I often have mixed feelings about the importance of creating preliminary sketches and paintings. Sometimes I just want to grab the brush and dive right into a painting. This is especially true of my plein air painting although, usually I at least do a few value sketches before I put any paint to the canvas. Usually.
On the other hand, I know from experience that when I want to create a large piece, results will normally be better with more planning. Preliminary sketches and paintings basically create a road map for a painting or work of art. If you think about it, you wouldn’t build a house without a plan. Probably wouldn’t take a vacation without a map. So it makes sense to do some support work before you begin a major piece of work.
I’ve been working on a large beach scene lately. First I started with some sketches for the layout or composition. Then I did a few Notan sketches in black and white. Sometimes I’ll add a middle grey value but usually not. Next I did a large pencil sketch of the main figure. This helps me to address any problems and get to know the scene. Finally, I did a fairly quick color sketch (acrylic) of the little girl. This was, in fact, much larger than the final figure in the painting which is not necessarily how most people would work.
I’ll post the final painting and more sketches next Sunday. I really like this preliminary color sketch but I’ll let you be the judge.
As an aside, most famous artists of the past spent quite a bit of time and effort to create their masterpieces, including numerous sketches. This is still quite common for artists who practice classical education in ateliers.
To learn more, check out the work of John Singer Sargent, Joaquin Sorolla y Batista, Anders Zorn, Cesar Santos, Norman Rockwell, or Juliette Aristides.
Beautiful use of color, and the fluorescent bracelets come out well, curious about the work for next Sunday 🙂
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Thank you. You’ll have to judge that for yourself on Sunday.
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