Category Archives: art

What artists do with too much time on their hands

OK, I had six days off for the holidays and spent quite a bit out in my studio.  Escape from…or escape to….I won’t even go there.  Anyway, some time spent nurturing my creative self.  A little tea, a lot of lively music.  (NO Christmas carols!)

I’ve had this little pumpkin hanging around since before Halloween.  I just love the stem of it.  This is an 11×14, oil on canvas.  Painted in about three hours.

Pumpkin, 11x14 oil on canvas

Pumpkin, 11×14 oil on canvas

 

 

 

 

 

 

 

 

 

 

I was also able to spend a few days creating this blue and yellow still life.  Check out my Art pages for a complete step-by-step or click on the link below the painting.

Still life, blue bottles and lemons, final.  18x24 oil on canvas

Still life, blue bottles and lemons, final. 18×24 oil on canvas

 

 

 

 

 

 

 

 

 

https://my90acres.com/artwork/still-life-with-blue-bottles-and-lemons-step-by-step/

Christmas in the artist’s life

The holidays are often a busy time for artists.  Although I don’t seek out the sales that I used to – I’m too busy with my day job – I still get busy around Christmas time.  I sold Dos Palomas which was exhibited in a small, local exhibit.  That was a nice surprise and the person who bought it was totally smitten with it.  I’m so glad she has it.

Last month I received a call out of the blue from someone asking if I’m the Kit Miracle who does house portraits.  Yes, but I don’t do many any more.  I really don’t have the time.  As an aside, this used to be a big part of my bread and butter painting business.  I’ve done a lot of house portraits!  So the lady who was interested in one more house portrait was a client for whom I’ve done four others in the past.  She wanted the final one to be by the same artist in the same style.  So….I agreed.  This was a simple watercolor with pen and ink overlay.  See the photo and the details.

Watercolor house portrait with pen and ink overlay

Watercolor house portrait with pen and ink overlay

House portrait detail

House portrait detail

Small Christmas paintings, w/c - pen and ink, painted in multiples

Small Christmas paintings, w/c – pen and ink, painted in multiples

This year I also decided to create some small paintings as Christmas gifts to my staff.  I used to do these a lot, also.  They are 4×6.  Although they’re all hand-painted, I do them in sets of four.  It’s more efficient that way.

Framed mini paintings

Framed mini paintings

Painted child's sneakers

Painted child’s sneakers

Finally, I decided that my granddaughter needed some hand-painted shoes.  These are just cheap canvas sneakers with dinosaurs, dancing lady bugs, butterflies and flowers.  She’ll outgrow them before the paint wears off.

 All in all, it was a very merry Christmas!

Dos Palomas, the final painting

Dos Palomas final.  18x24 oil on canvas.  Added some cooler tones to counteract the overly warm tones.

Dos Palomas final. 18×24 oil on canvas. Added some cooler tones to counteract the overly warm tones.

Earlier I showed you my procedure for setting up a simple still life.  This is the final painting.  I used a toned canvas.  If you’d like to see a step-by-step demonstration, click on the link below or go to My Pages and view the steps.

https://my90acres.com/artwork/dos-palomas-step-by-step/

How to set up a still life

Final set up. Cup with silver spoon. Fixed silver foliage later.

It’s not always easy to set up a still life for painting.  It’s much more than just throwing a random collection of stuff on a table.  Check out my page for How to set up a still life for a photo story of one of my recent works.  I’ll post the painting later.

Open Studio Sale

You may have wondered where the heck I’ve been the past few weeks.  The truth is that I was preparing to have an open studio sale.  This is where you invite your friends, former patrons, even the public in general to come to your studio to buy some really great artwork at some really great prices.  In other words, to relieve you of the crap you’re stumbling over all the time. 

It dawned on me this summer that I can’t keep creating paintings without moving some of them out the door.  I used to do several art fairs a year and was pretty prolific at making work for sale.  Since I’ve had a full-time job for the past several years, I don’t have the opportunity to get out in the public to promote and sell my work.  Yes, I still do exhibits once in a while, but it’s difficult to sell the work and hold the job.  So…..

After being totally fed up with tripping over boxes of paintings, I decided that it was time to have an open studio sale.  I haven’t had one in several years so it took some planning and organization.

Generally I like to have the sale in the fall, well before the holiday season.  If you wait too late, then everyone is busy.  Autumn is pretty in my part of the world and everyone is still relaxed enough to enjoy a ride to see the trees.

I had my sale on October 20th but began promoting it at least six weeks earlier and planned for it even earlier.  I designed postcards, mailed them out to about everyone I could think of locally or within an hour’s drive.  This included co-workers, relatives, friends, patrons…just about anyone I could think who might be interested.  I mailed out about 160 postcards and gave away many more.  I promoted it heavily on my Facebook page, too.  The general rule of thumb is that 40% of the people you invite will come and about 20% will buy.  I’ve found that about 25% of the people I invite will attend but 95% will buy.  Nearly everyone bought multiple paintings, too.  It was a very good day.

I’ll add my back time list here soon, but generally, you need to plan back from the time of your event.  (This is what I do for my full-time job so it’s pretty natural to me.)  I began telling everyone the date as soon as I set it, even though I didn’t formally send out my postcards until about six weeks early.  Clean your studio.  Make your inventory.  And price your work as if you really want it to MOVE.  I put fire-sale prices on my work.  Yes, this was way cheaper than I would normally sell the paintings, but I asked myself, how much longer do I want to keep moving these around?  Also, there is the matter of stored paintings not being in the best conditions.  Do you want to let them sit there and mildew or do you want someone to actually put it on their walls and enjoy them?  I chose the latter.  Some people got some really great deals.  But I got a lot of cash and lots more space.  😉  Works for everyone.

I will note one thing is that I didn’t put everything I have created for sale.  I kept back my best or newest work.  Most of the work I sold were older pieces or what I call my practice pieces.  These included many of my plein air pieces, too.  So now I can buy more art supplies to create more paintings!  Yeah!  I also recommend actually removing your best pieces from your studio as I had people digging through my storage of things I didn’t even have out for sale.

In general, this is what I do for an Open Studio Sale.

  • Plan ahead, set your date at least three months out.
  • Create, order and mail your announcements.
  • Clean and organize your studio; decide exactly what you want to sell.
  • Create your inventory list, be realistic about rock bottom. prices….really, how much longer do you wish to look at this work?
  • Plan for some food.  I do homemade minnestrone soup, bread, cookies, and lots of wine.
  • Get some help the day of the event.  Enlist a friend, spouse, or child to help greet guests, wrap paintings, write up sales or restock supplies.
  • At the end of the day, have a glass of wine (or two), sit back and enjoy the warm glow of all the people who love your work enough to buy it.
  • Update your inventory list.  Mail thank you notes.  Get ready for more fun.

I’ll come back soon to put up my actual check-off list. 

Good food and beverage is always an enticement. The wine and coffee were outside.

Display in the front studio.

Display in the back studio. Notice the extra light. That really seemed to help.

How do you know when your painting is finished?

How do I know when my painting is finished?

That is a question I often ask myself.  For me, the answer is when I can’t think of one more thing to add.  Then STOP!

I’ve noticed that when I’ve taught a class, particularly a watercolor class, that sometimes the participants keep messing with their paintings until …well, they’re a mess.  Stop!  In the case of watercolors, leave some white space.  Leave some space, period.  When I’m working in oils, that is a little more difficult but I always try to avoid the overworked look.  With oils, I stand back and just LOOK.  It seems the closer I get to the final product, the more time I spend looking.  Sometimes it is even best to put it away for a while.  That advice is often offered to young artists but it’s true.  Sometimes after you’ve come back to your work with a few weeks off, the errors will jump out at you.  Other times, you’ll realize that you’ve nailed it.

I ask myself, what am I aiming for?  What is my message?  Despite painting in a realistic style most of the time, I am not aiming for anything approaching photo realism.  If you want it to look like a photo, then take a damn picture!  I’m looking for the message.  What struck me most about this subject?  What am I really trying to convey?  When is enough enough?

Wolf Eyes, detail, oil on canvas

This is a close-up view of a painting that I’m working on right now entitled Wolf Eyes.  I’m just about at the point where…there’s nothing left to add.  Time to set it aside for a while.  I’ll put it on my website when do finish it.  The message that I’m shooting for is the young man in his prime, he is oozing with virility and he knows it.  Wolf Eyes.

Using a limited palette in oil painting

Limited palette: Clockwise from Titanium White, Cerulean Blue, Cobalt Blue, Alizarin Crimson, Cad Red Med, Burnt Sienna, Cad Lemon, Naples Yellow

If you have been tempted to load up on all the pretty colors when you visit the art supply store, don’t give in.  You can create nearly any color from a limited palette.  Most experienced artists find this gives their work greater cohesiveness.  Learn more on my How To page by following the link.  https://my90acres.com/artwork/using-a-limited-palette-in-oil-painting/

Plein air painting at Monkey Hollow Winery today

Monkey Hollow Winery

Monkey Hollow Winery, 11 x 14 oil

I went out to Monkey Hollow Winery today with the plein air group, Runaway Artists (www.runawayartists.com).  If you’d like to see  the painting demo, again on a toned canvas, click on the link to take you directly to the page.

https://my90acres.com/artwork/plein-air-at-monkey-hollow-winery/

How to paint on a toned canvas

Does a blank canvas intimidate you?  Learn how to paint on a toned canvas. You’ll be surprised how this will speed up your painting and add an overall cohesiveness.  https://my90acres.com/artwork/painting-on-a-toned-canvas-step-by-step/