Tag Archives: beach scene

The importance of preliminary work

Green and Yellow, 20 x 20, acrylic, Kit Miracle. Intimate Spaces series

I recently posted a step-by-step outline of my painting A Day at the Beach (4-10-2019). A critical part of creating a significant panting is the preliminary work. I sincerely believe that the more thought I put into the piece at the beginning, the more I can work out the problems ahead of time, and the better the final result will be.  Well, that’s my theory anyway.

Green and Yellow, detail.

This is another painting in my series Intimate Spaces, all about the territory that people carve out when they visit the beach.  In this painting, I was sitting behind a couple who staked out their space early in the day with two chairs and an umbrella.  They didn’t show up until mid-afternoon.

NOTAN sketches for Green and Yellow. This is where I work out basic shapes and composition. As you can see, initially I intended this to be a rectangle shape but then changed it to a square shape.

I liked the near silhouette of the couple with the contrast of the kids playing in the surf in front of them. Maybe they were grandma and grandpa.  I don’t know and never did figure it out.

Large graphite sketch of the main characters for Green and Yellow.

As with most of my paintings, I begin with a NOTAN sketch, just hard contrast of black and white to get a feel for the composition.  Then I did a large graphite sketch of the couple.  I didn’t feel a need to sketch the kids as they’re just notes really.  They were painted directly.

NOTAN sketches of past couple of paintings. Working in black and white allows me to focus on the shapes and composition.

Here are a few more examples of NOTAN sketches.  You’ll notice the one from my last post of A Day at the Beach and how I was focusing on the interlocking umbrella shapes.

More NOTAN sketches from Jump.

And the two pages of NOTAN of Jump which I created in February.  With some of the bigger pieces, I’ll also do a color sketch but not always.

The final conclusion is that no matter what style of art you create, you will often have better results if you put in more thought and work into the beginning of your work than having to correct problems later.  Indeed, sometimes you may discover that the scene or piece doesn’t merit following through.  Or you may decide to attack it from a different direction.

A Day at the Beach – Painting a Series

A Day at the Beach, final. 24 x 36, acrylic on canvas, Kit Miracle

As a working artist for over three decades, I find keeping interested in painting involves challenging myself. Sometimes this means new subject matter or new materials. Even a new location helps.  The challenges keep me inspired and allow the mental juices to flow.

My latest challenge is painting a series of paintings revolving around a day at the beach.  I love slice of life subjects, catching people going about their lives without thought of an audience. One thing I’ve noticed is that when people are at the beach, they stake out their territories, bringing the chairs and the umbrellas, the coolers and the toys.  Beach goers seem to operate under the illusion that no one can see them in their little sand kingdoms.

But the artist’s eye can.

The planned series includes vignettes of life at the beach.  Families, couples, kids playing, people just enjoying the sunshine…or totally ignoring their surroundings with their noses in books or napping.  My inspiration for these seaside paintings are John Singer Sargent, Joaquin Sorolla, and Burt Silverman.  It took a lot of effort to make their seaside paintings seem so, well, effortless.  Unstaged even though they often were. And that is the aim of this current series that I’m working on.

The painting above depicts the settling in and establishing of territory by a family.  Mom gets the lounge chairs ready while son is waiting patiently for her attention.  The composition with overlapping umbrellas and tents is like a little city, each with its own slice of life.

The beach walkers and people playing in the surf add distance and perspective to the scene.  I also chose to flatten the color of the sky (no clouds) and the foreground.  This allows the emphasis to be placed on the middle plane where all the action is.

A Day at the Beach is number six in the series.  I have sixteen planned but we’ll see.  A series is an exploration of an idea and I’ll keep at it until I don’t have anything else to say about the subject.

If you’d like to see how this painting was created, click on this link or go under the tab Artworks and click on A Day at the Beach for step-by-step photos.

Thanks for stopping by.

Wings, a beach scene

Wings – final, acrylic on canvas, 18 x 24. Kit Miracle

I was looking through some old photographs for subjects to paint which I haven’t visited for awhile and came across the inspiration for this painting. Sometimes the subject doesn’t grab me for several years until I revisit the pictures but this photo was only from last summer. I love the beach scenes by Sargent, Sorolla and Zorn, particularly the ones involving children.

For this painting, I decided to work slowly and do plenty of preliminary work.  My last post included several sketches, some Notan studies, and one painting study of the central figure. The latter is actually larger than the figure in the final painting.  See the sketch for this painting.

The title comes from the focus on the little girl with her water wings and the flapping wings of the seagulls.  Sargent did a wonderful painting of Neapolitan Children at the beach and one of them is wearing a contraption of bladders for floating, similar to today’s water wings.

To learn more about this painting, check out my step-by-step page here.