palettes!)  I can spritz them with water and cover them up for the night.  It works for me.

And cleaning brushes used for acrylics is a must.  Immediately.  They do dry quickly and you don’t want crusty brushes the next day.

So, this is the color palette that I’m using these days.  This may change.  What do you use?

Abiquiqui – Framed, Georgia O’Keeffe’s home, New Mexico, 12 x 16, acrylic on canvas panel, Kit Miracle

By the way, one is not allowed to take photos inside Georgia O’Keeffe’s house and studio.  After touring the home, I had to drive back just to take these photos from the outside.  Love the adobe buildings and brilliant blue sky.

TABAC, Paris Street Scene

TABAC, Paris Street Scene, framed, 12 x 16, Kit Miracle

This is a painting of the view from my hotel window in the Marais district in Paris.  I loved the bright colors and was particularly attracted to the figure of the child and his nurse.  He seemed to be pointing to the TABAC store which sells not only tobacco products but sweets and newspapers.

TABAC, detail of child with nanny, original painting, Kit miracle

The restaurant next to it serves not only regular fare but Middle Eastern entrees.  I ate there several times.

But basically I just love to people watch from my hotel room.  Early in the morning, the green men (street sweepers in green uniforms) are out cleaning the streets while the shopkeepers spray down the sidewalks, preparing for the day ahead.

TABAC, Paris Street Scene, original painting, 12 x 16, Kit Miracle

Click on the images for a closer view. Painted in acrylic with impasto style on a canvas toned with green.  I thought it would balance all the blues and purples but it was a bit difficult to work with.


Flower Market – Provence, France

Flower Market, Jardin du Sur, Uzes, Provence, France. 16 x 20 on red-toned canvas panel. Kit Miracle This shows the final painting. I have sharpened some of the details and added more. I deliberately did not concentrate on the white labels for the flower pots as I thought they would be too distracting. Overall, I like the painting but it seems a bit busy.

Small Flower Market, Uzes, Provence, France. 16 x 12. Kit Miracle Final painting. I like the way the path leads the eye to the main figures. Plenty of color but it works for the subject.

Several years ago I had the opportunity to bike through Provence, France.  It was the opportunity of a lifetime.  I fell in love with the area.

One of our stops was in Uzes at the Jardin du Sur.  This was wonderful open air flower market on a very hot Sunday.  I spent quite some time there, sketching, taking photos, writing postcards, and, of course, buying a souvenir or two.  The flowers and the people were so inspiring.

A few weeks ago, I was going through the old photos and my journal when I came across these references to the flower market.  I decided to create the larger painting first which is on a red-toned canvas panel.  After I was finished with it, it seemed a bit too busy even though I had cut out many details.

Then I decided to do another painting of the same scene but just a close-up of the two main figures. This was on a canvas which I had toned fuchsia!  Yes, really!  I think I like the second canvas better but what do you think?

Anyway, if you’d like to see a step-by-step, visit this page where you can follow along on both of the paintings.


Jack Frost Visits

Jack Frost on my windowpane in the studio.

After a balmy winter holiday, the temperatures in the Midwest plummeted.  We recorded minus 4 degrees (F) this week.  Needless to say, I’m a wuss and am not spending much time outdoors.  However, even working in my studio has challenges.

As I have mentioned before, my studio is an old summer kitchen about 30 feet from the back door.  It was designed when cooking was done on wood-fired cook stoves (which it actually had when we moved here.)  This was to keep the heat out of the house in the summer.  You’ll find one of these buildings on many old farms in southern Indiana and throughout the Midwest and South.  I am lucky that ours is about 15 x 25’, which is pretty large for a summer kitchen.  In this case, the family and field hands actually ate in the building.  It is a perfect size for a studio.

Unfortunately, the whole purpose of the design was to keep the heat out of the house so they didn’t really care about insulating the building.  Thus, it’s very drafty.  Although I have a gas heater, unless I want to go broke, I keep it turned down.  This week I was wearing a hat, many layers of clothing, two pairs of socks (the cold comes up through the floor), and I was still chilly.

I snapped this photo of the beautiful patterns of the frost on the windowpanes.  It looks like giant feathers.  With all of our insulated windows and super-heated houses, window frost has become more and more uncommon.

The beauty of nature is all around us, even in the most unlikely places.

Since I was confined to studio painting, here are a couple of my recent works.  Plus, I tweaked the still life with red cabbage and artichokes that I posted on here a few weeks ago.  Artists are never quite satisfied with their finished work. Renoir was known to bring his paints to gallery exhibits even after his paintings were hung, just so he could make changes.  I’m not quite that bad but I might fiddle around with a painting which doesn’t quite suit me.

Here’s hoping that the weather is better where you are and that warmer days will be here soon.

Artist Still Life, oil on canvas board, 10 x 10, Kit Miracle

Down by the Creek, oil on canvas, 20 x 16, Kit Miracle

Red Cabbage and Artichoke, 18 x 24, oil on canvas, Kit Miracle. Still Life revised from previous version.


Red Cabbage Still Life – A Challenge in Color and Shape

Red Cabbage Still Life, oil on canvas, 18 x 24, Kit Miracle

This still life is a little larger and more complex than many of my other recent paintings.  I was inspired by a visit to the grocery.  I must have had my “artist’s eyes” on that day because I seemed to be dazzled by the beautiful colors and shapes of the vegetables.  Several of the more interesting vegetables came home with me that day.

Inspiration in the vegetable department at the grocery. I love these colors and interesting shapes.

Before I tackled the main still life, I first completed several smaller still lifes just to get a feel for the shapes and colors.

Red Cabbage, oil on canvas board, 10 x 10, Kit Miracle

Surprisingly, the red cabbage was the most difficult to paint.  It has very subtle hues of purple, red and magenta.  It was a tight head so not much interest as far as shape until I peeled back a leaf or two.  I think a larger, leafier cabbage would be far more interesting.

Artichoke, oil on canvas board, 10 x 10, Kit Miracle

The artichoke, with it’s pointy leaves and shapes, was very fun to paint.

Radishes in Green Bowl, oil on canvas board, 10 x 10, Kit Miracle

The radishes are usually fun but their greens started to wilt quickly.  However, they later generated more new leaves so that was a big help.

The final big still life was painted on an 18 x 24 inch canvas which I had toned in variegated colors.  It seems to have a glow all its own.  I don’t quite know how that happened except that some of the under painting showed through.  Unfortunately, I didn’t’ take step-by-step photos of this painting.  I might tweak it a bit more but there’s always a risk of going too far.  Sometimes done is done.

These paintings will be for sale on my Etsy shop.  KitMiracleArt


Ladybug Teapot, a Whimsical Painting

Ladybug Teapot, oil on canvas, 12 x 16, Kit Miracle

This playful still life was inspired by the whimsical ladybug teapot that I found in my prop cupboard.  It’s actually a teapot and cup combination which I paired with some red apples and bright green fabric.  Check out the step-by-step of how this painting was created here.

The painting can also be found on my Etsy shop, KitMiracleArt.  A great gift for your favorite tea lover!


Appletini – Something Different

It was a busy week here on the farm with company and the big Thanksgiving feast.  The weather has been pretty great, too – all sunshine and balmy temperatures.  In November, this means more outdoor chores, such as, chopping firewood, cleaning gutters, etc.

Appletini, oil on canvas, 16 x 12, Kit Miracle

All of these activities mean that I only completed one painting this week.   I call it Appletini since it features a big red apple in a martini glass with a silver shaker behind it.  The reflections were what really attracted me.  This is similar to previous paintings that I’ve posted on here, Apple Jack, and Two Lemons and a Martini Glass.  I don’t know why but I like placing objects in unusual situations.  Props courtesy of Goodwill thrift shop.

I’m not quite sure if I’m finished with the painting but I probably am.  What do you think?

Of course, available on my Etsy shop and can be shipped in time for the holidays.


Studies in Red – Oil Paintings with Heart

I’ve always liked red paintings.  When I did art fairs for many years, they seemed to be very popular with my patrons, too.  Everyone has room for a red painting to brighten up that special spot.

The four paintings that I completed this week are predominantly red or at least in the red/orange family.

The Birdcage, oil on canvas. 12 x 16, Kit Miracle

The first one, The Birdcage, features the antique birdcage that I bought at a flea market earlier this summer.  I paired it with some bright red fabric printed with beautiful little birds.  Then I decided to do a tea theme with a teacup and small teapot, along with some luscious lemons.  Although the painting is a little busy, especially after the simplicity of the others that I’ve been working on lately, I think it works.  Boy, that birdcage was difficult to paint!  The other challenge was to depict the birds on the fabric without letting them take over the composition.

The Conversation, oil painting, 10 x 10, Kit Miracle

The second painting I did this week is called The Conversation.  I can just imagine two friends having a lovely talk in the afternoon sunshine.  It looks as if they just left, doesn’t it?

Lamplight, oil painting, 10 x 10, Kit Miracle

Then I painted this bright interior painting called Lamplight.  This depicts an interior scene, perhaps an entry hall, with a lamp and a simple bouquet of red flowers.  The gold frame of the mirror helps connect the objects on the table.

A Sunny Corner, oil painting, 10 x 10, Kit Miracle

My final painting this week I call The Sunny Corner.  I’ve always loved the play of sunlight and shadows on interior walls and floors.  The effects are often fleeting but beautiful, nonetheless.  The chair just invites the viewer to take a rest and enjoy the sunshine.

Visit my Etsy shop, KitMiracleArt, to see many more painting details.


Onions and Garlic, a step-by-step demonstration

Onions and Garlic, 12 x 16, oil on canvas, final- Kit Miracle

I’ve been painting a lot of still lifes lately.  This one was inspired when my husband came home recently with a bag of big, beautiful garlic bulbs.  I quickly grabbed them before he could put them in a sauce or plant them in the garden.  Then I went “shopping” through the house and refrigerator, and even my prop closet for the rest of the items I needed for a still life.  This one reminds me of something by Cezanne or Renoir.  The impressionists were known for beautiful paintings featuring simple household items.

If you would like to see a demo of this painting step-by-step, click here for the demo page.  The painting is for sale on my Etsy shop, KitMiracleArt.  Paint has to dry though!