The east field. Frequently we see deer crossing here.
I am glad that I live in a climate that exhibits mercurial moods. The past month has been some wild ride. Record-setting heat for winter, up to the 70s. And a blizzard which scrubbed the land with high winds, followed by bone-chilling freezes. No two days were the same, it seemed. I think I would get bored if every day was sunny and warm, say like Florida or Arizona. But ask me about that next month towards the end of February.
Out front looking back at the house.
One thing that I’ve noticed is that my own mood perks up on sunny days. Thus, I seem to prefer painting outdoor scenes depicting sunshine. So when I woke to a heavy fog a couple of weeks ago, I marched outside (yes, in my robe and rubber boots) to take some photos of the fog. The air was soft and the neighborhood was very quiet. It seemed shrouded in mystery if that isn’t too much of a cliché. One could almost imagine some settlers emerging from the heavy air or some knights on horseback in days of old. Yeah, too much reading with my granddaughter.
The front yard. I saw some deer go across the end earlier.
But as I was reviewing my photos, I got inspired to try some new subjects. The misty landscapes will probably appear sometime in the next few months. Just imagine the peace and soft footfalls.
The north field. The fog is beginning to lift but it’s just above the tree tops.
Oh, by the way, happy new year. Or at least a better one if the past has been difficult for you. Find a still place to reflect, maybe enjoy the peace of some foggy weather.
A big maple in the side yard. The fog is already beginning to lift.
Posted onSeptember 12, 2021|Comments Off on Paint for money…or paint for love?
If you’ve been an artist for any time at all….say more than a minute or two…you will begin to wonder what to do with all your wonderful creations. Maybe the closet is full, or they’re being stacked in the back room or your studio. Maybe someone in your house is urging you either subtly or more strenuously to get rid of that stuff!
I’m not really sure where the notion that creating something with the intention to sell it became tainted, particularly for artists. After all, we have bills to pay, food to put on the table, braces to buy for the kids. I can’t really think of any other profession where not making any money by your labor is considered a good thing. So unless you are willing to live rough and sacrifice some of the niceties like flush toilets and a shelter, then you must really give some thought to creating in order to make money.
I painted several of these little pumpkins in watercolor with pen and ink outlines. They were fun to do. I sent them as postcards to some friends and will probably add them to one of my online shops.
This doesn’t mean that you should only consider the financial aspects of your work, but it should be in the equation somewhere. I think the key here is to find balance between doing what you love to do and making some things to sell.
For instance, I did art fairs around the country for many years. This can be a rough way to make a living but I knew quite a few artists who made their entire living doing fairs. Packing up the vans and trucks, carting everything across the miles, setting up in various weather conditions….not easy. But some of the artists and crafters loved the lifestyle. Live up north in the summers; move to warmer climates in the winter. I even knew a couple of jewelry makers who floated around the Gulf of Mexico all winter long, only stopping long enough to catch their mail. They would then put the push on to hit the art fair circuit from May through September.
I actually enjoyed talking with patrons. I had figured that I could sell at least one red painting per show. (For some reason, people always have room for a red painting.) And I would have my big showstopper paintings which would entice people into my booth in the first place although they often settled for something more modestly priced. My bread and butter work were the all original line of fruit and vegetable paintings that I did, all 8 x 10, matted and wrapped. Yes, that felt more like production work but well…
Since the advent of the internet, the world of options has expanded exponentially. We’ve all become accustomed to shopping from our laptops or phones. You can set up shops at Etsy or Ebay or your own websites for very low fees. And guess what? You don’t have to worry about the weather, either! There are print on demand sites, and group websites, the list is endless.
But that brings us back. What to sell?
A couple of my autumn minis. Themes such as apples and pumpkins are very popular, but I also do small autumn landscapes for variety.
Here is where a little trial and error comes in. Or just walk around some galleries, gift shops, art fairs, etc. Do some online research, too. (You can get ideas but don’t copy!) What do you like to do? Make chairs? Do you really think you can sell those $2,000 masterpieces? Well, maybe…eventually. But how about looking at what you do like to do, then trying to scale it back? You don’t have to give up the big, challenging pieces. Those are what inspire you to keep going. Your style may change over time. That’s OK. Maybe you’ll look back in ten years and wonder what you were thinking when you made it. Or maybe it will be a collector’s item and the crowds will be demanding that you make more, and bigger.
I guess the bottom line here is that don’t let anyone tell you that you’re selling out if you decide to devote at least part of your time to creating work that has a ready market. You’re not. You’re trying to stay in the game and affording yourself the opportunity to make more, bigger, and better creations. So, unless you have a large trust fund or a very wealthy sponsor, just keep digging in and keep on keeping on. You only have to answer to yourself.
These are a few holiday minis that I’ve created over the years. Many times I’ll repeat a theme, or print them on cards. I sell these mini paintings online and in local gift shops. Each one is painted separately so they’re all individual but very similar.
Winter in Mentor, Final, 12 x 24, oil on Canvas, Kit Miracle
Artists usually have some reason that they paint a subject. This could be a desire to convey beauty, despair, record something historical, or whatever. In this painting, I wanted to convey the bone-chilling cold one early morning this month. Check out my step-by-step page.
I'm a professional artist, retired director of a performing arts center, bona fide book addict, and enjoy the quiet life...most of the time. I'd love to hear from you or get your ideas for future posts. Come back soon!