Lucky Red

I don’t know quite why I started this painting but it’s something that has been rolling around in my head for awhile.  Sometimes I’ll think about a work for years before I get around to painting it.

Lucky Red is a challenge of red on red on red.  Shiny and soft.  Clear objects, reflective, see-through.  Some of the symbols are pretty obvious.  The lucky Buddha, three Chinese coins, a WINNING lottery ticket.  Some are less obvious.  The lucky bamboo plant.  Two of the glass paperweights have fish swimming in them.  Fish are a lucky Chinese symbol.  And swirling throughout the still life is a lucky blue ribbon that I won at a holiday party.  (Thank you, Joan!) Topping the set up off is another glass paperweight called Mediterranean which celebrated the completion of a bike ride through France several years ago.

We all have lucky symbols in our lives.  What are yours?

Lucky Red - the initial still life set up

Lucky Red – the initial still life set up

First step, drawing on the canvas

First step, drawing on the canvas

Second stage, blocking in major shapes

Second stage, blocking in major shapes

Third step, laying in base colors of the objects

Third step, laying in base colors of the objects

Fourth stage.  Almost finished.

Fourth stage. Almost finished.

What my palette looks like with a variety of reds.  Using black to tone some of them down.

What my palette looks like with a variety of reds. Using black to tone some of them down.

The painting compared with the still life.  Notice the gel I have taped over the light.

The painting compared with the still life. Notice the gel I have taped over the light.

Lucky Red, final.  Oil on canvas, 18 x 24, Kit Miracle

Lucky Red, final. Oil on canvas, 18 x 24, Kit Miracle

2 responses to “Lucky Red

  1. I love the theme of the piece. Especially that you have red as the main color, a notoriously difficult color to work with. The balance is amazing. Wonderful piece, always love work that makes me smile.

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  2. Thank you, Taylor Ann. Yes, red is a challenge, especially large areas and, in this case, different reds and different subject matter. I always appreciate feedback.

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