Do you ever feel like making some art but you just don’t know what to paint or draw? For some people, this is a common frustration. You have some free time and then what?
In my case, I keep a list. I’m very fond of lists. I often have many lists, here, there, everywhere. I have a couple of lists in my studio, but I also keep an idea notebook. This is actually to just capture an idea which might flit through my mind…and then flit out. These days I’m working on a lot of seasonal paintings for the upcoming holidays so I just brainstorm and write things down. I also use this technique when I’m thinking about another series of paintings.
Most of my ideas fall into three or four broad categories: still life, landscape, figurative and non-objective.
Still life. This can include any single or group of objects. Fruit, flowers, vases, skulls, musical instruments. The list is practically infinite. Some artists select a group of objects and then keep rearranging them and paint them for their entire lives (Morandi). Others choose themes – types of objects like all glass vases, or natural objects, or sports equipment. The really nice thing about still lifes is that the objects stay put (usually) and you can come back to work on your painting another day if you run out of time. This is a really good way to develop eye-hand coordination, composition, and learning to tell a story if that is what you choose to do. Instructors start beginning art students off with still lifes to help build these skills.
Landscape. Just about anywhere in the world can be a subject of a landscape painting. Painting outdoors (en plein air) is both challenging and fun. Cityscapes, your house, your dog’s house, beautiful scenery, or even things that aren’t so beautiful. Landscape painting can be a bit more challenging as the time of day and the seasons often dictate how long or when you can paint. Many artists make quick sketches and bring them back to use as subjects for larger or more detailed paintings. If you are painting out doors, then you have about two or three hours before the light and shadows change. You can always return another day to finish your work, or start another painting while you’re outside.
Figurative. This entails studying a figure, body, part, or group. It can even encompass pets and animals. For many people, this is one of the most difficult categories to approach. Why? Because your subjects move! Stand still, dang it! Again, the more you do, the better you become. Building that eye – hand coordination. A trip to a museum helps if they will allow you to sketch their sculptures. Those usually stay still. Or sit at your favorite eatery, a park, library, or any public space. Plenty of subjects there. The trick is to be stealthy but really, not everyone minds someone sketching them. And don’t try to make a finished piece if you only have a few minutes to just jot some sketches.
Abstract or non-objective. This is the anything goes category. Do you want to make circles or squiggles? Fine. How about several canvasses of lines or shapes? Add some sand or affix some found objects. Maybe your favorite music will inspire you. Ask any four year old and they’ll teach you how.
So next time you’re searching for something to paint, pull out your notebook or 3 x 5 card and check it for ideas. Just keep it nearby, maybe by your reading or TV chair, to jot down ideas as they come to you. You’ll always be ready for those times when you have a few hours to get creative. Good luck!